Author: Sharla Yates

  • 3-WEEK WORKSHOP | Words That Matter: Writing for Advocacy and Change

    3-WEEK WORKSHOP | Words That Matter: Writing for Advocacy and Change

    July 23 @ 5:00 pm August 6 @ 8:00 pm EDT

    Open to 10 writers only, working in Creative Nonfiction, Narrative Nonfiction, or Personal Essay

    Live On Zoom | Thursdays, July 23 – August 6, 2026 | 5-8 pm Eastern

    In this generative writing workshop, we’ll explore how the creative nonfiction essay conveys important themes and messages and questions the status quo, bends a critical eye to social norms, and brings to light a range of issues that need addressing, from the small to the big.

    We’ll explore a variety of essay styles and stories, from thoughtful commentary to powerfully emotional pieces, many of which explore difficult, political, and important contemporary issues: works rooted in truth but done so with the creative flair of artful formatting and prose. Most importantly, we’ll practice and write our own advocacy essays.

    If you’re passionate about speaking out against injustice, expressing dissent, and stimulating imagination of a better world, join us to refine your skills and build your publication record with essays that make a difference.

    Includes the instructor’s written feedback on your work.


    Over these three weeks, you will …
    • QUESTION creative nonfiction essays to understand how they can convey important themes and messages
    • PRACTICE employing craft elements to successfully advocate for issues in a way that emotionally connects with readers
    • WORKSHOP one another’s work to provide diverse feedback, perspectives, and reactions
    • EXPLORE a variety of essay styles and stories featuring difficult, political, and important contemporary issues
    • GENERATE new writing to develop into powerful essays
    Schedule
    • Week 1: Short writing practice to get into the writing zone; discussion of essay examples distributed and read before class; longer writing sprint with brief on-the-spot reading/feedback
    • Weeks 2 and 3: A workshop of up to 1,000 words for each student; discussion of essay examples distributed and read before class; end with short writing practice to send us off with more idea

      Following the final session, the instructor will send written feedback to each student
    This course is for beginning and intermediate writers who …
    • want to learn how craft elements create effective messaging
    • desire to use their craft for advocacy purposes
    • have stories to tell or want to speak out on issues they are passionate about
    • want to explore more experimental styles of essay writing

    Closed captioning is available. ✔
    Think you might miss a class? No worries, replays will be available. ✔

    ABOUT YOUR INSTRUCTOR

    Amy Shea is an essayist with an MFA and a doctorate in Creative Writing from the University of Glasgow and is the author of Too Poor to Die: The Hidden Realities of Dying in the Margins

    An energetic and encouraging teacher, Amy focuses on practice-based instruction with time to write, play, and close-read examples to stretch your writing skills. Always inclusive, she loves to provide lots of examples, so students end up with lots of SWAG (Stories We All Get [to read])!

    Amy Shea’s work has appeared in The Missouri Review, Portland Review, The Massachusetts Review,  the Journal of Sociology of Health & Illness, among others. She works as the Writing Program Director for Mount Tamalpais College, a free community college for the incarcerated people of San Quentin. Learn more about her work at https://amysshea.com.

    Testimonials from past students:

    “Amy Shea’s classroom presentations to my college writing classes were excellent and informative. She was a guest writer in both introductory and advanced writing classes, and in both cases the students raved afterwards about how helpful her presentations were for them. Her focus on different kinds of research, writing, and editing in the context of writing creative nonfiction is useful for writers at all levels. Highly recommended!” –David Buuck, Academic Director, Oakland Clemente Course in the Humanities & Assistant Adjunct Professor of English, Mills College

    “Amy is a wonderful lecturer and educator! She asks great questions that always stimulate lots of discussion and creates a great learning environment for the attendees with her warmth and creativity.” –Justine Juson

    “Amy presented her research and writing practices to my students, who mostly saw research and writing as exacting hard work that was beyond them but not beyond others. Amy’s descriptions, sometimes humorous and always instructive, encouraged my students to think differently, and by the end of class, my students felt empowered to explore creativity and research in their own writing practices.” –Jeff Magnin

    THE FINE PRINT

    We understand that life can get in the way of your plans. We want you to be able to get the most out of your course, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers.

    Before the first class, you may request a refund (less a $25 processing fee).

    After class begins, you may request a refund for the remaining value of the course (less a $25 processing fee). No credits or refunds will be available after the 1st class.


    Questions? Please email Info@writingcraft.com


    Registration Info
    $320 Cost of Event

    Event Organizer

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  • REPLAY | Writing Through the Lens: Think Like a Photographer to Craft Compelling Scenes

    REPLAY | Writing Through the Lens: Think Like a Photographer to Craft Compelling Scenes

    June 1 June 30 EDT

    REPLAY INCLUDES: VIDEO, CHAT, PROMPTS, HANDOUT, AND TRANSCRIPT

    Not included in the Season Pass

    Images can be a remarkable tool for creative nonfiction writers. Photographers use vivid prose to describe their work, and the techniques they use to create inspired, memorable photos can have the same effect on your writing.

    As memoirists, we choose what events and moments belong in our work. Photographers make similar decisions when composing images, and the elements that make a picture memorable and meaningful are often the result of choices that the casual observer doesn’t even realize the person behind the camera is making. Whether you’re writing a memoir or creative nonfiction, photographs can be a powerful tool to help you not only tap into what is happening but also show the reader why these scenes are taking place.

    In this webinar, we will examine samples of memoir and essay that draw upon photographs to deepen scenes and characters, and you will learn how to use these practical techniques in your own storytelling.

    Registrants will receive a handout with prompts and actionable tips.


    In this webinar, you will:
    • LEARN to read photographs in order to better understand composition of scenes
    • DRAW inspiration from two-dimensional images to “frame” your own scenes
    • LEARN how to create compelling prose that draws your reader into your story 
    This webinar is for creative nonfiction writers who are struggling to make old memories or family tales come to life.

    The live event happened in November 2023.

    ABOUT YOUR PRESENTER

    Grace Hwang Lynch is a storyteller in journalism, essays, and photography. Her work can be found on outlets including Tin House, Catapult, and NPR. Her food memoir How to Cook Rice: On the Care and Feeding of an Immigrant Family will be published in early 2027 by Regalo Press. Website: www.gracehwanglynch.com

    Questions? Please email Info@writingcraft.com

    Because the replay is delivered instantly upon purchase, all sales are final.


    Registration Info
    $30 Cost of Replay and Materials

    Event Organizer

    Grace Hwang Lynch

    View Organizer Website


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  • WEBINAR | Poetry, Prose, or Both? Writing and Publishing a Hybrid Memoir

    WEBINAR | Poetry, Prose, or Both? Writing and Publishing a Hybrid Memoir

    June 24 @ 3:00 pm 4:15 pm EDT

    For Creative Nonfiction, Poetry, and Hybrid

    Sometimes a moment demands the compression of a poem. Sometimes it needs room to breathe in prose. But what happens when your memoir wants both? In this webinar, we’ll explore the craft of hybrid memoir—how to recognize when a piece is calling for verse versus essay, how to let both forms coexist without flattening or repeating yourself, and how each genre can do work the other can’t.

    We’ll also tackle the practical challenges of bringing hybrid and multi-genre work to publication: how to structure the manuscript, how to describe it in a query, how to find receptive publishers, and how to talk about your book when it defies easy categorization.

    Drawing from Brenda’s experience writing and placing Love You, Bye: A Daughter’s Journey in Essays and Poems (Skinner House Books, April 2026), she’ll share both the creative and publishing lessons learned along the way.


    In this webinar, you will:
    • LEARN to recognize when a moment, image, or memory wants to be a poem or an essay
    • GAIN permission to try different forms and genres for the same material
    • DISCOVER strategies for letting poetry and prose speak to each other without redundancy
    • EXPLORE organizing principles for a hybrid manuscript
    • PRACTICE language for describing multi-genre work to agents, editors, and readers
    • IDENTIFY which presses are most open to unconventional memoir forms
    This webinar is for…
    • writers who enjoy the freedom to explore more than one genre at once (and want to feel better about it!)
    • anyone who has wondered: “Is this a poem or is this an essay?”—and suspected the answer might be “yes”
    •  writers working on a book that feels like “essays” and “memoir” and “maybe poetry” all at once
    • anyone who has been told their manuscript is “hard to categorize” or “difficult to shelve”
    • those preparing to query or submit a multi-genre project and unsure how to describe it

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    Brenda Miller is noted for making form “feel like a gift, not a constraint” and teaches as “a wise friend who’s read everything and still gets excited about a well-placed line break.” Warm, practical, and full of “what ifs,” Brenda’s sessions are full of the mutual joy of discovery. 

    Brenda Miller’s new hybrid collection, Love You, Bye: A Daughter’s Journey in Essays and Poems, is just out from Skinner House Books (April 2026). She is the author of six additional essay collections, including A Braided Heart: Essays on Writing and Form, andAn Earlier Life, winner of the Washington State Book Award for Memoir. Her work has received seven Pushcart Prizes. She co-authored, with Holly J. Hughes, The Pen and the Bell: Mindful Writing in a Busy World, and, with Suzanne Paola, Tell It Slant: Creating, Refining, and Publishing Creative Nonfiction, now in its third edition. She coined the term “Hermit Crab Essay.” Her website is www.brendamillerwriter.com.


    Questions? Please email Info@writingcraft.com

    Before the replay is sent, you may request a refund less a $10.00 processing fee. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.


    Registration Info
    $30 Cost of Event

    Event Organizer

    Location
  • WEBINAR | Artful Intelligence: What the Rise of AI Can Teach Us about Great Writing

    WEBINAR | Artful Intelligence: What the Rise of AI Can Teach Us about Great Writing

    June 17 @ 3:00 pm 4:00 pm EDT

    For Creative Nonfiction, Nonfiction, and Poetry

    Artificial Intelligence can’t do what you can do because it doesn’t feel what you feel. Learn to harness those feelings to make original and unforgettable human art. 

    We’ll explore AI via literature and writing, with an overview of how chatbots produce “original” works, trends in publishing and marketing related to the rise of AI, and what artificial writing can teach us about our own, human craft. 

    As part of our investigation, we’ll study technical aspects of AI to learn how it works and how to detect its usage. And we’ll examine how our own response to the emergence of AI can help us contend with the social, moral, and aesthetic challenges posed by advancements in technology. 

    This webinar will allay your fears over AI taking over the world—or at least taking over the writing world—and putting all of us creative writers out of business. No prior technical knowledge is required—only a passion for reading, exploring how technology shapes storytelling, and uncovering how human stories shape technology.


    In this webinar, you will:
    • UNDERSTAND how so-called Artificial Intelligence actually writes
    • EXPLORE what AI reveals about writing formulas and clichés to avoid in our own work
    • LEARN how to write, publish, and stand out in a world beset by emerging technologies
    This webinar is for beginning and intermediate writers who …
    • worry about AI and its impacts on their own writing and prospects for publication
    • seek to make their own work more original and attention-grabbing
    • want to recognize AI “in the wild” and understand its use as a tool

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    Jaswinder Bolina’s superpower is translating complicated ideas into conversational, humorous sessions that students find transformational for their work. Noted for being analytical yet highly approachable, Jaswinder’s most recent book English as a Second Language and Other Poems (2023) was awarded the 2025 Kingsley Tufts Poetry Award from Claremont Graduate University. He is author of three previous poetry collections, The 44th of July (2019), Phantom Camera (2013), and Carrier Wave (2007), and of the essay collection Of Color (2020). 

    Questions? Please email Info@writingcraft.com

    Before the replay is sent, you may request a refund less a $10.00 processing fee. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.


    Registration Info
    $30 Cost of Event

    Event Organizer

    Location
  • SEMINAR | Get Your Book Unstuck: How to Fall Back in Love with Your Manuscript

    SEMINAR | Get Your Book Unstuck: How to Fall Back in Love with Your Manuscript

    June 20 @ 2:00 pm 5:00 pm EDT

    For Memoirist

    You needed to tell this story. There was heat in it—urgency and the conviction that you have something important to say. But somewhere in the months or years of drafting and revising, that heat got harder to find. Now, sitting down with the manuscript feels like a chore, and the work that used to excite you feels like pulling teeth.

    This is one of the most common and least talked-about challenges in long-form writing: not a craft problem, but a relationship problem. When revision starts to feel like spinning your wheels rather than making meaningful progress, resistance builds. Once that resistance takes hold, the deep, generative work a draft needs to evolve becomes nearly impossible.

    This seminar will change that. We’ll explore how to reconnect with the heat that compelled you to write this story, how to treat revision like play again, and how to experiment with your material in fresh and exciting ways. You’ll leave the seminar with a renewed relationship to your manuscript and a concrete plan for what comes next.


    In this interactive three-hour live seminar, you will:
    • DISCOVER what’s still alive in your manuscript and use those moments as your entry point back into the work
    • LEARN to treat revision as exploration rather than correction, so the process feels generative instead of draining
    • EXPLORE concrete strategies for experimenting with structure, perspective, and form, and shake loose new possibilities
    • RECONNECT with the heat that compelled you to tell this story and use that energy to move your draft into its next evolution
    • LEAVE with renewed excitement about your manuscript and a concrete plan for what to work on next

    This course is ideal for writers who…
    • dread opening their manuscript instead of looking forward to it
    • feel stuck in a cycle of revision that isn’t moving the work forward
    • want to approach their manuscript differently but aren’t sure what that looks like

    Closed captioning is available. ✔
    Think you might miss class? No worries, replays will be available 3 business days after the event. ✔

    ABOUT YOUR Instructor

    A lively and insightful speaker who brings new energy to CRAFT TALKS writers, Katie Bannon is a writer, editor, and educator whose work has appeared in The Rumpus, ELLE Magazine, NPR, Newsweek, Narratively, and more. Her memoir manuscript, which charts her journey as a compulsive hair puller, was a finalist for the Permafrost Nonfiction Book Prize. A graduate of GrubStreet’s Memoir Incubator, she holds an MFA in Creative Nonfiction from Emerson College. She is a developmental editor who loves working with nonfiction writers to find the “story” behind the “situation” of their memoirs and essays. She lives in the Boston area with her husband and two cats.

    Student Testimonials

    “Katie is the best writing instructor I have ever had. Her presentation was impeccable. She provided an abundance of ideas, details, examples, and information. In fact, the class was overflowing with information. I have nothing but praise for Katie and the class content.”

    “Katie was an amazing instructor. She explained core concepts with clarity and ease, provided excellent examples and writing samples, and created a very supportive learning environment. The class truly exceeded my expectations!”

    “Holy moly, this was a superb class. Instructor was well-prepared with lots of valuable and well-organized information and ideas. I have already begun applying some of the tools from class to revise—and what a difference it’s making!”

    THE FINE PRINT

    We understand that life can get in the way of your plans. We want you to be able to get the most out of your course, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers.

    Before the class, you may request a refund less a $10.00 processing fee.

    Please keep in mind that no refunds or credits will be issued after class begins.

    Questions? Please email Info@writingcraft.com


    Registration Info
    $99 Cost of Event

    Event Organizer

    Location
  • WEBINAR | Making Memoir Real: Captivate Your Readers with Dynamic Settings & Characters

    WEBINAR | Making Memoir Real: Captivate Your Readers with Dynamic Settings & Characters

    June 3 @ 3:00 pm 4:30 pm EDT

    For Memoirist and Essay Writers

    Memoir is a juggling act. As writers, our job is to bring the potent emotional stakes of our story to the page right from the beginning, introducing conflicts and launching the book’s dynamic journey. But equally important is establishing the story’s reality and dropping our readers into a particular time, a particular place, populated by particular people. This is how readers begin to care deeply and invest their hearts in our work.

    This interactive webinar will closely examine the techniques of setting and characterization—often taught in fiction workshops—and how important they are to memoir. We will study the difference between mere “description” and active, dynamic detail and movement. Prompts will be provided for new work and for work-in-progress.

    Can’t make it live? No worries—a replay will be available to all registrants.


    In this webinar, you will:
    • DISCOVER how to transplant readers directly into the world of your memoir through vivid, specific detail
    • LEARN the craft of characterization techniques borrowed from fiction and applied to true stories
    • IDENTIFY the difference between static description and dynamic, active detail that propels your narrative forward
    • PRACTICE writing prompts designed to deepen both new work and works-in-progress
    • EXPLORE how to establish emotional stakes early while simultaneously grounding readers in time, place, and character
    This webinar is ideal for writers at any level who…
    • would  like their work to immediately capture attention, to engage agents, editors and—most of all—readers
    • struggle with “Why would anyone care about my story?”
    • worry their prose is moving too slowly, that they may be “explaining too much” and showing too little
    • are insecure about their storytelling skills (that’s all of us)!

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    One of our most popular and beloved presenters, DINTY W. MOORE, is the author of the memoirs Between Panic & Desire and To Hell With It and the writing guides Crafting the Personal Essay and The Mindful Writer, among other books. He has published essays and stories in Harper’s, The New York Times Magazine, Georgia Review, Kenyon Review, Southern Review, Short Reads, and elsewhere. He is founding editor of Brevity, the journal of flash nonfiction.

    Questions? Please email Info@writingcraft.com

    Before the replay is sent, you may request a refund less a $10.00 processing fee. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.


    Registration Info
    $30 Cost of the Event

    Event Organizer

    Location
  • SEMINAR | Give Sorrow Words: Grief Writing as Sanctuary

    SEMINAR | Give Sorrow Words: Grief Writing as Sanctuary

    June 6 @ 1:00 pm June 7 @ 3:00 pm EDT

    Live on Zoom | Saturday & Sunday, June 6-7 | 1:00-3:00 pm EDT

    For All Writers

    Art serves a vital role as witness to events and emotions we have trouble naming. We know which poem arrived at just the right time in our lives, which song helped us imagine a path through deep feelings, and which book helped us navigate our grief.

    But what makes those pieces resonate in readers’ hearts? How does writing foster empathy? How can language, with its strengths and inadequacies, help us build sanctuaries within ourselves and where others can go to be witnessed and held?

    Taught by one of our most knowledgeable and empathetic presenters, this deeply experiential seminar is a hybrid of generative writing and craft conversation. 

    We’ll begin with a gentle writing practice to help you gather the glimmers of your own grief; then move into craft conversation and generative writing portals. grief,

    We’ll discuss key craft elements in published poetry, how they can elevate emotional subjects from sentimentality to specificity, and connect readers to an emotional experience.  

    We’ll examine a variety of grieving experiences through the lenses of reckoning, regret, remembrance, ritual, revitalization, and restoring (re-story-ing). This framework will offer six possible portals into exploring and writing about your own grief, creating a sanctuary for your soul and the souls of others. 

    We will have space for optional sharing at the end. In the seminar’s confirmation email, you’ll receive a packet of recommended prep work, containing additional optional readings and links to (very) short films on grief. After the class, you’ll receive the seminar recording, slide deck, and all poems used for our conversation.

    Please be prepared to write.


    In this interactive 2-Day live seminar, you will:
    • LEARN key craft elements that help dramatize emotion
    • UNDERSTAND the difference between sentimentality and sentiment
    • ANALYZE poems addressing different aspects of grief
    • ENGAGE with your own grief to create six new portals to longer work
    • PRACTICE writing through different lenses on grief
    • IMAGINE how writing can serve as sanctuary to self and others

    This course is ideal for writers in all genres who are interested in using language to help meet personal and collective grief.

    Closed captioning is available. ✔
    Think you might miss class? No worries, replays will be available 3 business days after the event. ✔

    ABOUT YOUR Instructor

    Funny, kind, and direct, Laraine Herring is a popular CRAFT TALKS presenter and one of our strongest voices on deeply personal writing that powerfully connects with readers.

    Laraine’s memoir, A Constellation of Ghosts: A Speculative Memoir with Ravens, was released in 2021 from Regal House. She’s the editor of the anthology Becoming Real: Women Reclaim the Power of the Imagined through Speculative Nonfiction (Pact Press, 2024), and a trilogy of writing books from Shambhala, including Writing Begins with the Breath: Embodying Your Authentic Voice. A retired professor of creative writing and psychology, Lariane has worked with writers for thirty years. She’s also an illustrator and a grief counselor, and creator of The Grief Forest: a book about what we don’t talk about. She founded the online ‘zine Hags on Fire, a place for women to share stories about menopause, and co-designed The Imaginal Memoir Cave immersion program with Gayle Brandeis. Laraine’s work has appeared in The New York Times, Tiferet, The Rumpus, The Manifest-Station, and many more. She holds an MFA in Creative Writing and an MA in Counseling Psychology and lives in the mountains of northern Arizona with many cats.

    Student Testimonials

    “Laraine helped my book tell me what it wants to be and challenged me to do the work to get it there. I am grateful for her intuitive, empathic, supportive approach, and for her enthusiasm when I arrived at the realizations she was hoping I’d get to as I did that work. Laraine’s skills are many, and she is fantastic to work with. She is dedicated, direct, detailed, dependable, and delightful.”

    — Meg Weber, author of A Year of Mr. Lucky (Sincyr Publishing)

    “Through Laraine’s authentic nature and ability to listen, I learned that writing is as much an act of bravery and strength as it is about being gentle and flexible. I can’t wait to be one of her students again!”

    — Naomi Kaplan

    “Without a doubt, Laraine is the most generous, inspirational and challenging writing instructor I have ever met. Using provocative writing exercises, she guided me through creative discovery, helping reveal ideas and truths I had previously locked away. She challenged me to delve deeper into my story, even if it meant going into the dark hidden corners.”

    — Janine Weyers

    “Laraine opened doors inside my mind and created space for me to come into relationship with my writing in a refreshing way that was all my own. I had more than one breakthrough working with her. With ease and honesty, she created an authentic, interesting and inviting space to grow.”

    — Grace Welker

    “Laraine encourages students to dig deep. She provides original, interesting exercises designed to pull past the first obvious idea and find the more compelling material underneath. She is as invested in students’ work as the students themselves.”

    — Janet Burrue

    THE FINE PRINT

    We understand that life can get in the way of your plans. We want you to be able to get the most out of your course, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers.

    Before the class, you may request a refund less a $10.00 processing fee.

    Please keep in mind that no refunds or credits will be issued after class begins.

    Questions? Please email Info@writingcraft.com


    Registration Info
    $125 Cost of Event

    Event Organizer

    Location
  • REPLAY | The Magic of Micro Prose: Find Your Story in 300 Words or Less

    REPLAY | The Magic of Micro Prose: Find Your Story in 300 Words or Less

    May 1 May 31 EDT

    REPLAY INCLUDES : VIDEO, CHAT SCRIPT, AUDIO FILE, SLIDES, HANDOUT, AND TRANSCRIPT & MORE

    Micro prose—stories told in 300 words or less—provides an opportunity for more, not less. Learn how this short but versatile form can amplify your creative nonfiction work (memoir and personal essay) and even poetry and fiction. 

    We’ll look at examples of micro in the world, how you can begin writing micro right away, and submission opportunities as you ready your work for the world. Darien will share her methods for drafting and crafting micro prose, and lead an in-class exercise so you can try it for yourself. 

    If you’ve ever been curious about micro, now’s a great time to add this powerful form to your writer’s toolbox.


    In this webinar, you will:
    • LEARN about micro prose and its storytelling superpowers
    • EXPLORE micro prose possibilities for creative nonfiction, fiction or poetry projects
    • CONSIDER submission and publication options for your own micro prose work 
    This webinar is ideal for writers who …
    • want to explore new ways to generate material
    • are interested in learning more about short-form writing
    • are ready to experiment with different ways of telling a story
    • want to publish short work as they write toward longer projects
    • want to deepen their literary craft

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    Darien Hsu Gee is an international bestselling author published by Penguin Random House and the third Mark Twain Distinguished Writer-in-Residence at the University of Connecticut, following Alexander Chee and Justin Torres. Her work spans genres, from novels translated into eleven languages to award-winning micro prose and poetry collections. She is the executive editor of Nonwhite and Woman: 131 Micro Essays on Being in the World (IPPY Silver Award) and the author of Allegiance (IPPY Bronze Award), Other Small Histories (Poetry Society of America Chapbook Fellowship), and Writing the Hawaiʻi Memoir (Ka Palapala Poʻokela Award of Excellence).

    A recipient of a Sustainable Arts Foundation grant and a Vermont Studio Center fellowship, Darien teaches creative nonfiction at UCLA Extension and Hugo House. She also leads specialized micro prose workshops through her platform, Writer-ish, and publishes two Substacks: Writer-ish, focused on the art of micro prose, and Drafts, Deals & Detours, a real-time look at the working writer’s life.

    Her service to the literary community includes board work with Short Reads and Flash Fiction Institute.

    Questions? Please email Info@writingcraft.com

    Because the replay is delivered instantly upon purchase, all sales are final.


    Registration Info
    $30 Cost of the REPLAY

    Event Organizer

    Location
  • WEBINAR | Mind the Gaps: Writing Less While Saying More

    WEBINAR | Mind the Gaps: Writing Less While Saying More

    May 20 @ 3:00 pm 5:00 pm EDT

    For Fiction Writers, Memoirists, and Essayists

    Our strongest writing makes the reader feel with our characters/our narrator selves. But too often, we over-write—spelling out emotions, explaining through dialogue, interrupting memoir scenes with reflection or novel scenes with backstory—so that readers are watching someone else have an experience. By paring down our prose to singular details and powerful images, we give room for the reader to “lean in” to the story, actively assemble information, and share the discoveries, realizations, tears, and laughter on the page.

    In this interactive webinar (let’s call it a workshop!) we’ll prune text, remove summaries to let details stand, and use gestures and images to create meaning and feeling. We’ll examine how to “score” text by arranging it on the page, making the visual processing of words and white space part of the reader’s experience. In published examples from fiction and memoir, we’ll learn how juxtaposition, high-context dialogue, and purposeful repetition give emotional punch. And we’ll challenge ourselves to create endings without explanations that resonate in the reader’s mind long after they’ve closed the book.

    Raise your craft level and gain a tool kit. In-class writing time and live editing will give you a chance to apply this to your writing right away.

    Can’t make it live? No worries—a replay will be available to all registrants.


    This is a TWO-HOUR class, with 20 minutes of writing time in the middle. 
    • 45 minutes – Learn a new tool kit of writing techniques to give fewer words more power.
    • 5 minutes – Q&A to fully understand and apply the techniques.
    • 20 minutes – Revise a scene from your novel, memoir, short story, or essay using your new tools. Allison will continue taking questions in the chat. 
    • OPTIONAL: Volunteer for live editing and upload your revised scene as a Word doc or docx to a Google Drive (link will be provided IN CLASS; no pages accepted early).
    • 40 minutes – Allison will live-edit volunteer pages on screen, noting where the writer is succeeding and what revisions could make the prose even more effective. She’ll call out specific techniques and tips for everyone to apply to their own work. 
    • 10 minutes – additional Q&A and more on applying this work to your writing.

    In this workshop you will:

    • HEAR how the interplay of said and unsaid makes dialogue more powerful
    • SEE how scoring text on the page establishes distance and attitude, smooths transitions, and increases dramatic tension
    • DISCOVER ways to increase emotional power on the page through specific details
    • APPLY the tools and techniques to your own scene, essay or story
    • CREATE powerful emotional connection with deliberate craft choices
    This Course is ideal for writers who are …
    • Novelists who want readers to feel what the characters are feeling
    • Memoirists and essayists who want to write powerful emotions without over-explaining their own feelings or over-using reflection.
    • Creative writing students and graduates of MFA programs who want to expand their writing craft with conscious practice.
    • Developmental editors who want to grow their knowledge of white space, details, and juxtaposition in prose and better communicate that knowledge to their author clients.
    • Writers hearing feedback that they are “telling” or info-dumping on the page
    • Writers struggling with realistic dialogue, whether recreating a remembered scene or writing fiction.

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    Allison K Williams is the author of Seven Drafts: Self-Edit Like a Pro From Blank Page to Book. She has edited and coached writers to Big Five and literary/university publishing deals and the New York Times and USA Today bestsellers lists. She’s guided essayists and humorists to publication in media including the New Yorker, Time, the Guardian, the New York Times, McSweeney’s, Refinery29, Hippocampus, the Belladonna and TED Talks. As Social Media Editor for Brevity, she inspires thousands of writers with weekly blogs on craft and the writing life.As a memoirist, essayist, and travel journalist, Allison has written craft, culture and comedy for National Public Radio, CBC-Canada, the New York Times, the Christian Science Monitor, Creative Nonfiction,McSweeney’s Internet Tendency, Kenyon Review Online,Travelers’ Tales and Flash Nonfiction Funny.

    Questions? Please email Info@writingcraft.com

    Before the replay is sent, you may request a refund less a $10.00 processing fee. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.


    Registration Info
    $40 Cost of the Event

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  • 4-WEEK WORKSHOP | Writing From Photographs: From Image to Essay

    4-WEEK WORKSHOP | Writing From Photographs: From Image to Essay

    June 14 @ 3:00 pm July 5 @ 4:30 pm EDT

    Limited to 12 memoirists, essayists, and creative nonfiction writers

    Live On Zoom | Sundays, June 14 – July 5, 2026 | 3-4:30 pm eastern

    Starting a nonfiction piece can often feel daunting, despite having stories and experiences you wish to tell. Memories may feel incomplete—and can be inaccurate. But photographs can inspire your process and provide a starting point for our writing, serving as an object, an image, and a memory touchstone. When used as prompts for our writing, pictures can become rich reservoirs of personal and cultural history. Drawing on photographs that intrigue, haunt, or conjure forgotten memories, this four-week course explores the rich possibilities that photographs can serve in prompting your nonfiction writing and developing your craft.

    You’ll work with your own photographs, inspiring your writing with concrete moments to describe, reflect, and expand on. At the end of the four weeks, you’ll have a short essay or the start of a longer piece.

    This small-group, workshop-format course will include instructor feedback on 1,000 words.


    Over these four weeks, you will …
    • LEARN techniques of nonfiction narrative, including writerly presence, details and description, and the art of scene-making
    • DISCOVER how to use photographs to create richly imagined narrative nonfiction stories
    •  EXPLORE the possibilities of your own photographs as prompts for expressive essays and scenes 
    • EXPERIMENT with crafting and refining narrative nonfiction both individually and with guided workshopping
    Schedule
    • Week 1. Photographs and Stories
      We will look at how writers find stories in photographs and consider the different approaches a photograph can prompt. Then we’ll experiment with low-stakes writing inspired by your own photographs.
    • Week 2: Incomplete Photographs
      Explore how to turn a photograph into a scene, filling what is outside the frame and delving into memory and experience in the process. We will consider ways of crafting compelling descriptions and writerly presence. 
    • Week 3. Expanding the Writing
      Expanding on the work from Week 2, this week will focus on refining a draft of an essay. We will uncover ways of giving focus and depth to the developing piece towards a more richly textured draft. 
    • Week 4. Revision and Critique
      The final week offers guided group feedback, helping each other in thinking about directions for giving the writing a more solid frame and focus. 
    This course is for beginning and intermediate writers who want to
    • explore elements of creative nonfiction that draw on memory and experience 
    • experiment with how photographs can prompt stories 
    • refine their prose style and techniques
    • learn practical approaches to nonfiction storytelling 
    • have a pile of photographs to inform their memoir…but aren’t sure how to use them

    Closed captioning is available. ✔
    Think you might miss a class? No worries, replays will be available. ✔

    ABOUT YOUR INSTRUCTOR

    James Polchin is a writer and cultural historian, and a clinical professor at New York University. He is the author of Indecent Advances: A Hidden History of True Crime and Prejudice Before Stonewall, a finalist for an Edgar Award, and Shadow Men: The Tangled Story of Murder, Media, and Privilege That Scandalized Jazz Age America. His writing has appeared in The New York Times Book Review, Slate, TIME, Huffington Post, CrimeReads, Paris Review, Rolling Stone, The New Inquiry, Brevity, and the Gay and Lesbian Review. He has been interviewed about his work by BBC4 Radio, NPR, Advocate, The American Scholar, CrimeReads, Bookforum, and Publishers Weekly, among others.

    Testimonials from past students:

    “He really created a transformative course. His insightful comments on everyone’s writing were really superb, encouraging revision while also providing inspiration and direction.” 

    “I appreciated the thoughtful feedback and helpful questions.”

    “I was surprised by how much I was able to generate in a short time and in a way that felt fresh to me. The course opened up new pathways to consider.”

    “Big thanks to James for a class that fed my writing and my heart.” 

    THE FINE PRINT

    We understand that life can get in the way of your plans. We want you to be able to get the most out of your course, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers.

    Before the first class, you may request a refund (less a $25 processing fee).

    After class begins, you may request a refund for the remaining value of the course (less a $25 processing fee).

    No credits or refunds will be available after the 1st class.


    Questions? Please email Info@writingcraft.com


    Registration Info
    $240 Cost of Event

    Event Organizer

    Location
  • WEBINAR | Call and Response: Writing Beginnings and Endings in Essays

    WEBINAR | Call and Response: Writing Beginnings and Endings in Essays

    May 13 @ 3:00 pm 4:30 pm EDT

    For Personal Essays

    Essays sing. Beginning sentences open the tune—and connect to the endings in how the song ends. An essay’s opening says something about what the writer wants to explore through different lenses or truths. The beginning can nail the “what,” the essence of an essay’s quest, through an image or inflection or voice or rhythm of language (“It was the best of times, it was the worst of times”). 

    Essays move. Writers listen for a change—a mini-epiphany, an angle through the mind’s eye that frames in a fresh way, or a phrase like prayer in structure and sound. What might the last line say in response to the first? If beginnings and endings are siblings, what is the connection that links them? How might the closing not just echo the opening but instead extend it, go beyond what’s there?

    In this practice-driven webinar (be ready to write), Jonathan Callard will guide you through possibilities in shaping strong openings and closings in essays and how they can work together to inspire movement and revelation in your work.

    Can’t make it live? No worries—a replay will be available to all registrants.


    In this webinar, you will:
    • EXPLORE key elements of strong openings in essays and how to express them on the page.
    • DISCOVER how closings can respond to openings to deepen a piece and ways to write strong closings.
    • LEARN how beginnings and endings can work with a “what”—a tension/question—to create a transformative essay that pivots toward a change/shift, a “then.”
    • PRACTICE writing your own openings and closings in real time, guided by exercises designed to unlock movement and revelation in your essays.
    This webinar is ideal for writers who …
    • feel stuck on how to begin or end their pieces
    • want to play with structure of narrative or idea
    • want to hone their essays to engage agents, editors, and readers
    • want to understand how a central tension or question can guide an essay

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    Jonathan Callard is a writer, editor, and teacher who helps writers shape stories and find their voice. The winner of the Prairie Schooner Creative Nonfiction Contest judged by National Book Award honoree Sarah M. Broom, his work has appeared in Prairie Schooner, PublicSource, Creative Nonfiction, Hotel Amerika, Gulf Coast, Image, the Pittsburgh Tribune-Review, Pittsburgh Magazine, Arts & Letters, and the Dallas Morning News, among others, and has earned fellowships from the Ragdale Foundation, the Virginia Center for the Creative Arts, and the Brush Creek Foundation for the Arts. Having previously taught for the Creative Nonfiction Foundation, he currently offers writer-mentoring services and also teaches for the University of Pittsburgh, where he received an MFA in nonfiction writing. He lives in Pittsburgh, Pennsylvania.

    Questions? Please email Info@writingcraft.com

    Before the replay is sent, you may request a refund less a $10.00 processing fee. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.


    Registration Info
    $30 Cost of the Event

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    Location
  • WEBINAR | Blurb Clinic: The 150 Words That Hook Agents, Editors, and Readers

    WEBINAR | Blurb Clinic: The 150 Words That Hook Agents, Editors, and Readers

    May 27 @ 3:00 pm 4:15 pm EDT

    All Genres

    Whether you call it “jacket copy,” an “extended pitch” or the meat of your query, your book’s blurb is critical. This short piece of persuasive copy determines whether someone reads on, requests the manuscript, or buys the book. Just 150 words do a lot of heavy lifting: positioning your book in the market, introducing your protagonist and stakes, and making a promise that reading will be worth the commitment. 

    But many writers get stuck with blurbs that sound generic or interchangeable with another author’s book. Shortcuts, AI, and borrowed language won’t sum up the heart of 100,000 words. You have to step inside your book and ask what it is truly offering—and then stress-test whether or not your manuscript delivers on that promise.

    When I finally arrived at the right 150 words for my own memoir/reported nonfiction project, everything fell into place. I received thoughtful, encouraging passes instead of crickets, and in a very short period of time, two offers of publication. As I wrote and revised, the blurb became a microcosm of my story’s logic and the reason someone would choose my book over anything else in front of them.

    Agents are looking for the blurb in your query letter (and will use it to sell your book to publishers). Editors are looking for the blurb in your book proposal. Marketers are looking for the blurb in your materials. And most importantly, your readers are looking to be fulfilled by the blurb’s promise. They want to read your book; give them every chance to be excited. This session shows you how to make those 150 words count.

    Can’t make it live? No worries—a replay will be available to all registrants.


    In this webinar, you will:
    • DEFINE what a blurb is (and is not) and see how it functions across queries, proposals, websites, and sales materials
    • ANALYZE real blurb examples to see how a clear, compelling story or concept is expressed in 150 words
    • STRUCTURE a blurb for yourself that introduces the protagonist/author, stakes, and take-away (without summarizing the entire book!)
    • IDENTIFY and AVOID common pitfalls that weaken blurbs, including generic language and over-reliance on trends
    • EVALUATE whether your blurb makes a promise your manuscript actually delivers on
    This webinar is ideal for writers who are …
    • not getting responses from their query letters or book proposals
    • planning to self-publish and needing strong sales copy for online retail pages and author websites
    • finished with their manuscript and need to articulate what the book is about
    • struggling to describe their book clearly, concisely, and in a compelling way
    • getting stuck in the weeds of their book and need to refine the premise

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    Michelle Cutler is an award-winning screenwriter, storytelling coach, and developmental editor specializing in true stories and memoir, as well as an enthusiastic teacher. She has written more than 1,700 advertising campaigns for global brands, humanizing brand copy for short form content.

    She holds an MFA in film from NYU and a diploma in advanced creative writing nonfiction from Cambridge. She is currently writing I WON’T LET YOU DIE ALONE, a reported memoir from the trenches of modern elder caregiving for Bloomsbury.

    Questions? Please email Info@writingcraft.com

    Before the replay is sent, you may request a refund less a $10.00 processing fee. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.


    Registration Info
    $30 Cost of the Event

    Event Organizer

    Location