Author: Sharla Yates

  • The Writers Bridge | Writing Off-Limits: How Comedy Creates Powerful Work in Every Genre with Elissa Bassist

    The Writers Bridge | Writing Off-Limits: How Comedy Creates Powerful Work in Every Genre with Elissa Bassist

    September 29 @ 1:00 pm 2:00 pm EDT

    Most writers assume humor is a gift some people have and others don’t—and that it only belongs in comedy. But funny writing isn’t joke after joke after joke. It’s being vulnerable, opinionated, emotional, and a little silly, whether you’re writing a personal essay, a novel, or a query letter.

    Humor is a craft—and it’s built the same way any other kind of good writing is: through observation, specificity, honesty, and revision. And good humor leavens the darkest personal essay, sustains reader compassion in a memoir, and makes novels sparkle on the page.

    Elissa Bassist—author of the memoir Hysterical, created and edited The Rumpus’s “Funny Women” column, and has been a humor-writing teacher for two decades. She joins The Writers Bridge to talk about why infusing humor into your writing—even writing that isn’t “comedy”—makes it sharper, more honest, and more memorable. Elissa will share no-fail ways to make anything you write funnier (and just plain better), and how to find the joke in any topic, including the ones that feel too boring or too off-limits to touch.

    Join us TUESDAY SEPTEMBER 29 at 1PM EASTERN / 10AM PACIFIC – live and FREE on Zoom, all welcome!


    Our special guest

    Elissa Bassist is the author of the memoir Hysterical, a semifinalist for The Thurber Prize for American Humor.

    Roxane Gay called Hysterical “one of the most intelligent, painful, ridiculous, awesome, relevant things I’ve ever read,” and Cheryl Strayed wrote that Bassist “wrote it like a motherfucker.” The memoir also earned a starred review from Library Journal and praise from Kirkus and Booklist for its fierce, funny take on chronic pain, medicine, and the silencing of women’s voices.

    Elissa has worked in media and publishing since 2007—as an editor, a managing editor, a TV and film writer’s assistant, a producer, a performer, a speaker, and a barista. Her writing has appeared in over 30 publications and anthologies, and she’s taught for more than 20 writing programs, including The New School, 92NY, and Lighthouse Writers Workshop. Her next book, Inside Jokes: A Comedy and Creativity Guide for All Writers (co-written with Caitlin Kunkel), is out October 20th from Grand Central Publishing—a step-by-step guide to writing anything funnier, from short humor to personal essays.

    Join your hosts Allison K Williams (SEVEN DRAFTS), Sharla Yates (CRAFT TALKS) and our special guest for a genuinely funny, genuinely useful hour on writing with more humor—no matter what genre you write.

    FREE, all welcome! Sign up to receive the Zoom link the day before.


    Enjoy past recorded sessions here

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTERS

    Allison K Williams has edited and coached authors to publishing deals with Penguin Random House, Knopf, Mantle, St. Martin’s Press, and numerous small presses. An expert in author marketing and community building, her platform includes the Brevity Blog (80k+ followers), Instagram (10k+), a mailing list (12k+), and Facebook (5k+), with publications in the New York Times and appearances on NPR and CBC. Her bestselling writing craft book is Seven Drafts: Self-Edit Like a Pro from Blank Page to Book. She leads the Rebirth Your Book writing retreats and co-hosts The Writers Bridge.

    Sharla Yates is the author of the poetry chapbook What I Would Say if We Were to Drown Tonight, published by Stranded Oak Press (2017). She hosts a webinar series, CRAFT TALKS for writers on writing, and co-hosts The Writers Bridge with Allison K Williams. Her nonfiction essay, “Address” was a finalist for the 2015 Columbia Journal writing contest and the 2016 Penelope Niven Creative Nonfiction Award. She is the former Director of Education at the Creative Nonfiction Foundation and teaches creative writing at the University of Pittsburgh.

    Questions? Please email Info@writingcraft.com

  • WEBINAR | Poetry-Curious? Exploring the Craft of Prose Poetry

    WEBINAR | Poetry-Curious? Exploring the Craft of Prose Poetry

    October 21 @ 3:00 pm 4:30 pm America/NewYork

    For Poetry and Prose Writers 
    Included in the Season Pass

    Experiment, expand your sentence-craft, and have fun generating new work with prose poetry. As a hybrid form that sits between standard prose (like stories or essays) and poetry, prose poems are a fascinating and enjoyable form for writers in all genres. Prose poems combine both the narrative and lyric impulses. They use standard sentences and paragraphs instead of traditional line breaks and stanzas, yet they rely on poetic tools like metaphor and alliteration. 

    For prose writers, this form is a great entry way into exploring poetry. For poets, it’s an exercise in learning to work without line breaks. For all writers, it’s a great way to play with form and expand your creativity—while creating short work ready to revise and publish.

    During this generative online class, explore what a prose poem is and what it isn’t, the different types of prose poems, and what makes a great prose poem. We’ll analyze examples and write drafts based on thought-provoking prompts. You’ll leave this workshop with a new appreciation for prose poems, fuel for your writing inspiration, and at least one new draft of your own.

    Come ready to write!


    In this webinar, you will:
    • LEARN what a prose poem is (not just a lyrical paragraph!) 
    • DISCOVER the five key considerations of a prose poem 
    • EXPLORE common types and styles of prose poems
    • LEARN tips for writing engaging prose poems that lit mag editors and readers will love
    This webinar is for…
    • writers new to prose poetry, with some experience in other forms
    • poets who want to try the prose poem form
    • nonfiction or fiction writers who want to explore writing poetry
    • writers who want to tap into and maximize their creativity
    • writers who love to learn through experimenting creatively and trying new things

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    Bethany Jarmul is an Appalachian writer, poet, writing coach, and enthusiastic, engaging, and inspiring workshop instructor. She’s the author of a poetry collection, Lightning Is a Mother, and a memoir,Take Me Home. Her work has been published in more than 100 literary magazines, including Rattle, Brevity, and Chestnut Review. Her writing was selected for Best Spiritual Literature and Best Small Fictions and nominated for the Pushcart Prize and The Best of the Net. 


    REFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.

    There are no refunds after the replay is sent.

    Questions? Please email Info@writingcraft.com


    Registration Info
    $20 Early Bird | $30 Cost of the Event

    INSTRUCTOR

    Location

  • WEBINAR | Short Forms: Flash Fiction and Micro Memoir

    WEBINAR | Short Forms: Flash Fiction and Micro Memoir

    October 14 @ 3:00 pm 4:15 pm America/NewYork

    For Memoir, Fiction, and Nonfiction
    Included in the Season Pass

    Short forms are the best training ground for learning how stories really work. Micro memoir and flash fiction sharpen every essential craft skill—precision, structure, and impact—in the smallest possible space. Their brevity invites experimentation, but their simplicity can be deceptive: the most successful short works achieve the same depth, resonance, and emotional force of much longer pieces. 

    Through close readings and craft analysis, participants will examine a range of outstanding examples and discover the techniques that make short-form writing so delicious and so powerful. Explore how writers use compression, implication, and language to create memorable stories in remarkably small spaces and how they create narrative momentum, develop character, manage time, and deliver satisfying endings. 

    Whether you’re writing micro memoir or flash fiction or want to apply these techniques to longer works, this session will illuminate the craft principles that allow a few carefully chosen words to carry extraordinary weight.


    In this webinar, you will:
    • IDENTIFY essential characteristics of successful micro memoirs and flash fiction
    • EXAMINE how compression, selection, and omission create emotional and narrative power
    • ANALYZE exemplary short-form works to understand the craft decisions behind their impact
    • EXPLORE strategies for building character, tension, and narrative movement in limited space
    • LEARN how openings, endings, and structural turns function differently in compressed forms
    • GAIN a deeper understanding of how short forms can serve as your training ground, sharpen your prose, and strengthen larger writing projects
    This webinar is best for writers at all levels who…
    • are actively drafting or revising work for workshop, submission, or publication
    • want greater control over structure, voice, and narrative impact at the sentence and scene level
    • are curious about—or already working in—compressed forms
    • feel their stories are too diffuse or overextended and want strategies for tightening and intensifying
    • want to understand how accomplished short-form writers achieve depth, resonance, and emotional force 
    • want to study storytelling at its most distilled and precise

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    Dr. Heather Sellers has been teaching for over thirty years, and she doesn’t teach like anyone else. Her classes are innovative and groundbreaking, and students describe them as fun, lively, and warm—the kind of workshop where you laugh out loud and walk away having learned an enormous amount. 

    She is the author of You Don’t Look Like Anyone I Know, a popular memoir about family and face blindness. An Oprah Book-of-the-Month Club selection and Editor’s Choice at the New York Times Book Review, the award-winning book was featured on NPR’s All Things Considered, Dick Gordon’s The Story, Dateline, The Today Show, and Good Morning America with George Stephanopoulos. Her essays appear in The New York Times, The Sun, Reader’s Digest, Good Housekeeping, The Best American Essays, and numerous journals and anthologies. She is the author of four books on the craft of writing, including The Practice of Creative Writing.

    Her fifth collection of poetry, Women in Tampa Talking About Alligators, is just out from Lynx House Press. Currently, she is a member of the MFA faculty at the University of South Florida, where she won the university’s highest teaching award. She also offers in-person workshops and private lessons for writers at all levels.

    REFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.

    There are no refunds after the replay is sent.

    Questions? Please email Info@writingcraft.com


    Registration Info
    $20 Early Bird | $30 Cost of the Event

    INSTRUCTOR

    Location

  • SEMINAR | Beyond the Book: Writing Companion Essays that Reach New Readers

    SEMINAR | Beyond the Book: Writing Companion Essays that Reach New Readers

    October 24 @ 2:00 pm 4:30 pm EDT

    For fiction, nonfiction, and poetry alike—companion essays cross genres.

    Companion essays are written by an author before, during, and after a book is launched to create awareness of both the writer and the book. These essays showcase the writer’s voice, storytelling, and craft, leaving readers wanting to read more and buy the book. The form is essay, but this type of writing is valuable to writers across genres: creative nonfiction, fiction, and poetry.

    Also called book-adjacent writing, companion essays can address a wide range of topics: the book’s themes and craft; historical or cultural context; reflections, research, and ideas that extend beyond the book; or experiences from the writer’s life. These essays aren’t excerpts, summaries, reviews, ads, reading guides, or a justification for the book. Companion essays are powerful in themselves—informative, entertaining, and surprising—and connect the reader to the author and book in unique ways.

    Publishers, publicists, and agents encourage (and expect) writers to write and publish companion pieces to support marketing and promotion, build readership, and expand the author’s platform. Whether your book is completed, accepted, or a work-in-progress, the best time to begin thinking about and drafting these essays is early in the writing process. 

    We’ll look at published examples to see what makes a successful companion essay. You’ll develop strategies for generating your own companion essay ideas, and we’ll discuss where these essays can be pitched and published and the how-to’s of the submission process. Participants will receive the presentation slides with links to each essay and outlet discussed.


    In this insightful 2.5-hour course, you will:
    • EXPLORE what makes a compelling companion essay and how it connects to a book without summarizing or promoting
    • GENERATE companion essay ideas drawn from your book, collection, or work-in-progress
    • LEARN HOW companion essays use topic, structure, voice, and purpose to reach readers
    • DISCOVER publications that publish companion essays, and DEVELOP a strategy for pitching and publishing companion essays

    This seminar is ideal for writers who…
    • want an effective way to connect readers to their new book, collection, or work-in-progress 
    • want to increase their visibility and build their platform
    • have a book or collection at any stage of development 
    • want to learn how to write and publish compelling companion essays

    Closed captioning is available. ✔

    Think you might miss class? No worries, replays will be available 3 business days after the final session. ✔

    ABOUT YOUR Instructor

    Knowledgeable and well-prepared, passionate, encouraging, and an empathetic and kind teacher, Andrea A. Firth is a writer, editor, and educator based in the San Francisco Bay Area. She teaches creative writing and the literary magazine publishing process for Chill Subs and other digital education platforms in courses packed with information and lots of examples.  

    An editor for The Brevity Blog and cofounder of Diablo Writers’ Workshop, Andrea has an MFA in Creative Nonfiction Writing from Saint Mary’s College of California. Her writing focus is personal essay, and she was a finalist for the Missouri Review’s 2021 Perkoff Prize in Nonfiction. You can read a selection of her published work at her website.

    Student Testimonials

    “Andrea’s classes are stimulating, well structured, and informative, and her experience and skill as a writer and teacher have been extremely valuable.”

    “Andrea is a warm and welcoming teacher. She creates a safe environment to ask questions and explore your skill as an emerging writer. Her knowledge and insights are keen, kind and above all useful. I look forward to more.”

    “Andrea’s class was everything I hoped for and much more—detailed, organized, and packed with information.”

    “As an educator, Andrea Firth delivers. She’s articulate, energetic, passionate, and personable.”

    THE FINE PRINT

    We understand that life can get in the way of your plans. We want you to be able to get the most out of your course, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers.

    Before the class, you may request a refund less a $10.00 processing fee.

    Please keep in mind that no refunds or credits will be issued after class begins.

    Questions? Please email Info@writingcraft.com


    Registration Info
    $60 Early Bird | $85 Cost of Event

    Event Organizer

    Location
  • WEBINAR | What Platform Is For: How Visibility Supports Your Work (Not the Other Way Around)

    WEBINAR | What Platform Is For: How Visibility Supports Your Work (Not the Other Way Around)

    October 7 @ 3:00 pm 4:00 pm America/NewYork

    Nonfiction-focused, but applicable across genres.
    Included in the Season Pass

    Writers are told they need a platform but rarely know what it’s actually for. This leads to a lot of posting, emailing, pitching, and “showing up” without a clear reason behind the effort. The result is noise, scattered energy, lost writing time, and the nagging question: How’s this going to pay off?

    In this webinar, Allison Lane reframes visibility as a tool that supports your book, your work, and your next opportunity. You’ll learn how platform works inside the publishing ecosystem, why visibility needs a purpose, and how to make clearer choices about where and how to show up.


    In this webinar, you will:
    • DEFINE what visibility could make possible for you and your writing
    • UNDERSTAND what platform actually is in publishing and what it’s not
    • IDENTIFY the difference between useful visibility and scattered activity
    • CHOOSE platform-building efforts that support your real goals, capacity, and next steps
    • LEARN how to start from the end state before deciding where to show up
    This webinar is best for intermediate and advanced writers who…
    • have heard they need a platform but aren’t sure what it’s supposed to do
    • are posting, emailing, pitching, or showing up online, but struggle to connect those efforts to their larger goal
    • are preparing to query agents and publishers
    • want to launch their book or build awareness about an already-out-there book
    • want to make smarter choices about where to spend their time and energy
    • are overwhelmed by social media, newsletters, podcasts, speaking, and all the other “platform” advice
    • want their visibility to support their book, their work, and their real life

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    Clear and energetic, motivating and sincere, Allison Lane gives accessible advice that truly moves the needle—and she’s funny! As a strategic publishing and visibility advisor, Allison helps women turn their expertise, perspective, and hard-earned reputation into visible authority, market-ready books, and bigger opportunities. 

    Allison helps women clarify what they want to be known for, develop book ideas that can stand up in the marketplace, and build visibility that makes people find and trust them, recommend them, publish them, book them, and hire them. She also hosts The Author’s Edge, the go-to marketing podcast for authors who want expert guidance on publishing, platform building, book marketing, and long-term visibility.

    REFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.

    There are no refunds after the replay is sent.

    Questions? Please email Info@writingcraft.com


    Registration Info
    $20 Early Bird | $30 Cost of the Event

    INSTRUCTOR

    Location

  • 4-WEEK WORKSHOP | Unconventional Forms for Unexpected Nonfiction Stories

    4-WEEK WORKSHOP | Unconventional Forms for Unexpected Nonfiction Stories

    October 21 @ 1:00 pm November 11 @ 4:00 pm EDT

    Open to 15 writers of creative nonfiction, essays, memoir, and lyric essays

    Live On Zoom | Wednesdays, October 21-November 11 | 1-4 pm Eastern

    In this creative nonfiction workshop, writers will play with myriad approaches to the personal narrative—lyric forms, research braids, lists, flash/micro-essays, point-of-view experiments, and the found form “hermit crab”—to discover unexpected voices with which to tell personal stories. 

    We’ll read a variety of published essays from the likes of Ira Sukrungruang, Neema Avashia, Brian Doyle, Gwendolyn Wallace, Roxane Gay, Cheryl Strayed, Brenda Miller, Sabrina Imbler, and others, then kick-start our drafts with in-class writing exercises. 

    Weekly prompts and assignments, as well as readings, will inspire participants to try new forms, voices, and styles. Work will be shared in class for feedback on a rotating schedule. Classmates and the instructor will offer thoughtful, targeted oral feedback that focuses on what’s working in our personal narratives and how to strengthen and refine them.

    Students will receive written feedback on one polished piece up to 2000 words.


    Over these four weeks, you will …
    • EXPLORE new forms for your personal narratives, including lyric forms, braids, and hermit crabs
    • DISCOVER how unexpected voices and structures can unlock new stories
    • LEARN how to give helpful, guided feedback on your peers’ work
    • CHALLENGE your understanding of the personal narrative, beyond traditional dramatic structures

    *Schedule below

    This course is for writers …
    • at all levels, from experienced writers to those new to the genre
    • who’d like to challenge their understanding and expectations of the personal narrative
    • who are curious to play and experiment with form

    Closed captioning is available. ✔
    Think you might miss a class? No worries, replays will be available. ✔

    ABOUT YOUR INSTRUCTOR

    Ethan Gilsdorf is a writer, teacher, performer, and a huge nerd. A sharp, funny instructor, Ethan is the author of the award-winning memoir Fantasy Freaks and Gaming Geeks. His work appears in the New York Times, Washington Post, Esquire, Wired, O,Oprah Magazine, Huffington Post, Brevity, Electric Literature, Poetry, and The Southern Review and has been named twice as “Notable” in Best American Essays. 

    Noted for his thoughtful, generous and encouraging feedback, Ethan teaches at GrubStreet, where he leads the Essay Incubator program; at LitArts RI and Craft Talks; is on the faculty of Solstice MFA Program at Lasell University; and teaches anyone how to play Dungeons & Dragons. 

    Schedule

    Week 1 

    • First class orientation: introductions, logistics, class expectations and class “citizenship”
    • Syllabus, workshop schedule and methods
    • Narrative vs non-narrative forms; List, Instructional/“How to” 
    • In class exercises: Begin your “How to” instructional form essay.

    Week 2

    • Assignment due: “How to” instructional form essay for workshop
    • Workshop: small group workshops of “How to” instructional form essay
    • “Object correlative”; Single moment, one-sentence/“run on” lyric flash forms
    • Hermit crab forms
    • In class exercises: One-sentence scene/flash; hermit crab forms

    Week 3: 

    • Assignment due: Hermit crab form essay for workshop
    • Braided and fragmented forms
    • In class exercises: Braided/ fragmented forms

    Week 4 

    • Assignment due: any essay for workshop
    • Refrain flash essays
    • Point of view experiments
    • In class exercises: Refrain and Point of view forms
    • Next steps in your experimental form CNF/essay journey
    Testimonials from past students

    “My work is taken seriously in Ethan’s workshops, and I am taken seriously as a writer.”

    “What a master teacher.” 

    “This may be the best writing class I’ve ever taken.” 

    “You really are one of the best writing teachers I’ve had.”

    “I’m grateful beyond measure for the care that Ethan has taken in teaching us.”

    THE FINE PRINT

    We understand that life can get in the way of your plans. We want you to be able to get the most out of your course, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers.

    Before the first class, you may request a refund (less a $25 processing fee).

    After class begins, you may request a refund for the remaining value of the course (less a $25 processing fee). No credits or refunds will be available after the 2nd class.


    Questions? Please email Info@writingcraft.com


    Registration Info
    $640 Early Bird | 690 Cost of Event

    Instructor

    Location
  • WEBINAR | Taste and See: Using Food So Readers Can Experience Your Stories

    WEBINAR | Taste and See: Using Food So Readers Can Experience Your Stories

    September 24 @ 3:00 pm 4:30 pm EDT

    For Food Writing, Fiction and Creative Nonfiction
    Included in the Season Pass

    Who doesn’t love to eat? Culinary imagery is not just for food journalists or restaurant reviewers. Food is a metaphor and cultural touchstone, and the flavors, aromas, and experiences of sharing meals can bring life to many other kinds of narratives, bringing richness, texture, and sensory depth to scenes.

    In this 90-minute webinar, examine scenes of fiction and creative nonfiction that use descriptions of food in surprising ways. Then expand your toolkit by practicing using these techniques in your own storytelling.


    In this webinar, you will:
    • READ fiction and creative nonfiction that use food in scenes
    • EXAMINE what makes these examples resonate with readers
    • TRY an exercise in unexpected ways to write about food
    • DISCOVER how food can serve as metaphor to show, not tell, stories of belonging, trauma, and desire
    • LEAVE with new techniques to bring sensory richness to your own narratives
    This webinar is ideal for beginning and intermediate writers…
    • write fiction or creative nonfiction (essay or memoir)
    • want to learn food writing techniques that bring new sensory experiences to their stories
    • want to bridge food and literary writing
    • are looking for fresh ways to use sensory detail 
    • are food lovers who want to bring their passion for eating and cooking to the page
    • are writing about family, memory, identity, or place and want a new entry point

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    A conversational speaker whose love of food and writing shine through, Grace Hwang Lynch is a journalist, essayist, and community builder with an eye for Asian American culture and food. Her work can be found on outlets including Tin House, Catapult, and NPR and her food memoir How to Cook Rice: On the Care and Feeding of an Immigrant Family is coming in January 2027. Follow her on Instagram @gracehwanglynch or at gracehwanglynch.com.

    REFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.

    There are no refunds after the replay is sent.

    Questions? Please email Info@writingcraft.com


    Registration Info
    $30 Cost of the Event

    Instructor

    Location

  • WEBINAR | Getting Past “I”: The Challenge of Writing in First-Person POV

    WEBINAR | Getting Past “I”: The Challenge of Writing in First-Person POV

    September 30 @ 3:00 pm 4:15 pm EDT

    For All Genres
    Included in the Season Pass

    Writing in first-person seems easy at first. After all, how hard can it be to get inside just one character’s head and stay there? But from a craft perspective, writing in first-person is a potential minefield. Building an interesting and dynamic world full of believable characters can be a craft challenge when the reader only sees that world through one set of eyes. 

    Common first-person pitfalls involve an over-reliance on telling rather than showing; not using inner dialogue strategically to build conflict and tension; and accidentally switching out of first-person, which can confuse the reader. 

    Yet the first-person perspective is an exciting opportunity to explore your protagonist’s deepest secrets—whether a fictional character or from your own perspective—and drives and develops a sympathetic bond with the reader as they get to know your character from the inside. 

    In this webinar, we’ll examine what can go wrong and explore great examples of first-person done well.


    In this webinar, you will:
    • DETERMINE the right Point of View for your story and genre
    • LEARN HOW first-person works differently from other POVs
    • ANALYZE examples of first-person pitfalls
    • IDENTIFY hallmarks of great first-person POV writing
    • EXPLORE practical techniques to vary your writing style within a single narrator
    This webinar is ideal for beginning and intermediate writers…
    • writing a novel, memoir, or personal essay in first person who want to strengthen their craft
    • worried their narrator sounds flat, limited, or overly self-focused
    • struggling with showing rather than telling from a single perspective
    • who want to build a rich, believable world through one character’s eyes
    • unsure whether first-person is the right POV choice for their story
    • who find themselves accidentally slipping out of first person mid-scene
    • who need models of first-person done exceptionally well

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    Amy L. Bernstein shares her passion for writing craft and her deep knowledge in info-packed presentations with clear examples and plenty of time for Q&A! 

    Amy writes award-winning fiction and nonfiction that lets readers feel while making them think. As the author of six novels, including Tent City, and a book of inspiration for creatives called Wrangling the Doubt Monster, Amy brings a compassionate and insightful voice to writers’ conferences around the country. A former journalist, Amy also works as a book coach, helping nonfiction authors craft compelling book proposals. She welcomes followers to her weekly Substack, Doubt Monster, which explores the agony and ecstasy of creativity.

    REFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.

    There are no refunds after the replay is sent.

    Questions? Please email Info@writingcraft.com


    Registration Info
    $20 Early Bird | $30 Cost of the Event

    INSTRUCTOR

    Location

  • WEBINAR | Choose Your Best Publishing Path: Balancing Dollars and Sense

    WEBINAR | Choose Your Best Publishing Path: Balancing Dollars and Sense

    September 16 @ 3:00 pm 4:30 pm EDT

    For full-length fiction, nonfiction and memoir, including collections
    Included in the Season Pass

    With over four million new titles for sale last year, publishing is a multibillion-dollar business. Costs, time, and maintaining control over the process are critical elements in an author’s decision, and every writer has their own set of must-haves and non-negotiables. From acquisition to sales to your ideal readers, it’s vital to educate yourself even before you finish the book.

    In this webinar, we’ll discuss the pros and cons of traditional, hybrid, and self-publishing. We’ll tackle the financial costs and resources required for each and learn from established authors what they enjoy most (and least) about their chosen path. You’ll leave with information to determine which option is the best fit not only for your work but also to meet your own goals and expectations.


    In this webinar, you will:
    • UNDERSTAND traditional, hybrid, and self-publishing—and what each actually costs in time, money, and creative control
    • IDENTIFY which publishing path best aligns with your goals, your book, and your non-negotiables
    • HEAR firsthand from established authors about what they wish they had known before choosing their publishing route
    • GAIN the vocabulary and framework to ask the right questions—of agents, publishers, hybrid presses, and yourself
    • BUILD a realistic roadmap for one of the most important decisions of your writing life
    This webinar is best for new-to-publishing writers 
    • who are indecisive of their publishing path
    • who are ready to publish but require more info
    • interested in the book publishing business

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    A buoyant, high-energy teacher who motivates writers to “stick with it,” Kristin Owens, PhD, is an award-winning educator and writer living in oxygen-deprived Colorado. She’s a contributor to Writer’s Digest, 5280, and Wine Enthusiast. Her debut novel, Elizabeth Sails, was shortlisted for the 2025 Gilda Prize and Killer Nashville’s Award for Best Cozy. With her background in university instruction, she takes complex subjects and breaks them down into informative and entertaining bite-sized pieces. She can usually be found (playing and working) onboard a cruise ship.

    REFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.

    There are no refunds after the replay is sent.

    Questions? Please email Info@writingcraft.com


    Registration Info
    $30 Cost of the Event

    Event Organizer

    Location

  • SEMINAR | Sharpen Your Prose: How to Be Your Own Editor

    SEMINAR | Sharpen Your Prose: How to Be Your Own Editor

    September 19 @ 2:00 pm September 20 @ 3:30 pm EDT

    Live on Zoom | Saturday & Sunday, September 19-20, 2026 | 2-3:30pm EDT

    For Creative Nonfiction and Fiction Writers

    For successful authors, “all writing is rewriting.” Most of the best work we’ll ever do happens not in first drafts but through the painstaking process of revision. But what exactly is revision? How do we approach what can feel like an intimidating and endless process? How can we truly make our drafts better (and not just different)? And where do we turn for feedback when we’re writing on our own?

    Rather than focusing on big-picture or developmental editing, this class will focus on line-level techniques that reliably improve any piece of writing. We’ll discuss what makes individual sentences more impactful, how to trim bloated paragraphs, and the keys to maintaining a sense of immediacy that holds readers’ attention. Together, we’ll study examples of both first-draft writing and polished, published pieces, naming the differences and working out how to move from point A to point B. We’ll learn how to create our own feedback, moving from “author” to “editor” and back again.

    By studying the work of others, we’ll begin seeing our own writing more objectively. After our first class, each participant will work on revising their own sentences, practicing new techniques. By the end of our second class, students will have acquired a set of revision practices that can be applied to any work-in-progress. 


    In this insightful weekend course, you will:
    • LEARN techniques to view your writing more objectively
    • READ examples of sharp prose and consider how they were revised
    • PRACTICE revising your own work
    • DISCOVER a set of revision practices you can apply to any work-in-progress

    Schedule…

    Saturday—We’ll start with the core skill of condensing prose: mediating language, shaping a true scene, and revising toward stronger verbs. You’ll read past student work and discuss how to tighten it, then turn to examples of sharp professional prose to see these techniques in action.

    As a group, we’ll build a working list of line-level revision techniques you can apply to your own writing.

    Homework: Revise an excerpt of your own work using the techniques from class.

    Sunday—We’ll share revisions with the group and discuss what’s working and what could go further. You’ll gain new insight into your own editing by seeing others in action. 


    This seminar is ideal for writers who…
    • can crank out a first draft but don’t know how to revise
    • are working on their own without consistent feedback
    • worry their sentences or page count may be bloated
    • want to learn to think like an editor
    • want to write sharper, tighter prose to capture the attention of readers

    Closed captioning is available. ✔

    Think you might miss class? No worries, replays will be available 3 business days after the final session. ✔

    ABOUT YOUR Instructor

    An encouraging, warm, and deeply knowledgeable instructor, Lindsey Deloach Jones holds a BA and MA in English and an MFA in Creative Nonfiction. She has taught creative writing at Clemson University and the South Carolina Governor’s School for the Arts & Humanities and served as Editor of Emrys Journal and Edible Upcountry.

    Lindsey’s essays have been published in HuffPost, HuffPost Parenting, Split Lip, Under the Gum Tree, Motherwell, Paste, South Carolina Review, and Salvation South, among others. She is a recipient of the VanderMey Nonfiction Prize, and an essay nominated by Pigeon Pages was recently a finalist for Best of the Net. 

    Lindsey currently teaches writing online and in-person via WRITESHARE, the writers’ network she co-founded in Upstate SC, and for organizations such as Craft Talks. She is represented by Writers House.

    Student Testimonials

    “Lindsey is knowledgeable, well-prepared, and interacts well through the chat comments and questions, so the presentation is more of a conversation. So important!” Anne P.

    “Lindsey is a very ‘user-friendly’ presenter. She takes such complex subjects and makes them accessible.” Laura R.

    “I loved her creative topic, her examples, and her presentation. She did a great job of involving the attendees even though it was a virtual session. (Hard to do!) ” Sherrie D. V.

    “Lindsey is so knowledgeable and articulate. I wish I could take her classes in person!” Melissa R.

    THE FINE PRINT

    We understand that life can get in the way of your plans. We want you to be able to get the most out of your course, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers.

    Before the class, you may request a refund less a $10.00 processing fee.

    Please keep in mind that no refunds or credits will be issued after class begins.

    Questions? Please email Info@writingcraft.com


    Registration Info
    $99 Cost of Event

    Event Organizer

    Location
  • The Writers Bridge | Build an Author Marketing Plan that Works for You with Rachel Thompson

    The Writers Bridge | Build an Author Marketing Plan that Works for You with Rachel Thompson

    August 25 @ 1:00 pm 2:00 pm EDT

    No. You need a plan that fits your book, your readers, your budget, your time, and your tolerance for social media nonsense.

    Most authors don’t fail at marketing because they didn’t try hard enough—they fail because they tried to do everything at once, on every platform, without knowing how to assess what’s working. Rachel Thompson of BadRedhead Media has spent more than 17 years helping authors build marketing plans that don’t rely on gimmicks, magic formulas, or dancing on TikTok.

    Learn what to figure out before you start marketing at all: who your readers actually are, what realistic goals look like, and how to choose activities that match your time and budget. We’ll dig into DIY-versus-hire-a-pro—what’s worth learning yourself and what’s worth paying someone else to handle?—and how to tell whether your marketing is moving the needle. Rachel’s also an expert on why and how to build Substack into your author platform.

    Bring your questions and your book marketing frustrations. Rachel’s heard them all—and probably lived most of them.

    Join us TUESDAY AUGUST 25 at 1PM EASTERN / 10AM PACIFIC – live and FREE on Zoom, all welcome!


    Our special guest

    Rachel Thompson is the founder of BadRedhead Media, LLC (est. 2011), where she creates customized social media, book marketing, branding, Substack, and visibility campaigns for authors. Drawing on more than 17 years of sales, marketing, and training experience, Rachel helps writers build their platforms, connect with readers, and promote their work without gimmicks.

    Rachel’s books include Broken Pieces, Broken Places, Broken People, The BadRedhead Media 30-Day Book Marketing Challenge, BadRedhead Media’s How to Best Optimize Blog Posts for SEO, a branding guide, and two humor books. Her books have earned multiple awards and reached No. 1 on several Amazon lists—which she readily admits is much more exciting than cleaning the litter box.

    Rachel shares practical marketing guidance with more than 14,000 followers on Substack, where she writes weekly about book marketing, social media, building your Substack/newsletter, publishing, and the realities of building an author platform.

    Join your hosts Allison K Williams (SEVEN DRAFTS), Sharla Yates (CRAFT TALKS) and our special guest for a practical, no-nonsense hour on marketing your book without losing your mind.

    FREE, all welcome! Sign up to receive the Zoom link the day before.


    Enjoy past recorded sessions here

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTERS

    Allison K Williams has edited and coached authors to publishing deals with Penguin Random House, Knopf, Mantle, St. Martin’s Press, and numerous small presses. An expert in author marketing and community building, her platform includes the Brevity Blog (80k+ followers), Instagram (10k+), a mailing list (12k+), and Facebook (5k+), with publications in the New York Times and appearances on NPR and CBC. Her book, Seven Drafts: Self-Edit Like a Pro from Blank Page to Book, sold on proposal. She leads the Rebirth Your Book writing retreats and co-hosts The Writers Bridge.

    Sharla Yates is the author of the poetry chapbook What I Would Say if We Were to Drown Tonight, published by Stranded Oak Press (2017). She hosts a webinar series, CRAFT TALKS for writers on writing, and co-hosts The Writers Bridge with Allison K Williams. Her nonfiction essay, “Address” was a finalist for the 2015 Columbia Journal writing contest and the 2016 Penelope Niven Creative Nonfiction Award. She is the former Director of Education at the Creative Nonfiction Foundation and teaches creative writing at the University of Pittsburgh.

    Questions? Please email Info@writingcraft.com

  • WEBINAR | Writing the Senses: Transform Your Prose with Vivid Descriptions

    WEBINAR | Writing the Senses: Transform Your Prose with Vivid Descriptions

    September 9 @ 3:00 pm 4:30 pm EDT

    For Fiction, Nonfiction, Memoir, and Poetry
    Included in the Season Pass

    Lush, descriptive writing is like magic. Sensory moments draw readers in to let them experience another life entirely. In this 90-minute session, award-winning author and writing coach April Dávila guides writers through a series of meditations, followed by writing exercises designed to help you move past tired clichés and find the details that are genuinely, uniquely yours.

    Often, exploring sensory details surprises us, allowing us to stop focusing on “perfect” prose and lean into our own, and our characters’, specific experience. Write a handful of descriptive lines you’ll actually want to use—and confidence in how to choose those lines carefully to avoid verbosity in your finished work.

    Writers at all skill levels are welcome. Bring a work-in-progress or a blank page, and leave with fresh material and new ways of expressing your ideas.


    In this webinar, you will:
    • SHARPEN your ability to capture specific, vivid details that pull readers into your world
    • MOVE through guided meditations on sight, sound, touch, smell, and taste
    • SILENCE your inner critic and get words on the page without second-guessing every line
    • GENERATE new material you can pull directly into your stories, essays, or poems
    • GAIN a fresh approach to descriptive writing
    This webinar is ideal for beginning and intermediate writers…
    • whose prose feels flat or overly visual, relying too heavily on sight and missing the other four senses
    • who find themselves reaching for the same tired phrases and want to develop a more original, specific voice
    • working on any project (fiction, memoir, poetry, or essay) who want fresh material and new ways into their writing
    • who tend to rush past description and want to slow down and pay closer attention to the world of their story

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    April Dávila is an award-winning, traditionally published novelist and an experienced writing coach. A warm, straightforward teacher, April’s unique approach combines the practical tools of writing with the transformative power of mindfulness, empowering writers to quiet their inner critics and make meaningful progress on their work. A passionate advocate for creative expression, April guides aspiring authors in overcoming blocks and building sustainable writing habits. Her first nonfiction book, Sit Write Here: 6 Mindfulness Practices to Help You Write More and Suffer Less, is forthcoming from St. Martin’s Press.

    REFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.

    There are no refunds after the replay is sent.

    Questions? Please email Info@writingcraft.com


    Registration Info
    $30 Cost of the Event

    Event Organizer

    Location