Author: Sharla Yates

  • SEMINAR | Sharpen Your Prose: How to Be Your Own Editor

    SEMINAR | Sharpen Your Prose: How to Be Your Own Editor

    September 19 @ 2:00 pm September 20 @ 3:30 pm EDT

    Live on Zoom | Saturday & Sunday, September 19-20, 2026 | 2-3:30pm EDT

    For Creative Nonfiction and Fiction Writers

    For successful authors, “all writing is rewriting.” Most of the best work we’ll ever do happens not in first drafts but through the painstaking process of revision. But what exactly is revision? How do we approach what can feel like an intimidating and endless process? How can we truly make our drafts better (and not just different)? And where do we turn for feedback when we’re writing on our own?

    Rather than focusing on big-picture or developmental editing, this class will focus on line-level techniques that reliably improve any piece of writing. We’ll discuss what makes individual sentences more impactful, how to trim bloated paragraphs, and the keys to maintaining a sense of immediacy that holds readers’ attention. Together, we’ll study examples of both first-draft writing and polished, published pieces, naming the differences and working out how to move from point A to point B. We’ll learn how to create our own feedback, moving from “author” to “editor” and back again.

    By studying the work of others, we’ll begin seeing our own writing more objectively. After our first class, each participant will work on revising their own sentences, practicing new techniques. By the end of our second class, students will have acquired a set of revision practices that can be applied to any work-in-progress. 


    In this insightful weekend course, you will:
    • LEARN techniques to view your writing more objectively
    • READ examples of sharp prose and consider how they were revised
    • PRACTICE revising your own work
    • DISCOVER a set of revision practices you can apply to any work-in-progress

    Schedule…

    Saturday—We’ll start with the core skill of condensing prose: mediating language, shaping a true scene, and revising toward stronger verbs. You’ll read past student work and discuss how to tighten it, then turn to examples of sharp professional prose to see these techniques in action.

    As a group, we’ll build a working list of line-level revision techniques you can apply to your own writing.

    Homework: Revise an excerpt of your own work using the techniques from class.

    Sunday—We’ll share revisions with the group and discuss what’s working and what could go further. You’ll gain new insight into your own editing by seeing others in action. 


    This seminar is ideal for writers who…
    • can crank out a first draft but don’t know how to revise
    • are working on their own without consistent feedback
    • worry their sentences or page count may be bloated
    • want to learn to think like an editor
    • want to write sharper, tighter prose to capture the attention of readers

    Closed captioning is available. ✔

    Think you might miss class? No worries, replays will be available 3 business days after the final session. ✔

    ABOUT YOUR Instructor

    An encouraging, warm, and deeply knowledgeable instructor, Lindsey Deloach Jones holds a BA and MA in English and an MFA in Creative Nonfiction. She has taught creative writing at Clemson University and the South Carolina Governor’s School for the Arts & Humanities and served as Editor of Emrys Journal and Edible Upcountry.

    Lindsey’s essays have been published in HuffPost, HuffPost Parenting, Split Lip, Under the Gum Tree, Motherwell, Paste, South Carolina Review, and Salvation South, among others. She is a recipient of the VanderMey Nonfiction Prize, and an essay nominated by Pigeon Pages was recently a finalist for Best of the Net. 

    Lindsey currently teaches writing online and in-person via WRITESHARE, the writers’ network she co-founded in Upstate SC, and for organizations such as Craft Talks. She is represented by Writers House.

    Student Testimonials

    “Lindsey is knowledgeable, well-prepared, and interacts well through the chat comments and questions, so the presentation is more of a conversation. So important!” Anne P.

    “Lindsey is a very ‘user-friendly’ presenter. She takes such complex subjects and makes them accessible.” Laura R.

    “I loved her creative topic, her examples, and her presentation. She did a great job of involving the attendees even though it was a virtual session. (Hard to do!) ” Sherrie D. V.

    “Lindsey is so knowledgeable and articulate. I wish I could take her classes in person!” Melissa R.

    THE FINE PRINT

    We understand that life can get in the way of your plans. We want you to be able to get the most out of your course, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers.

    Before the class, you may request a refund less a $10.00 processing fee.

    Please keep in mind that no refunds or credits will be issued after class begins.

    Questions? Please email Info@writingcraft.com


    Registration Info
    $75 Early Bird | $99 Cost of Event

    Event Organizer

    Location
  • The Writers Bridge | Build an Author Marketing Plan that Works for You with Rachel Thompson

    The Writers Bridge | Build an Author Marketing Plan that Works for You with Rachel Thompson

    August 25 @ 1:00 pm 2:00 pm EDT

    No. You need a plan that fits your book, your readers, your budget, your time, and your tolerance for social media nonsense.

    Most authors don’t fail at marketing because they didn’t try hard enough—they fail because they tried to do everything at once, on every platform, without knowing how to assess what’s working. Rachel Thompson of BadRedhead Media has spent more than 17 years helping authors build marketing plans that don’t rely on gimmicks, magic formulas, or dancing on TikTok.

    Learn what to figure out before you start marketing at all: who your readers actually are, what realistic goals look like, and how to choose activities that match your time and budget. We’ll dig into DIY-versus-hire-a-pro—what’s worth learning yourself and what’s worth paying someone else to handle?—and how to tell whether your marketing is moving the needle. Rachel’s also an expert on why and how to build Substack into your author platform.

    Bring your questions and your book marketing frustrations. Rachel’s heard them all—and probably lived most of them.

    Join us TUESDAY AUGUST 25 at 1PM EASTERN / 10AM PACIFIC – live and FREE on Zoom, all welcome!


    Our special guest

    Rachel Thompson is the founder of BadRedhead Media, LLC (est. 2011), where she creates customized social media, book marketing, branding, Substack, and visibility campaigns for authors. Drawing on more than 17 years of sales, marketing, and training experience, Rachel helps writers build their platforms, connect with readers, and promote their work without gimmicks.

    Rachel’s books include Broken Pieces, Broken Places, Broken People, The BadRedhead Media 30-Day Book Marketing Challenge, BadRedhead Media’s How to Best Optimize Blog Posts for SEO, a branding guide, and two humor books. Her books have earned multiple awards and reached No. 1 on several Amazon lists—which she readily admits is much more exciting than cleaning the litter box.

    Rachel shares practical marketing guidance with more than 14,000 followers on Substack, where she writes weekly about book marketing, social media, building your Substack/newsletter, publishing, and the realities of building an author platform.

    Join your hosts Allison K Williams (SEVEN DRAFTS), Sharla Yates (CRAFT TALKS) and our special guest for a practical, no-nonsense hour on marketing your book without losing your mind.

    FREE, all welcome! Sign up to receive the Zoom link the day before.


    Enjoy past recorded sessions here

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTERS

    Allison K Williams has edited and coached authors to publishing deals with Penguin Random House, Knopf, Mantle, St. Martin’s Press, and numerous small presses. An expert in author marketing and community building, her platform includes the Brevity Blog (80k+ followers), Instagram (10k+), a mailing list (12k+), and Facebook (5k+), with publications in the New York Times and appearances on NPR and CBC. Her book, Seven Drafts: Self-Edit Like a Pro from Blank Page to Book, sold on proposal. She leads the Rebirth Your Book writing retreats and co-hosts The Writers Bridge.

    Sharla Yates is the author of the poetry chapbook What I Would Say if We Were to Drown Tonight, published by Stranded Oak Press (2017). She hosts a webinar series, CRAFT TALKS for writers on writing, and co-hosts The Writers Bridge with Allison K Williams. Her nonfiction essay, “Address” was a finalist for the 2015 Columbia Journal writing contest and the 2016 Penelope Niven Creative Nonfiction Award. She is the former Director of Education at the Creative Nonfiction Foundation and teaches creative writing at the University of Pittsburgh.

    Questions? Please email Info@writingcraft.com

  • WEBINAR | Writing the Senses: Transform Your Prose with Vivid Descriptions

    WEBINAR | Writing the Senses: Transform Your Prose with Vivid Descriptions

    September 9 @ 3:00 pm 4:30 pm EDT

    For Fiction, Nonfiction, Memoir, and Poetry
    Included in the Season Pass

    Lush, descriptive writing is like magic. Sensory moments draw readers in to let them experience another life entirely. In this 90-minute session, award-winning author and writing coach April Dávila guides writers through a series of meditations, followed by writing exercises designed to help you move past tired clichés and find the details that are genuinely, uniquely yours.

    Often, exploring sensory details surprises us, allowing us to stop focusing on “perfect” prose and lean into our own, and our characters’, specific experience. Write a handful of descriptive lines you’ll actually want to use—and confidence in how to choose those lines carefully to avoid verbosity in your finished work.

    Writers at all skill levels are welcome. Bring a work-in-progress or a blank page, and leave with fresh material and new ways of expressing your ideas.


    In this webinar, you will:
    • SHARPEN your ability to capture specific, vivid details that pull readers into your world
    • MOVE through guided meditations on sight, sound, touch, smell, and taste
    • SILENCE your inner critic and get words on the page without second-guessing every line
    • GENERATE new material you can pull directly into your stories, essays, or poems
    • GAIN a fresh approach to descriptive writing
    This webinar is ideal for beginning and intermediate writers…
    • whose prose feels flat or overly visual, relying too heavily on sight and missing the other four senses
    • who find themselves reaching for the same tired phrases and want to develop a more original, specific voice
    • working on any project (fiction, memoir, poetry, or essay) who want fresh material and new ways into their writing
    • who tend to rush past description and want to slow down and pay closer attention to the world of their story

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    April Dávila is an award-winning, traditionally published novelist and an experienced writing coach. A warm, straightforward teacher, April’s unique approach combines the practical tools of writing with the transformative power of mindfulness, empowering writers to quiet their inner critics and make meaningful progress on their work. A passionate advocate for creative expression, April guides aspiring authors in overcoming blocks and building sustainable writing habits. Her first nonfiction book, Sit Write Here: 6 Mindfulness Practices to Help You Write More and Suffer Less, is forthcoming from St. Martin’s Press.

    REFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.

    There are no refunds after the replay is sent.

    Questions? Please email Info@writingcraft.com


    Registration Info
    $20 Early Bird | $30 Cost of the Event

    Event Organizer

    Location

  • 3-WEEK WORKSHOP | The Art of Facts: Using Research in Lyric Essays

    3-WEEK WORKSHOP | The Art of Facts: Using Research in Lyric Essays

    September 20 @ 3:00 pm October 4 @ 5:00 pm EDT

    Open to 15 writers in creative nonfiction, nonfiction and lyric essay

    Live On Zoom | Sundays, September 20 – October 4, 2026 | 3-5 pm Eastern

    From hermit crab to braided, collage to fragmented, lyric essays are having a big moment. They offer innovative and unexpected routes into the familiar territory of personal stories and reported essays. In this workshop, we’ll look at several common essay forms and explore ways that research—including interviews and fieldwork—can enrich and invigorate your own lyric essays.

    In the three weeks of this course we will talk, read, and write, with multiple opportunities to share your progress and drafts for feedback. We’ll also discuss how veteran and emerging essayists can best work professionally with editors and fact-checkers, plus tips and tricks on documenting sources.

    This course will offer writers with a bit of experience in (or who are eager to explore) nonfiction or journalism a fun and engaging chance to experiment and add new tools to their practice, all while drafting a flash lyric essay. There will be an opportunity to get written comments from the instructor, and all participants will get a list of resources and further reading.


    Over these three weeks, you will …
    • EXPLORE a range of lyric essay styles
    • DEVELOP your own list of possible essay topics
    • PRACTICE effective techniques for incorporating researched elements
    • GENERATE two drafts of a researched, flash lyric essay
    • PROVIDE & RECEIVE peer feedback, and optional instructor-written comments
    • LEARN tips and tricks for documenting sources and working with fact-checkers
    Schedule
    • Week 1 – Intros, notable examples, idea-generating prompt, sourcing discussion, homework overview
    • Week 2 – Check-in, feedback-generating prompt, workshop of participant essay drafts,, assignment review, Q&A
    • Week 3 – Check-in, workshop of participant essay drafts, fact-checking discussion, open Q&A, next steps in your researched lyric essay journeys
    • Optional office hours 3–4pm EDT on Tues and 8–9pm EDT Thurs
    This course is for writers who …
    • with some experience in one or more: reporting, researching or essay writing; or who have a desire to explore these skills
    • who want to add compelling facts & reported elements to their flash, lyric, or experimental essays
    • who want to add lyric, poetic, or experimental elements to their reported essays
    • who enjoy experimenting with prompts and shorter essays
    • looking for brainstorming, researching, and fact-checking tools to add to their essay or reporting practice

    Closed captioning is available. ✔
    Think you might miss a class? No worries, replays will be available. ✔

    ABOUT YOUR INSTRUCTOR

    Known for packing her courses with deep knowledge, actionable information, and fun facts, Chelsea Biondolillo is a collage artist and the author of The Skinned Bird: Essays and two prose chapbooks, Ologies and #Lovesong.

    Her essays have been collected in Best American Science and Nature Writing 2016, The Lyric Essay as Resistance, and How We Talk to One Another: An Essay Daily Reader and is forthcoming in The Rose Metal Press Field Guide to Writing the Lyric Essay.

    Chelsea’s paper and mixed media collages have been shown in Oregon, Washington, and New York. Her image and text essay, “Weeds” was the winner of CRAFT Literary’s inaugural hybrid writing contest. She has a BFA from the Pacific Northwest College of Art and an MFA from the University of Wyoming. She currently lives in Eugene, Oregon.

    Testimonials from past students

    “I took an online workshop with Chelsea two years ago. As a fiction writer venturing into nonfiction, I needed a lot of guidance, and I got it. Chelsea’s lessons and feedback were immensely helpful to me. An essay I began in that class was later accepted by a well-known online magazine. I still go back to the material Chelsea provided as support when starting new projects. I can wholeheartedly recommend Chelsea as a mentor and teacher.” ~ L Doyle

    “I took Chelsea’s intensive flash nonfiction class and was deeply impressed by her commitment, feedback, and warm teaching style. The class was online, but Chelsea managed to create a respectful and intellectually stimulating sense of community.” ~ J Zarankin

    “Chelsea Biondolillo is an incredibly talented teacher. I learned more from a 1-month intensive workshop with her than I did in semester-long courses with many of my MFA professors. From her close attention to my verbs to her insights on pacing to her overall reflections on the themes of my essays, Chelsea really got what I was trying to do, and then made it better. Chelsea is also a cheerleader, and will go to the mat for you and your work. I can’t recommend her enough.” ~ B Johnston

    THE FINE PRINT

    We understand that life can get in the way of your plans. We want you to be able to get the most out of your course, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers.

    Before the first class, you may request a refund (less a $25 processing fee).

    After class begins, you may request a refund for the remaining value of the course (less a $25 processing fee). No credits or refunds will be available after the 1st class.


    Questions? Please email Info@writingcraft.com


    Registration Info
    $240 Early Bird | $290 Cost of Event

    Event Organizer

    Location
  • WEBINAR | Power Your Memoir with Mystery: How Curiosity Fuels Craft

    WEBINAR | Power Your Memoir with Mystery: How Curiosity Fuels Craft

    September 4 @ 3:00 pm 4:15 pm EDT

    For memoir and nonfiction
    Included in the Season Pass

    Too often, writers of true stories lock in early on what they know—times, places, apparent facts—and what results is a flat retelling of the past. But memoir is essentially an act of discovery. As writers, we must enter our work filled with questions and true uncertainty, or we risk pushing the story where we think it should go rather than where it needs to be. As acclaimed memoirist Abigail Thomas warns, “If your memoir ends where you thought it was going to end, you aren’t doing it right.”

    The engine of good writing is fueled by the curiosity of the writer, the process of thinking aloud on the page, and uncovering what we didn’t know the morning we sat down to begin our memoir or story. 

    In this webinar, we will look at how other writers have used their uncertainty as fuel for the story, how to locate your own questions, and how reconnecting with what you don’t know can revive a stalled project. There will also be prompts and time for questions.


    In this webinar, you will:
    • SEE how questions within your process allow for discovery and surprise
    • LEARN strategies for incorporating “what you don’t know” into nonfiction
    • UNDERSTAND how questions and curiosity drive memoir, nonfiction, and even fiction
    • ENGAGE with a series of short prompts to find the questions in your own work 
    This webinar is ideal for writers who… 
    • at the beginning stages of a memoir or nonfiction project
    • who feel stalled on their current essay, story or book
    • with a story they want to tell, who feel unsure why readers will be interested enough to read it

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    Previously offered August 2023

    ABOUT YOUR PRESENTER

    One of our most popular and beloved presenters, DINTY W. MOORE is author of the memoirs Between Panic & Desire and To Hell With It, and the writing guides Crafting the Personal Essay and The Mindful Writer, among other books. He has published essays and stories in Harper’s, The New York Times Magazine, Georgia Review, Kenyon Review, Southern Review, Short Reads, and elsewhere. He is the founding editor of Brevity, the preeminent journal of flash nonfiction, and an editor at The Brevity Blog.

    REFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.

    There are no refunds after the replay is sent.

    Questions? Please email Info@writingcraft.com


    Registration Info
    $20 Early Bird | $30 Cost of the Event

    Event Organizer

    Location

  • August REPLAY | The Ideal Sentence: Your Voice, Your Tone, Your Pace

    August REPLAY | The Ideal Sentence: Your Voice, Your Tone, Your Pace

    August 1 August 31 EDT

    REPLAY INCLUDES: VIDEO, CHAT, HANDOUT, AND TRANSCRIPT

    For All Genres

    Will that language be complex and tangled? Plain-spoken? Vanilla? Lavender? Will it zing like jazz or sing like a lullabye? Will it feel lethargic, or will it clop, or will it swashbuckle?

    It’s always time to think about sentences—to explore the ways they work (and sometimes don’t), the ways we bend them to get closer to the truth, and the ways we work on patterns and rhythms so that the pages remain alive. 

    Prose from Hilton Als, Michael Ondaatje, Jean-Dominique Bauby, Jia Tolentino, Annie Dillard, Olivia Laing, Carmen Machado, Terry Tempest Williams, and Mark Richard will inspire us and lead our way.

    Exercises presented will be focused on voice, tone, mood, and pace.


    In this webinar, you will:
    • REFINE your writing voices
    • EXPERIMENT with mood, tone, and pace
    • DEVELOP powerful new beginnings
    • CREATE a better understanding of your writerly strengths
    This webinar is ideal for writers who:
    • are intent on capturing the attention of agents, editors, and readers.  
    • are keen on perfecting their work.
    • wish to build more dimension into their writing.
    • Want to learn more about sentence craft and explore their writing voice.
    The live event happened in May 2025.

    ABOUT YOUR PRESENTER

    One of our favorite presenters, BETH KEPHART, is the award-winning writer of memoir, children’s books, young adult novels, and craft books. She is also a paper artist. Her new book, her first novel for adults, is Tomorrow Will Bring Sunday’s News: A Philadelphia Story. Please join her Substack journey at The Hush and the Howl. More at bethkephartbooks.com



    Questions? Please email Info@writingcraft.com

    Questions? Please email Info@writingcraft.com

    Because the replay is delivered instantly upon purchase, all sales are final.


    Registration Info
    $30 Cost of the Event

    Event Organizer

    Location

  • The Writers Bridge | Author Website 101: Building Your Homebase with Lynda Hammes

    The Writers Bridge | Author Website 101: Building Your Homebase with Lynda Hammes

    July 28 @ 1:00 pm 2:00 pm EDT

    A website is the one piece of your author platform you actually own—and it might be the most underused sales and discovery tool authors have.

    Every author eventually asks the same question: do I really need my own website, or can I just live on Instagram and Substack? The honest answer is that social platforms come and go, algorithms change overnight, and none of it belongs to you. A website is different. It’s your one-stop business card, mailing list nerve center, and permanent home base—the one place readers, agents, and editors can find the real, current story of who you are and what you write.

    We’ll cover what actually belongs on an author website (and what doesn’t), why an email sign-up matters more than almost anything else on the page, how a website helps new readers discover your books through search, and how to keep readers engaged between releases. We’ll also talk through the practical build question every author faces: pay for a custom build, DIY on a platform like Wix, Squarespace, or WordPress, or use an author-specific tool like Tertulia, built to make author websites easy and fast.


    Join us TUESDAY JULY 28 at 1PM EASTERN – live and FREE on Zoom, all welcome!


    Our special guest

    Lynda Hammes is the co-founder of Tertulia, a platform reimagining online book discovery and community, and an all-in-one website, email marketing, and direct-sales builder made specifically for authors. Her career spans journalism, magazine publishing — including her tenure as Publisher/Chief Revenue Officer at Foreign Affairs — and brand strategy and growth marketing consulting. That background in content, audience, and digital growth now shapes how Tertulia helps authors build a real, lasting connection with readers.

    Join your hosts Allison K Williams (SEVEN DRAFTS), Sharla Yates (CRAFT TALKS) and our special guest for this lively, funny hour of frank talk about writing careers, publishing realities, and how authors can position themselves and their books in the world.

    FREE, all welcome! Sign up to receive the Zoom link the day before.


    Enjoy past recorded sessions here

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTERS

    Allison K Williams has edited and coached authors to publishing deals with Penguin Random House, Knopf, Mantle, St. Martin’s Press, and numerous small presses. An expert in author marketing and community building, her platform includes the Brevity Blog (80k+ followers), Instagram (10k+), a mailing list (12k+), and Facebook (5k+), with publications in the New York Times and appearances on NPR and CBC. Her book, Seven Drafts: Self-Edit Like a Pro from Blank Page to Book, sold on proposal. She leads the Rebirth Your Book writing retreats and co-hosts The Writers Bridge.

    Sharla Yates is the author of the poetry chapbook What I Would Say if We Were to Drown Tonight, published by Stranded Oak Press (2017). She hosts a webinar series, CRAFT TALKS for writers on writing, and co-hosts The Writers Bridge with Allison K Williams. Her nonfiction essay, “Address” was a finalist for the 2015 Columbia Journal writing contest and the 2016 Penelope Niven Creative Nonfiction Award. She is the former Director of Education at the Creative Nonfiction Foundation and teaches creative writing at the University of Pittsburgh.

    Questions? Please email Info@writingcraft.com

  • WEBINAR | Mastering Braided Memoirs: How to Structure Multiple Dramatic Threads

    WEBINAR | Mastering Braided Memoirs: How to Structure Multiple Dramatic Threads

    August 26 @ 3:00 pm 4:15 pm EDT

    For memoir and nonfiction
    Included in the Season Pass

    The braided memoir has become one of the most exciting and sought-after forms in contemporary nonfiction—but weaving multiple narrative threads into a compelling whole requires far more than alternating between story lines. How can you transform fragments, obsessions, research, memory, and reflection into a unified work that delivers both emotional impact and a high level of reader engagement?

    In this webinar, we explore the hidden architecture that makes braided memoirs resonate. Learn how to choose strands that deepen one another, create momentum across timelines, withhold and reveal information strategically, and build a deeply satisfying narrative arc from seemingly disparate materials. 

    Whether you’re simply curious about the form, beginning a braided essay or book-length project, or struggling to master the form, you’ll leave with new tools for creating a memoir with confidence and purpose, whose threads are stronger together than apart.


    In this webinar, you will:
    • IDENTIFY the three powerful reasons to use this exciting—but tricky—form
    • SELECT themes that connect multiple narrative strands
    • LEARN to MAP the movement between each narrative beat
    • EXPLORE the braider’s triple threat: repetition, juxtaposition, and variation
    • AVOID common pitfalls
    • DISCOVER revision techniques that strengthen connections between strands
    This webinar is ideal for writers who… 
    • are new memoirists needing a flexible, accessible way to begin
    • want to deepen their structural and thematic control of memoir 
    • feel ready to break out of linear storytelling and try something more dynamic 
    • are struggling to connect disparate memories, themes, or materials into a cohesive narrative
    • want to strengthen structure, control, and impact in their memoir
    • seek to weave personal experience with research, reflection, or cultural context
    • want to turn vivid fragments into a finished essay or book

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    Dr. Heather Sellers has been teaching for over thirty years, and she doesn’t teach like anyone else. Her classes are innovative and groundbreaking, and students describe them as fun, lively, and warm—the kind of workshop where you laugh out loud and walk away having learned an enormous amount. 

    She is the author of You Don’t Look Like Anyone I Know, a popular memoir about family and face blindness. An Oprah Book-of-the-Month Club selection and Editor’s Choice at the New York Times Book Review, the award-winning book was featured on NPR’s All Things Considered, Dick Gordon’s The Story, Dateline, The Today Show, and Good Morning America with George Stephanopoulos. Her essays appear in The New York Times, The Sun, Reader’s Digest, Good Housekeeping, The Best American Essays, and numerous journals and anthologies. She is the author of four books on the craft of writing, including The Practice of Creative Writing.

    Her fifth collection of poetry, Women in Tampa Talking About Alligators, is just out from Lynx House Press. Currently, she is a member of the MFA faculty at the University of South Florida, where she won the university’s highest teaching award. She also offers in-person workshops and private lessons for writers at all levels.

    REFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.

    There are no refunds after the replay is sent.

    Questions? Please email Info@writingcraft.com


    Registration Info
    $20 Early Bird | $30 Cost of the Event

    Event Organizer

    Location

  • SEMINAR | Writing Big Feelings: The Peculiar Art of Evoking Emotions

    SEMINAR | Writing Big Feelings: The Peculiar Art of Evoking Emotions

    September 5 @ 2:00 pm September 12 @ 4:00 pm EDT

    Live On Zoom | Saturdays, September 5 & 12, 2026 | 2-4 pm Eastern
    For Creative Nonfiction and Fiction Writers

    As fiction and non-fiction writers, we often want to evoke agony on the page—grief, misery, blinding fury. Yet we get feedback: “What is the narrator feeling?”

    Over two sessions, we’ll examine how we, as writers, can do two separate things:

    • Evoke emotions within the READER: sorrow, compassion, and empathy 
    • Effectively show how the point-of-view character/narrator is feeling

    These two jobs are often conflated; people assume if they describe how a character is feeling, readers will also feel those feelings. Alas, it’s not that simple.

    We’ll focus on why it’s not just important to render the feelings themselves and how we can’t intentionally manipulate the reader with forced or pushed emotions.


    In this insightful two-day course, you will:
    • DISTINGUISH between evoking emotion in the reader and describing what a character feels—and learn why conflating the two weakens your work
    • DIAGNOSE the “what is the narrator feeling?” note and understand what’s actually missing from the page
    • PRACTICE techniques for rendering emotion through action, image, and subtext 
    • RECOGNIZE where emotional writing turns maudlin or overwrought—and how to pull back before you lose the reader
    • APPLY these techniques to a piece of your own work across two sessions, with feedback for a selection of students on the second day

    Schedule…

    Day One—We start with the core distinction the whole workshop builds on: showing emotion versus evoking it. You’ll get a set of practical tips for writing feelings without naming them, look at examples from published work, and break into small groups to hunt for more on your own. Then a short in-class prompt—write an intense moment with the feelings stripped out—followed by open Q&A.

    Homework: Find two pages of your own work centered on a character or narrator feeling a big emotion. Revise so the emotion rises naturally from the material rather than being pushed onto the reader. (Extra credit for big feelings that never tip into maudlin!)

    Submit 300–400 words of revised work as a Word document to the shared Google Drive by the morning of September 3rd.

    Day Two—This session is yours. We’ll screen-share as many submissions as time allows, read them aloud, and workshop each one with about 10 minutes of group discussion.


    This seminar is ideal for intermediate writers wrestling with intense material that can feel overwhelming.

    Closed captioning is available. ✔
    Think you might miss class? No worries, replays will be available 3 business days after the event. ✔

    ABOUT YOUR Instructor

    Direct, funny, and unsentimental, Peter Mountford is a warm and encouraging teacher. He’s the author of the novels A Young Man’s Guide to Late Capitalism (Washington State Book Award), The Dismal Science (NYT editor’s choice), and his latest, a collection of short stories, Detonator (now out from Four Way Books). His work has appeared in the New York Times (Modern Love), Paris Review, Southern Review, The Atlantic, The Sun, Ploughshares, and Guernica. He teaches at the University of Nevada, Reno at Lake Tahoe’s MFA, and through Mountford Writing.

    Student Testimonials

    “I’m so grateful to Peter—he’s that perfect combination of sweet and sour, candid but never cruel, encouraging but never ever full of shit.” – Sharon Schindel (NYT, Washington Post)

    “Peter has an unerring sense of a story’s center of gravity and the structure that best suits the material. Peter’s expertise & generosity have been instrumental in my writing journey. I can’t recommend him highly enough.” –  Hannah C.

    “Peter knows how to make a story work & how to make it publishable. ”- Jeremy S. 

    “In a star rating, he’d get a full 5 from me.”- Robin R.

    “I left class seeing how much more I need to write & read and how much more there is to learn, which is humbling and exciting. ”- Michael B.

    THE FINE PRINT

    We understand that life can get in the way of your plans. We want you to be able to get the most out of your course, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers.

    Before the class, you may request a refund less a $10.00 processing fee.

    Please keep in mind that no refunds or credits will be issued after class begins.

    Questions? Please email Info@writingcraft.com


    Registration Info
    $99 Early Bird | $125 Cost of Event

    Event Organizer

    Location
  • SEMINAR | Beyond the Frame: How Surrealist Imagery Can Unblock Your Writing

    SEMINAR | Beyond the Frame: How Surrealist Imagery Can Unblock Your Writing

    August 29 @ 1:00 pm 4:00 pm EDT

    For All Writers

    Sometimes the most effective way through a writing challenge is without words. 

    In both writing and visual art, what’s beyond the page or the frame often holds the key. Finding that hidden context can help a lifeless scene find its heartbeat. Images, photographs, illustrations, even collages, can help us see our stories differently. Surrealist imagery is particularly effective because it’s already characterized by the juxtaposition of unexpected elements.

    We’ll begin with quick-start generative prompts to help you identify an area in your writing to focus on during our time together. Then, we’ll look at traditional images and use them to help unlock a challenging place in your manuscript. Finally, we’ll progress to surrealist photographs, paintings, and collages to see your own work and themes through fresh lenses. 

    We’ll also discuss ways the qualities of surrealism can inform our writing, regardless of genre, and practice using “prepositional questions” to explore what’s beyond, above, below, underneath, inside, before, and after your scene to view your stuck place with curiosity and allow for unexpected connections.

    If you’re currently struggling with an aspect of a work-in-progress, feel free to bring that, but it’s not required to benefit from the tools and techniques of the seminar. After the class, you’ll receive the seminar recording and the slide deck with all the images and prompts used during our time together.

    All levels and all genres are welcome. Please be prepared to write.


    In this interactive three-hour live seminar, you will:
    • EXPLORE how visual imagery can deepen your writing
    • LEARN key tenets of surrealism and apply them to a writing challenge
    • GENERATE new portals into an existing piece of writing
    • LEARN HOW unexpected visual arrangements open a door to the unconscious
    • USE key prepositional questions to view your writing differently
    • SURPRISE yourself by finding hidden connections in your work

    This course is ideal for writers who…
    • curious about new ways to deepen their writing
    • interested in the connection between visual and literary arts
    • struggling with a difficult part of their manuscript
    • who are open to unconventional portals to the imagination

    Closed captioning is available. ✔
    Think you might miss class? No worries, replays will be available 3 business days after the event. ✔

    ABOUT YOUR Instructor

    Funny, kind, and direct, Laraine Herring is a popular CRAFT TALKS presenter and one of our strongest voices on deeply personal writing that powerfully connects with readers.

    Laraine’s memoir, A Constellation of Ghosts: A Speculative Memoir with Ravens, was released in 2021 from Regal House. She’s the editor of the anthology Becoming Real: Women Reclaim the Power of the Imagined through Speculative Nonfiction (Pact Press, 2024) and a trilogy of writing books from Shambhala, including Writing Begins with the Breath: Embodying Your Authentic Voice. A retired professor of creative writing and psychology, Lariane has worked with writers for thirty years. 

    She’s also an illustrator and a grief counselor and the creator of The Grief Forest: a book about what we don’t talk about. She founded the online ‘zine Hags on Fire, a place for women to share stories about menopause, and co-designed The Imaginal Memoir Cave immersion program with Gayle Brandeis. Laraine’s work has appeared in The New York Times, Tiferet, The Rumpus, The Manifest-Station, and many more. She holds an MFA in Creative Writing and an MA in Counseling Psychology and lives in the mountains of northern Arizona with many cats.

    Student Testimonials

    “Laraine helped my book tell me what it wants to be and challenged me to do the work to get it there. I am grateful for her intuitive, empathic, supportive approach, and for her enthusiasm when I arrived at the realizations she was hoping I’d get to as I did that work. Laraine’s skills are many, and she is fantastic to work with. She is dedicated, direct, detailed, dependable, and delightful.”

    — Meg Weber, author of A Year of Mr. Lucky (Sincyr Publishing)

    “Through Laraine’s authentic nature and ability to listen, I learned that writing is as much an act of bravery and strength as it is about being gentle and flexible. I can’t wait to be one of her students again!”

    — Naomi Kaplan

    “Without a doubt, Laraine is the most generous, inspirational and challenging writing instructor I have ever met. Using provocative writing exercises, she guided me through creative discovery, helping reveal ideas and truths I had previously locked away. She challenged me to delve deeper into my story, even if it meant going into the dark hidden corners.”

    — Janine Weyers

    “Laraine opened doors inside my mind and created space for me to come into relationship with my writing in a refreshing way that was all my own. I had more than one breakthrough working with her. With ease and honesty, she created an authentic, interesting and inviting space to grow.”

    — Grace Welker

    “Laraine encourages students to dig deep. She provides original, interesting exercises designed to pull past the first obvious idea and find the more compelling material underneath. She is as invested in students’ work as the students themselves.”

    — Janet Burruel

    THE FINE PRINT

    We understand that life can get in the way of your plans. We want you to be able to get the most out of your course, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers.

    Before the class, you may request a refund less a $10.00 processing fee.

    Please keep in mind that no refunds or credits will be issued after class begins.

    Questions? Please email Info@writingcraft.com


    Registration Info
    $75 Early Bird | $99 Cost of Event

    Event Organizer

    Location
  • WEBINAR | Your Words, Your Readers: Building a Substack That Lasts

    WEBINAR | Your Words, Your Readers: Building a Substack That Lasts

    August 19 @ 3:00 pm 4:30 pm EDT

    For publicity/platform-building
    Included in the Season Pass

    In recent years, many writers have turned to Substack and other newsletter platforms as a way to explore niche interests, publish creative work, and bypass gatekeepers to connect directly with readers. Newsletters in all formats can help writers grow an audience, gain craft confidence, and build a publicity platform to support publishing their books, public speaking, and teaching careers. 

    In this session, we will start from the beginning and look at how to create a newsletter for anyone eager to begin. We’ll address important and often-overlooked areas like the Substack name, About section, and style. We’ll also look at common questions: How often should you post? How long should your posts be? What should you write about (and what if you change your mind)? How do you sustain momentum beyond the first few months? Finally, we’ll discuss how to gain readers and continue growing your audience over time.

    Note: While this webinar will include technical elements specific to Substack, the underlying principles of newsletter set-up, frequency, audience awareness, and platform growth will apply to any newsletter or email-sending platform.


    In this webinar, you will:
    • LEARN HOW to start a Substack and what pitfalls to avoid
    • UNDERSTAND best strategies for maintaining a newsletter over the long haul
    • STRATEGIZE how to grow readership and build a platform
    • GET INSPIRED to launch a Substack and connect directly with readers
    This webinar is ideal for writers who… 
    • have a Substack (or other type of newsletter) but feel stagnant
    • want to learn whether or not to launch a newsletter (and are curious about pros and cons)
    • are excited about their newsletter and want to keep growing it
    • are overwhelmed by the prospect of a newsletter and want to see if it’s the right fit for their own platform

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    A down-to-earth, practical, and encouraging teacher, Becky Tuch is the founder of Lit Mag News, a bestselling Substack dedicated to demystifying the world of literary magazines. Lit Mag News has over 17,000 subscribers and has been listed in Writer’s Digest’s 101 Best Websites for Writers. The leading expert in understanding, assessing, and submitting to literary magazines, Becky is noted for her generous sharing of knowledge and accessible, honest information for writers at all stages of their publication process. 

    Becky’s short fiction has been honored with a MacDowell fellowship and first place in Moment Magazine’s Karma Foundation Fiction Prize and has appeared or is forthcoming in STORY Magazine, Chicago Quarterly Review, Gulf Coast, Best of the Net, and elsewhere. She has taught newsletter writing and fiction writing to kids, teens, and adults throughout the country. She lives with her family in Philadelphia, PA.

    REFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.

    There are no refunds after the replay is sent.

    Questions? Please email Info@writingcraft.com


    Registration Info
    $20 Early Bird | $30 Cost of the Event

    Event Organizer

    Location

  • WEBINAR | Writing That Breaks the Rules: 10 Craft “Laws” You Can Defy

    WEBINAR | Writing That Breaks the Rules: 10 Craft “Laws” You Can Defy

    August 12 @ 3:00 pm 4:30 pm EDT

    For writers at all stages, in all genres
    Included in the Season Pass

    Every writer collects a list of commandments. Show, don’t tell. Don’t start a scene with dialogue. One point-of-view per scene. Search and destroy all adverbs. Memoir must be told in the first person. These rules are repeated in workshops and webinars until we think they’re all true, all the time, but most of them are shorthand for a much more useful question: Am I making the best craft choices for readers to experience these words as I intend?

    In this webinar, Allison K Williams (author of Seven Drafts and editor of NYT bestselling memoirs and novels) debunks the “rules” writers hear most often in workshops, craft classes, and query guidance and unpacks the real craft principle underneath each one. You’ll learn which rules are structural (break them, and the story stops working) and which are stylistic conventions (break them deliberately, and readers barely notice—or love you for it). We’ll use examples from published books that defy every dictum on this list and succeed anyway, plus a clear-eyed look at when breaking a rule reads as “bold choice” versus “rookie mistake.”

    You’ll leave knowing exactly which rules support the writing  you want to do—and which ones were never really rules at all.


    In this webinar, you will:
    • IDENTIFY the difference between structural craft principles and stylistic conventions
    • LEARN why POV discipline, tense consistency, and dialogue-opening “rules” exist—and what actually breaks when you ignore them
    • EXAMINE notable published novels, essays and memoirs that violate these rules on purpose, and why they work
    • WALK AWAY with a framework for deciding, scene by scene, when a “rule” is serving your story and when it’s safe to ignore—or gleefully defy
    This webinar is ideal for writers at any level who… 
    • keep getting the same craft note in workshop and want to understand why, not just fix it
    • have gotten craft feedback that doesn’t resonate or feels just plain wrong
    • are drafting memoir, YA, or genre fiction and want to know which conventions their category actually enforces (and what to do if you’re not going to play along)
    • have a bold structural choice in mind and want to pressure-test it before committing
    • are tired of contradictory advice and want one clear-eyed pass through the “rules” that matter

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    Sharp, funny, and genuinely useful from the first five minutes, Allison K Williams is the author of Seven Drafts: Self-Edit Like a Pro from First Draft to Book Deal and Managing Editor of the Brevity Blog. She teaches memoir and novel craft through Rebirth Your Writing, leads retreats from Maine to Morocco to the middle of the Atlantic, and has a well-earned reputation for advice that improves your pages the same day you hear it. 

    Allison holds an MFA from Western Michigan University, and her own work has appeared in The New York Times, McSweeney’s, and Brevity (the magazine) as well as on NPR, The Moth, Snap Judgement, and CBC-Canada. She is the co-producer of CRAFT TALKS and founder of The Writers Bridge.

    REFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.

    There are no refunds after the replay is sent.

    Questions? Please email Info@writingcraft.com


    Registration Info
    $30 Cost of the Event

    Event Organizer

    Location