Author: Sharla Yates

  • 4-WEEK WORKSHOP | Writing From Photographs: From Image to Essay

    4-WEEK WORKSHOP | Writing From Photographs: From Image to Essay

    June 14 @ 3:00 pm July 5 @ 4:30 pm EDT

    Limited to 12 memoirists, essayists, and creative nonfiction writers

    Live On Zoom | Sundays, June 14 – July 5, 2026 | 3-4:30 pm eastern

    Starting a nonfiction piece can often feel daunting, despite having stories and experiences you wish to tell. Memories may feel incomplete—and can be inaccurate. But photographs can inspire your process and provide a starting point for our writing, serving as an object, an image, and a memory touchstone. When used as prompts for our writing, pictures can become rich reservoirs of personal and cultural history. Drawing on photographs that intrigue, haunt, or conjure forgotten memories, this four-week course explores the rich possibilities that photographs can serve in prompting your nonfiction writing and developing your craft.

    You’ll work with your own photographs, inspiring your writing with concrete moments to describe, reflect, and expand on. At the end of the four weeks, you’ll have a short essay or the start of a longer piece.

    This small-group, workshop-format course will include instructor feedback on 1,000 words.


    Over these four weeks, you will …
    • LEARN techniques of nonfiction narrative, including writerly presence, details and description, and the art of scene-making
    • DISCOVER how to use photographs to create richly imagined narrative nonfiction stories
    •  EXPLORE the possibilities of your own photographs as prompts for expressive essays and scenes 
    • EXPERIMENT with crafting and refining narrative nonfiction both individually and with guided workshopping
    Schedule
    • Week 1. Photographs and Stories
      We will look at how writers find stories in photographs and consider the different approaches a photograph can prompt. Then we’ll experiment with low-stakes writing inspired by your own photographs.
    • Week 2: Incomplete Photographs
      Explore how to turn a photograph into a scene, filling what is outside the frame and delving into memory and experience in the process. We will consider ways of crafting compelling descriptions and writerly presence. 
    • Week 3. Expanding the Writing
      Expanding on the work from Week 2, this week will focus on refining a draft of an essay. We will uncover ways of giving focus and depth to the developing piece towards a more richly textured draft. 
    • Week 4. Revision and Critique
      The final week offers guided group feedback, helping each other in thinking about directions for giving the writing a more solid frame and focus. 
    This course is for beginning and intermediate writers who want to
    • explore elements of creative nonfiction that draw on memory and experience 
    • experiment with how photographs can prompt stories 
    • refine their prose style and techniques
    • learn practical approaches to nonfiction storytelling 
    • have a pile of photographs to inform their memoir…but aren’t sure how to use them

    Closed captioning is available. ✔
    Think you might miss a class? No worries, replays will be available. ✔

    ABOUT YOUR INSTRUCTOR

    James Polchin is a writer and cultural historian, and a clinical professor at New York University. He is the author of Indecent Advances: A Hidden History of True Crime and Prejudice Before Stonewall, a finalist for an Edgar Award, and Shadow Men: The Tangled Story of Murder, Media, and Privilege That Scandalized Jazz Age America. His writing has appeared in The New York Times Book Review, Slate, TIME, Huffington Post, CrimeReads, Paris Review, Rolling Stone, The New Inquiry, Brevity, and the Gay and Lesbian Review. He has been interviewed about his work by BBC4 Radio, NPR, Advocate, The American Scholar, CrimeReads, Bookforum, and Publishers Weekly, among others.

    Testimonials from past students:

    “He really created a transformative course. His insightful comments on everyone’s writing were really superb, encouraging revision while also providing inspiration and direction.” 

    “I appreciated the thoughtful feedback and helpful questions.”

    “I was surprised by how much I was able to generate in a short time and in a way that felt fresh to me. The course opened up new pathways to consider.”

    “Big thanks to James for a class that fed my writing and my heart.” 

    THE FINE PRINT

    We understand that life can get in the way of your plans. We want you to be able to get the most out of your course, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers.

    Before the first class, you may request a refund (less a $25 processing fee).

    After class begins, you may request a refund for the remaining value of the course (less a $25 processing fee).

    No credits or refunds will be available after the 1st class.


    Questions? Please email Info@writingcraft.com


    Registration Info
    $240 Cost of Event

    Event Organizer

    Location
  • WEBINAR | Call and Response: Writing Beginnings and Endings in Essays

    WEBINAR | Call and Response: Writing Beginnings and Endings in Essays

    May 13 @ 3:00 pm 4:30 pm EDT

    For Personal Essays

    Essays sing. Beginning sentences open the tune—and connect to the endings in how the song ends. An essay’s opening says something about what the writer wants to explore through different lenses or truths. The beginning can nail the “what,” the essence of an essay’s quest, through an image or inflection or voice or rhythm of language (“It was the best of times, it was the worst of times”). 

    Essays move. Writers listen for a change—a mini-epiphany, an angle through the mind’s eye that frames in a fresh way, or a phrase like prayer in structure and sound. What might the last line say in response to the first? If beginnings and endings are siblings, what is the connection that links them? How might the closing not just echo the opening but instead extend it, go beyond what’s there?

    In this practice-driven webinar (be ready to write), Jonathan Callard will guide you through possibilities in shaping strong openings and closings in essays and how they can work together to inspire movement and revelation in your work.

    Can’t make it live? No worries—a replay will be available to all registrants.


    In this webinar, you will:
    • EXPLORE key elements of strong openings in essays and how to express them on the page.
    • DISCOVER how closings can respond to openings to deepen a piece and ways to write strong closings.
    • LEARN how beginnings and endings can work with a “what”—a tension/question—to create a transformative essay that pivots toward a change/shift, a “then.”
    • PRACTICE writing your own openings and closings in real time, guided by exercises designed to unlock movement and revelation in your essays.
    This webinar is ideal for writers who …
    • feel stuck on how to begin or end their pieces
    • want to play with structure of narrative or idea
    • want to hone their essays to engage agents, editors, and readers
    • want to understand how a central tension or question can guide an essay

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    Jonathan Callard is a writer, editor, and teacher who helps writers shape stories and find their voice. The winner of the Prairie Schooner Creative Nonfiction Contest judged by National Book Award honoree Sarah M. Broom, his work has appeared in Prairie Schooner, PublicSource, Creative Nonfiction, Hotel Amerika, Gulf Coast, Image, the Pittsburgh Tribune-Review, Pittsburgh Magazine, Arts & Letters, and the Dallas Morning News, among others, and has earned fellowships from the Ragdale Foundation, the Virginia Center for the Creative Arts, and the Brush Creek Foundation for the Arts. Having previously taught for the Creative Nonfiction Foundation, he currently offers writer-mentoring services and also teaches for the University of Pittsburgh, where he received an MFA in nonfiction writing. He lives in Pittsburgh, Pennsylvania.

    Questions? Please email Info@writingcraft.com

    Before the replay is sent, you may request a refund less a $10.00 processing fee. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.


    Registration Info
    $30 Cost of the Event

    Event Organizer

    Location
  • WEBINAR | Blurb Clinic: The 150 Words That Hook Agents, Editors, and Readers

    WEBINAR | Blurb Clinic: The 150 Words That Hook Agents, Editors, and Readers

    May 27 @ 3:00 pm 4:15 pm EDT

    All Genres

    Whether you call it “jacket copy,” an “extended pitch” or the meat of your query, your book’s blurb is critical. This short piece of persuasive copy determines whether someone reads on, requests the manuscript, or buys the book. Just 150 words do a lot of heavy lifting: positioning your book in the market, introducing your protagonist and stakes, and making a promise that reading will be worth the commitment. 

    But many writers get stuck with blurbs that sound generic or interchangeable with another author’s book. Shortcuts, AI, and borrowed language won’t sum up the heart of 100,000 words. You have to step inside your book and ask what it is truly offering—and then stress-test whether or not your manuscript delivers on that promise.

    When I finally arrived at the right 150 words for my own memoir/reported nonfiction project, everything fell into place. I received thoughtful, encouraging passes instead of crickets, and in a very short period of time, two offers of publication. As I wrote and revised, the blurb became a microcosm of my story’s logic and the reason someone would choose my book over anything else in front of them.

    Agents are looking for the blurb in your query letter (and will use it to sell your book to publishers). Editors are looking for the blurb in your book proposal. Marketers are looking for the blurb in your materials. And most importantly, your readers are looking to be fulfilled by the blurb’s promise. They want to read your book; give them every chance to be excited. This session shows you how to make those 150 words count.

    Can’t make it live? No worries—a replay will be available to all registrants.


    In this webinar, you will:
    • DEFINE what a blurb is (and is not) and see how it functions across queries, proposals, websites, and sales materials
    • ANALYZE real blurb examples to see how a clear, compelling story or concept is expressed in 150 words
    • STRUCTURE a blurb for yourself that introduces the protagonist/author, stakes, and take-away (without summarizing the entire book!)
    • IDENTIFY and AVOID common pitfalls that weaken blurbs, including generic language and over-reliance on trends
    • EVALUATE whether your blurb makes a promise your manuscript actually delivers on
    This webinar is ideal for writers who are …
    • not getting responses from their query letters or book proposals
    • planning to self-publish and needing strong sales copy for online retail pages and author websites
    • finished with their manuscript and need to articulate what the book is about
    • struggling to describe their book clearly, concisely, and in a compelling way
    • getting stuck in the weeds of their book and need to refine the premise

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    Michelle Cutler is an award-winning screenwriter, storytelling coach, and developmental editor specializing in true stories and memoir, as well as an enthusiastic teacher. She has written more than 1,700 advertising campaigns for global brands, humanizing brand copy for short form content.

    She holds an MFA in film from NYU and a diploma in advanced creative writing nonfiction from Cambridge. She is currently writing I WON’T LET YOU DIE ALONE, a reported memoir from the trenches of modern elder caregiving for Bloomsbury.

    Questions? Please email Info@writingcraft.com

    Before the replay is sent, you may request a refund less a $10.00 processing fee. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.


    Registration Info
    $30 Cost of the Event

    Event Organizer

    Location
  • WEBINAR | The Art of Book Reviewing: Discovering Connection through Critique

    WEBINAR | The Art of Book Reviewing: Discovering Connection through Critique

    May 6 @ 3:00 pm 4:00 pm EDT

    Focus: Creative Nonfiction though LARGELY THE PRINCIPLES APPLY ACROSS GENRES

    Book reviewing is a time-tested, excellent way to connect with literary venues and network with writers further along in their careers. Whether you have a manuscript of creative nonfiction well underway or are just beginning to break into essay or memoir writing, reviewing also allows you to practice critical approaches to writing that transfer to resolving thorny issues in your work. 

    In a time of thumbs up or thumbs down and dashed-off Goodreads reviews of “this sucked” or “loved it,” there’s an art to book reviewing—and a need for a blending of personal and critical analysis. But there are many different types and formats of book reviews and countless outlets that accept them, so it may be difficult to know where to get started.

    In this webinar we will outline different types of book reviews and outlets, learn the do’s and don’ts (and the value!) in the writing and publishing process of book reviews, and take home craft tools to create a successful review of your own.

    Can’t make it live? No worries—a replay will be available to all registrants.


    In this webinar, you will:
    • LEARN do’s and don’ts of book review pitching and writing
    • GAIN PERSPECTIVE on reviewing as a means of elevating your own writing and others’ 
    • DISCOVER how searching for comps in a book review helps find comps for your own manuscript
    • LEARN how the practice of analysis and critique leads to stronger writing
    • DISCOVER venues for your reviews and the expectations for different outlets
    • LEARN how reviewing is a valuable networking tool in the creative nonfiction and independent publishing communities
    • DECONSTRUCT a sample review structure
    This webinar is ideal for writers and readers of creative nonfiction who …
    • hope to professionally network with others in the field
    • seek practice pitching both critical and creative work
    • are interested in book reviewing but not sure how to start

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    Brooke Champagne is a native New Orleanian and the award-winning author of Nola Face: A Latina’s Life in the Big Easy, named a Best Book of 2024 from Kirkus Reviews.  Her book of cultural criticism and reportage, Drive-Thru Daiquiri, is forthcoming with LSU Press.  Champagne serves as Book Reviews Editor for River Teeth: A Journal of Narrative Nonfiction.  She is an Assistant Professor of Creative Writing in the MFA Program at the University of Alabama.

    Questions? Please email Info@writingcraft.com

    Before the replay is sent, you may request a refund less a $10.00 processing fee. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.


    Registration Info
    $30 Cost of the Event

    Event Organizer

    Location
  • The Writers Bridge | All about the HUSTLE: Marketing Your Own Book

    The Writers Bridge | All about the HUSTLE: Marketing Your Own Book

    April 28 @ 1:00 pm 2:00 pm EDT

    What’s the best way to sell YOUR book?

    More than ever, authors are doing the lion’s share of marketing–even when traditionally published. But gone are the days of religiously posting to socials and desperately hunting for Goodreads reviews. Our guests have mixed new practices and unique publicity hooks to get their books in front of the readers who need them.

    Andromeda Romano-Lax, Jo Piazza and Stephanie Weaver will tell us how their marketing plans have changed in 2026, the ways they’re bringing their words to the world, and the surprising tactics they never thought would work! Find out the best new book marketing tricks of the trade, and what you already know that’s still working.

    Join us TUESDAY April 28th at 1PM EASTERN – live and FREE on Zoom, all welcome!


    Our special guests:

    Andromeda Romano-Lax’s first novel, The Spanish Bow, was translated into eleven languages and her next novels– The DetourBehave, Plum Rains and Annie and the Wolves have been Indie Next and Amazon Books of the month; one has been optioned for TV/film. With 2024’s The Deepest Lake (a Barnes & Noble Monthly Pick) and her 2026 novel, What Boys Learn, Andromeda has swerved into the world of suspense fiction, although she continues to write historical fiction, too. Her next novel, coming in 2027, is a speculative retelling of Sylvia Plath’s life.

    Jo Piazza is the national and international bestselling author of The Sicilian Inheritance, Everyone is Lying to You, We Are Not Like Them, You Were Always Mine, Charlotte Walsh Likes to Win, The Knockoff and How to Be Married. Her work has been published in ten languages in twelve countries and four of her books have been optioned for film and television.  Jo’s podcasts have garnered more than twenty-five million downloads and regularly top podcast charts. An editor, columnist and travel writer, her work has also appeared in the Wall Street Journal, the New York Times, New York magazine, Marie Claire, Glamour and many other publications. Her next book, The Parisian Heist, comes out in July, 2025.

    Stephanie Weaver is a TEDx speaker coach and chronic illness advocate who distills complex human experiences into accessible, compelling narratives. Her fifth book, Bitter, Sweet: How to Heal Yourself When Your Family Is Broken is a heartfelt exploration of healing from childhood sexual abuse. Weaver’s personal journey as an abuse survivor who reconciled with her parents after years of estrangement informs her work, inspiring others to rewrite their own narratives and transform pain into purpose.

    Join your hosts Allison K Williams (SEVEN DRAFTS), Sharla Yates (CRAFT TALKS) and our special guests for this lively, funny hour of frank talk about publishing, platform, and always following your mission.

    FREE, all welcome! Sign up to receive the Zoom link the day before.


    Enjoy past recorded sessions here

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTERS

    Allison K Williams has edited and coached authors to publishing deals with Penguin Random House, Knopf, Mantle, St. Martin’s Press, and numerous small presses. An expert in author marketing and community building, her platform includes the Brevity Blog (80k+ followers), Instagram (10k+), a mailing list (12k+), and Facebook (5k+), with publications in the New York Times and appearances on NPR and CBC. Her book, Seven Drafts: Self-Edit Like a Pro from Blank Page to Book, sold on proposal. She leads the Rebirth Your Book writing retreats and co-hosts The Writers Bridge.

    Sharla Yates is the author of the poetry chapbook What I Would Say if We Were to Drown Tonight, published by Stranded Oak Press (2017). She hosts a webinar series, CRAFT TALKS for writers on writing, and co-hosts The Writers Bridge with Allison K Williams. Her nonfiction essay, “Address” was a finalist for the 2015 Columbia Journal writing contest and the 2016 Penelope Niven Creative Nonfiction Award. She is the former Director of Education at the Creative Nonfiction Foundation and teaches creative writing at the University of Pittsburgh.

    Questions? Please email Info@writingcraft.com

  • The Writers Bridge | More Than a Writer: How Other Roles Inform Our Craft

    The Writers Bridge | More Than a Writer: How Other Roles Inform Our Craft

    March 31 @ 1:00 pm 2:00 pm EDT

    Three authors, three lives.

    Outside of our writing pursuits, we all have other roles: as parents, job-holders, athletes, volunteers, activists, etc. Writers often lament that these demands compete with our practice, but how can they improve our craft? But how can we balance the lives that surround our writing with the work we create–and more than that, how can our “regular” lives feed, complement, and support our creative process?

    Blair Glaser, Jocelyn Jane Cox and Jaque Gorelick will share the surprising ways their extra obligations (and passions!) provide inspiration, content, and transferable skills, and of course, how they handle all the multitasking. Get practical advice and strategies to get words on the page, not just in spite of your other roles but because of them.

    Join us TUESDAY March 31st at 1PM EASTERN – live and FREE on Zoom, all welcome!


    Our special guests:

    Blair Glaser is a recovering psychotherapist, executive leadership and career coach. Her essays have appeared in Longreads, Shondaland, Oldster, Quartz, HuffPost, Inside Higher Ed, and others, as well as in literary magazines such as Brevity, Scoop, Rain Taxi, and The Mantlepiece. She is the author of This Incredible Longing: Finding Myself in a Near-cult Experience (Heliotrope, 2026).

    Jocelyn Jane Cox was a competitive figure skater who became a national-level coach, balancing this role with her writing for over 25 years. She is the author of Motion Dazzle: A Memoir of Motherhood, Loss, and Skating on Thin Ice (Vine Leaves, 9/25). She holds an MFA from Sarah Lawrence College. Her work has appeared in The New York Times, Slate, The Offing, and the Colorado Review, among others.

    Jacque Gorelick is an elementary school teacher turned writer who spent years helping students turn ideas into stories. Her essays about motherhood, health, education, and estrangement appear in The New York Times, Salon, Los Angeles Review of Books, Pithead Chapel, X-R-A-Y, and The Kenyon Review. Map of a Heart: A Memoir of Love, Loss, and Finding the Way Home (Vine Leaves Press 2026) is her debut.

    Join your hosts Allison K Williams (SEVEN DRAFTS), Sharla Yates (CRAFT TALKS) and our special guests for this lively, funny hour of frank talk about publishing, platform, and always following your mission.

    FREE, all welcome! Sign up to receive the Zoom link the day before.


    Enjoy past recorded sessions here

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTERS

    Allison K Williams has edited and coached authors to publishing deals with Penguin Random House, Knopf, Mantle, St. Martin’s Press, and numerous small presses. An expert in author marketing and community building, her platform includes the Brevity Blog (80k+ followers), Instagram (10k+), a mailing list (12k+), and Facebook (5k+), with publications in the New York Times and appearances on NPR and CBC. Her book, Seven Drafts: Self-Edit Like a Pro from Blank Page to Book, sold on proposal. She leads the Rebirth Your Book writing retreats and co-hosts The Writers Bridge.

    Sharla Yates is the author of the poetry chapbook What I Would Say if We Were to Drown Tonight, published by Stranded Oak Press (2017). She hosts a webinar series, CRAFT TALKS for writers on writing, and co-hosts The Writers Bridge with Allison K Williams. Her nonfiction essay, “Address” was a finalist for the 2015 Columbia Journal writing contest and the 2016 Penelope Niven Creative Nonfiction Award. She is the former Director of Education at the Creative Nonfiction Foundation and teaches creative writing at the University of Pittsburgh.

    Questions? Please email Info@writingcraft.com

  • WEBINAR | Essay as Activism: Bearing Witness Through Your Words

    WEBINAR | Essay as Activism: Bearing Witness Through Your Words

    April 29 @ 3:00 pm 4:30 pm EDT

    for Creative Nonfiction

    Powerful, of-the-moment creative nonfiction weaves our personal experience, as both subjects and witnesses, with larger issues to convey important themes and messages of social justice and advocacy. Our writing can speak against injustices occurring in the world around us and help question the status quo. But what skills do we need as writers to speak out on topics we are passionate about? 

    Join Amy Shea, author of Too Poor to Die: The Hidden Realities of Dying in the Margins, to explore the idea of the essay as activism. Learn craft techniques to combine your interior experience with wider themes to create effective messaging that readers will emotionally connect with. Develop your command of rhetoric, structure, and conveying meaning to lend a critical eye to the standards and norms held before us.

    We will do close reading of some short examples from published essays, reviewing not only how but also what the author is doing. Attendees will have the opportunity to engage in some writing prompts and practice toward writing or revising their own culturally relevant essays.

    Can’t make it live? No worries—a replay will be available to all registrants.


    In this webinar, you will:
    • CLOSE READ examples to understand the choices authors make to convey meaning
    • CONSIDER how to connect personal experience to collective importance
    • PRACTICE using form and structure to explore larger themes
    • EXPLORE different rhetorical devices/craft elements that can do the heavy lifting in meaning-making
    This webinar is ideal for beginning and intermediate writers …
    • looking to expand beyond the personal essay
    • who want to learn how craft elements create effective messaging
    • who want to use their craft for advocacy
    • considering writing “memoir-plus,” who want to know how to weave the personal with the universal 
    • who want to explore more experimental styles of essay writing

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    Amy Shea is an essayist with an MFA and a doctorate in Creative Writing from the University of Glasgow and is the author of Too Poor to Die: The Hidden Realities of Dying in the Margins. Her work has appeared in The Missouri Review, Portland Review, The Massachusetts Review, the Journal of Sociology of Health & Illness, among others. She works as the writing program director for Mount Tamalpais College, a free community college for the incarcerated people of San Quentin. Learn more about her work at https://amysshea.com.

    Questions? Please email Info@writingcraft.com

    Before the replay is sent, you may request a refund less a $10.00 processing fee. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.


    Registration Info
    $30 Cost of the Event

    Event Organizer

    Location
  • WEBINAR | Main Character Energy: Writing Resonant Characters

    WEBINAR | Main Character Energy: Writing Resonant Characters

    April 22 @ 3:00 pm 4:30 pm EDT

    For Nonfiction & Fiction (prose)

    Your characters are the lifeblood of your stories, but writers sometimes overlook techniques that can make a character feel real on the page. Whether you’re inventing, researching, or remembering the characters you’re crafting, this webinar will introduce you to methods for uncovering the motivations, quirks, and inner lives of the people populating your pages.

    In this prompt-driven webinar, you will explore proven techniques for writing memorable, believable, and indelible characters for both fiction and nonfiction prose. We will explore why your characters do what they do: their goals, secrets, and what screenwriters call the “ghost.” You’ll be able to apply these traits to your memoir or novel by showing unique behaviors, speech patterns, and physical traits that make us love (or not!) the people on your pages.

    This generative (be ready to write!) webinar is a great fit for beginning and intermediate writers seeking practical, effective techniques for adding depth to their character portrayals (including real-life characters).

    Can’t make it live? No worries—a replay will be available to all registrants.


    In this webinar, you will:
    • IDENTIFY your protagonist’s secret goals (and your antagonist’s too!)
    • DISCOVER the quirks and behaviors that make your characters unique
    • LEARN techniques for writing distinctive and realistic dialogue  
    • DEVELOP a connection to your characters

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    Jessica Handler is the author of the forthcoming novel The World to See. Her novel The Magnetic Girl was awarded the 2020 Southern Book Prize. She’s the author of Invisible Sisters, one of the “25 Books All Georgians Should Read,” and the craft guide Braving the Fire: A Guide to Writing About Grief and Loss. Her nonfiction has appeared on NPR, in Tin House, Drunken Boat, The Bitter Southerner, Brevity, Salvation South, Five Points, Image, Creative Nonfiction, Newsweek, The Washington Post, Oldster, and elsewhere. www.jessicahandler.com


    Questions? Please email Info@writingcraft.com

    Before the replay is sent, you may request a refund less a $10.00 processing fee. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.


    Registration Info
    $30 Cost of the Event

    Event Organizer

    Location
  • WEBINAR | Worldbuilding in Memoir: Creating Vivid Worlds that Captivate Your Readers

    WEBINAR | Worldbuilding in Memoir: Creating Vivid Worlds that Captivate Your Readers

    April 15 @ 3:00 pm 4:15 pm EDT

    For Memorists

    Memoirs offer the unique opportunity to inhabit the inner world of the writer, accessing our deepest thoughts, feelings, and truths. Using hyper-specific detail and sensory images, memoirists can pull readers in, keep them engaged until the final sentence, and make them care about our stories and characters.

    This webinar will explore why worldbuilding—both exterior and interior—is important in memoir and provide practical tips for creating memorable worlds that captivate your readers. We’ll look at examples from published memoirs to uncover how evocative settings make us care about a writer’s experience.

    Can’t make it live? No worries—a replay will be available to all registrants.


    In this webinar, you will:
    • EXPLORE why worldbuilding is so important in memoir
    • LEARN to apply worldbuilding techniques to your own memoir, including the use of “telling details,” specificity, and the five senses
    • ADDRESS the practical challenges of worldbuilding in memoir, including memory gaps, which details to include vs. not include, and more
    This webinar is ideal for writers…
    • in the process of drafting a memoir
    • revising a memoir and feeling their text could be richer
    • who need help enhancing the “world” of their memoir, both physical settings and the spaces of interiority

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    This webinar was originally offered October 2024.

    ABOUT YOUR PRESENTER

    Katie Bannon’s teaching is encouraging and practical, with step-by-step guidance and concrete tools. Writers who want to access deep creativity with a solid framework will love her classes! 

    Katie Bannon is a writer, editor, and educator whose work has appeared in The Rumpus, ELLE Magazine, NPR, Newsweek, Narratively, and more. Her memoir manuscript, which charts her journey as a compulsive hair puller, was a finalist for the Permafrost Nonfiction Book Prize. A graduate of GrubStreet’s Memoir Incubator, she holds an MFA in Creative Nonfiction from Emerson College. She is a developmental editor who loves working with nonfiction writers to find the “story” behind the “situation” of their memoirs and essays. She lives in the Boston area with her husband and two cats. Find Katie at www.katiebannon.com


    Questions? Please email Info@writingcraft.com

    FULL REFUNDS ARE AVAILABLE before the replay is sent out. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.


    Registration Info
    $30 Cost of the Event

    Event Organizer

    Location
  • SEMINAR | 1,000 Words in 3 Hours: “Writing the Heat” to Generate High-Stakes Material, Faster

    SEMINAR | 1,000 Words in 3 Hours: “Writing the Heat” to Generate High-Stakes Material, Faster

    May 2 @ 1:00 pm 4:00 pm EDT

    For Memoirist

    When we try to write methodically, we shut down the part of us that’s in flow. Planning every scene and forcing ourselves to be logical and linear blocks our creative energy. We produce stale, predictable pages that feel dull to write and even duller to read. Meanwhile, our inner critic gets louder, our perfectionism takes over, and we avoid the vulnerable places we need to go to make personal narrative work. Your subconscious knows what you need to write better than your logical mind does—but how can you access that energy on demand? 

    The “Write the Heat” method is an intuition-driven practice that helps you follow currents of energy rather than a premeditated sequence. By writing toward what feels tense, interesting, or unresolved (the moments that carry “heat”), we trick ourselves into saying the truest thing. We generate material that’s raw, compelling, and emotionally honest. With “Writing the Heat,” you’ll write faster, with more confidence, and stumble upon insights you never would have found through careful planning.

    In this seminar, you’ll learn the foundational technique of Katie’s proven “Write the Heat” process and practice it through guided prompts. Discover how to silence your inner critic, follow your gut instinct, and generate high-stakes material that captures what your story is really about. You’ll take away concrete methods to produce more—and truer—pages every time you sit down to write.


    In this interactive three-hour live seminar, you will:
    • DISCOVER how to identify “heat” in your story—the most tense, interesting, or emotionally charged moments
    • LEARN “heat mapping” and timed freewriting techniques to bypass your inner critic and generate high-stakes material quickly
    • PRACTICE writing toward what feels alive rather than what you think you “should” write
    • UNDERSTAND how following energy and intuition leads to truer, higher-stakes storytelling than logical planning
    • EXPERIENCE the relief of making “writing badly” the goal and lowering the stakes on your writing process

    This course is ideal for…
    • whose perfectionism and inner critic stop them from getting words on the page
    • who know they need to “go there” but aren’t sure how to start
    • whose writing feels stale, predictable, or emotionally distant
    • who want to access the vulnerable, high-stakes material their stories require
    • who feel blocked when they try to write in a linear, methodical way and need permission to follow their intuition

    Closed captioning is available. ✔
    Think you might miss class? No worries, replays will be available 3 business days after the event. ✔

    ABOUT YOUR Instructor

    Katie Bannon’s teaching is encouraging and practical, with step-by-step guidance and concrete tools. Writers who want to access deep creativity with a solid framework will love her classes! 

    Katie Bannon is a writer, editor, and educator whose work has appeared in The Rumpus, ELLE Magazine, NPR, Newsweek, Narratively, and more. Her memoir manuscript, which charts her journey as a compulsive hair puller, was a finalist for the Permafrost Nonfiction Book Prize. A graduate of GrubStreet’s Memoir Incubator, she holds an MFA in Creative Nonfiction from Emerson College. She is a developmental editor who loves working with nonfiction writers to find the “story” behind the “situation” of their memoirs and essays. She lives in the Boston area with her husband and two cats. Find Katie at www.katiebannon.com

    Student Testimonials

    “Katie is the best writing instructor I have ever had. Her presentation was impeccable. She provided an abundance of ideas, details, examples, and information. In fact, the class was overflowing with information. I have nothing but praise for Katie and the class content.”

    “Katie was an amazing instructor. She explained core concepts with clarity and ease, provided excellent examples and writing samples, and created a very supportive learning environment. The class truly exceeded my expectations!”

    “Holy moly, this was a superb class. Instructor was well-prepared with lots of valuable and well-organized information and ideas. I have already begun applying some of the tools from class to revise—and what a difference it’s making!”

    THE FINE PRINT

    We understand that life can get in the way of your plans. We want you to be able to get the most out of your course, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers.

    Before the class, you may request a refund less a $10.00 processing fee.

    Please keep in mind that no refunds or credits will be issued after class begins.

    Questions? Please email Info@writingcraft.com


    Registration Info
    $99 Cost of Event

    Event Organizer

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  • The Writers Bridge | LIVE ONLY Pitch & Platform with Literary Agent Jessica Berg & Allison K Williams

    The Writers Bridge | LIVE ONLY Pitch & Platform with Literary Agent Jessica Berg & Allison K Williams

    April 21 @ 1:00 pm 2:00 pm EDT

    BONUS Writers Bridge episode Tuesday April 21st from 1-2PM Eastern. LIVE ONLY NO RECORDING NO REPLAYS.

    Getting your book to the shelves means talking about it–clearly, concisely, and in a way that builds excitement and anticipation. And talking about your platform is part of that pitch.

    Practice pitching YOUR book to Literary Agent Jessica Berg and editor Allison K Williams. We’ll give you frank, useful feedback about your pitch–is it selling your book, and why or why not?

    Then, dive deeper. Tell us your platform (or the one you’re thinking about building) and we’ll share our best tips and tools to find your audience and reach them. And if you don’t know yet? We’ll brainstorm it with you, right now.

    All live attendees will receive a follow-up email with recommended tools and highlights from the session.

    Literary Agent Jessica Berg has heard thousands of pitches, and helped the authors she represents shape their platform and refine their pitch to attract publishing deals, plan their marketing, and ultimately reach readers.

    Cohost Allison K Williams has shepherded writers through live and virtual pitch events, and helped them get comfortable talking about themselves and their books with top agents in New York and London. She’s pitched a fair few books herself and learned some surprising new elements of her own platform for 2026.

    Join us live and FREE on Zoom, all welcome!


    Your Hosts

    Jessica Berg is a literary agent, author, and the founder of Rosecliff Literary. She loves stories that explore grief, longing, ambition, and survival and the complicated ways they intersect.

    She earned her MFA from Spalding University and contributes regularly to Writer’s Digest. Jessica serves on the boards of the Women’s National Book Association and the Historical Novel Society, and teaches nationally on querying, comp titles, and the business of authorship, with a focus on building sustainable, long-term writing careers. Her client list includes Vincent Zandri, Lisa Roe, Arizona Bell, and others..

    Allison K Williams has edited and coached authors to publishing deals with Penguin Random House, Knopf, Mantle, St. Martin’s Press, and numerous small presses. She’s the author of Seven Drafts: Self-Edit Like a Pro from Blank Page to Book, and an expert in author marketing and community building. Her own writing has also appeared in the New York Times, Travelers’ Tales and Writers Digest and her performed stories on The Moth, NPR and CBC-Canada. She leads the Rebirth Your Book writing retreats and co-hosts The Writers Bridge.


    Enjoy past recorded WRITERS BRIDGE sessions here

    Closed captioning is available. ✔

    Questions? Please email Info@writingcraft.com

  • WEBINAR | Submit It to Win It: Literary Magazine Submission Strategies

    WEBINAR | Submit It to Win It: Literary Magazine Submission Strategies

    April 8 @ 3:00 pm 4:15 pm EDT

    For all genres of literary writing: essays, flash CNF, micro-memoirs, flash fiction, short stories, and poetry

    Our first submissions can feel overwhelming, and the endless rounds of sending our work to literary magazines can feel discouraging, but it doesn’t have to be that way. The process of publishing can be a fun and satisfying part of the writing life. During this live online class, Bethany Jarmul will demystify the submissions process and offer practical steps you can take to develop and achieve your writing and submitting goals. 

    During the webinar, we’ll explore eight different submission strategies and how to decide which one is right for you. Discover the pitfalls to avoid and learn tips and tricks to get the attention of editors and get your work published. You’ll leave this workshop with defined writing goals and a strategy for how to achieve them. 

    Can’t make it live? No worries—a replay will be available to all registrants.


    In this webinar, you will:
    • LEARN how to set realistic writing goals and achieve those goals
    • DISCOVER eight different submission strategies and how to choose the one that’s right for you
    • LEARN common submission mistakes to avoid
    • EXPLORE tips and tricks to get your work published in literary magazines
    This webinar is ideal for writers who
    • are new to submitting their work for publication
    • feel like they’re guessing where to submit
    • work in any genre, including essays, flash CNF/fiction, micro-memoirs, short stories, and poetry
    • fear or feel bad about rejections
    • want to get more acceptances from literary magazines this year
    • want to set writing and publishing goals and get ready to achieve them

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    Bethany Jarmul is an Appalachian writer, poet, writing coach, and workshop instructor. She’s the author of a poetry collection, Lightning Is a Mother, and a mini-memoir of flash nonfiction pieces, Take Me Home. Her work has been published in more than 100 literary magazines, including Brevity, River Teeth, and Chestnut Review. Her writing was selected for Best Spiritual Literature and Best Small Fictions, and nominated for the Pushcart Prize, The Best of the Net, and Best Microfiction. Twice, she earned first place in Women On Writing’s quarterly flash essay contest. Connect with her at bethanyjarmul.com or on social media: @BethanyJarmul.

    Questions? Please email Info@writingcraft.com

    FULL REFUNDS ARE AVAILABLE before the replay is sent out. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.


    Registration Info
    $30 Cost of the Event

    Event Organizer

    Location