Tag: Writing Education

  • 3-WEEK WORKSHOP | Words That Matter: Writing for Advocacy and Change

    3-WEEK WORKSHOP | Words That Matter: Writing for Advocacy and Change

    July 23 @ 5:00 pm August 6 @ 8:00 pm EDT

    Open to 10 writers only, working in Creative Nonfiction, Narrative Nonfiction, or Personal Essay

    Live On Zoom | Thursdays, July 23 – August 6, 2026 | 5-8 pm Eastern

    In this generative writing workshop, we’ll explore how the creative nonfiction essay conveys important themes and messages and questions the status quo, bends a critical eye to social norms, and brings to light a range of issues that need addressing, from the small to the big.

    We’ll explore a variety of essay styles and stories, from thoughtful commentary to powerfully emotional pieces, many of which explore difficult, political, and important contemporary issues: works rooted in truth but done so with the creative flair of artful formatting and prose. Most importantly, we’ll practice and write our own advocacy essays.

    If you’re passionate about speaking out against injustice, expressing dissent, and stimulating imagination of a better world, join us to refine your skills and build your publication record with essays that make a difference.

    Includes the instructor’s written feedback on your work.


    Over these three weeks, you will …
    • QUESTION creative nonfiction essays to understand how they can convey important themes and messages
    • PRACTICE employing craft elements to successfully advocate for issues in a way that emotionally connects with readers
    • WORKSHOP one another’s work to provide diverse feedback, perspectives, and reactions
    • EXPLORE a variety of essay styles and stories featuring difficult, political, and important contemporary issues
    • GENERATE new writing to develop into powerful essays
    Schedule
    • Week 1: Short writing practice to get into the writing zone; discussion of essay examples distributed and read before class; longer writing sprint with brief on-the-spot reading/feedback
    • Weeks 2 and 3: A workshop of up to 1,000 words for each student; discussion of essay examples distributed and read before class; end with short writing practice to send us off with more idea

      Following the final session, the instructor will send written feedback to each student
    This course is for beginning and intermediate writers who …
    • want to learn how craft elements create effective messaging
    • desire to use their craft for advocacy purposes
    • have stories to tell or want to speak out on issues they are passionate about
    • want to explore more experimental styles of essay writing

    Closed captioning is available. ✔
    Think you might miss a class? No worries, replays will be available. ✔

    ABOUT YOUR INSTRUCTOR

    Amy Shea is an essayist with an MFA and a doctorate in Creative Writing from the University of Glasgow and is the author of Too Poor to Die: The Hidden Realities of Dying in the Margins

    An energetic and encouraging teacher, Amy focuses on practice-based instruction with time to write, play, and close-read examples to stretch your writing skills. Always inclusive, she loves to provide lots of examples, so students end up with lots of SWAG (Stories We All Get [to read])!

    Amy Shea’s work has appeared in The Missouri Review, Portland Review, The Massachusetts Review,  the Journal of Sociology of Health & Illness, among others. She works as the Writing Program Director for Mount Tamalpais College, a free community college for the incarcerated people of San Quentin. Learn more about her work at https://amysshea.com.

    Testimonials from past students:

    “Amy Shea’s classroom presentations to my college writing classes were excellent and informative. She was a guest writer in both introductory and advanced writing classes, and in both cases the students raved afterwards about how helpful her presentations were for them. Her focus on different kinds of research, writing, and editing in the context of writing creative nonfiction is useful for writers at all levels. Highly recommended!” –David Buuck, Academic Director, Oakland Clemente Course in the Humanities & Assistant Adjunct Professor of English, Mills College

    “Amy is a wonderful lecturer and educator! She asks great questions that always stimulate lots of discussion and creates a great learning environment for the attendees with her warmth and creativity.” –Justine Juson

    “Amy presented her research and writing practices to my students, who mostly saw research and writing as exacting hard work that was beyond them but not beyond others. Amy’s descriptions, sometimes humorous and always instructive, encouraged my students to think differently, and by the end of class, my students felt empowered to explore creativity and research in their own writing practices.” –Jeff Magnin

    THE FINE PRINT

    We understand that life can get in the way of your plans. We want you to be able to get the most out of your course, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers.

    Before the first class, you may request a refund (less a $25 processing fee).

    After class begins, you may request a refund for the remaining value of the course (less a $25 processing fee).

    No credits or refunds will be available after the 1st class.


    Questions? Please email Info@writingcraft.com


    Registration Info
    $270 Early Bird | $320 Cost of Event

    Event Organizer

    Location
  • 4-WEEK WORKSHOP | Writing From Photographs: From Image to Essay

    4-WEEK WORKSHOP | Writing From Photographs: From Image to Essay

    June 14 @ 3:00 pm July 5 @ 4:30 pm EDT

    Limited to 12 memoirists, essayists, and creative nonfiction writers

    Live On Zoom | Sundays, June 14 – July 5, 2026 | 3-4:30 pm eastern

    Starting a nonfiction piece can often feel daunting, despite having stories and experiences you wish to tell. Memories may feel incomplete—and can be inaccurate. But photographs can inspire your process and provide a starting point for our writing, serving as an object, an image, and a memory touchstone. When used as prompts for our writing, pictures can become rich reservoirs of personal and cultural history. Drawing on photographs that intrigue, haunt, or conjure forgotten memories, this four-week course explores the rich possibilities that photographs can serve in prompting your nonfiction writing and developing your craft.

    You’ll work with your own photographs, inspiring your writing with concrete moments to describe, reflect, and expand on. At the end of the four weeks, you’ll have a short essay or the start of a longer piece.

    This small-group, workshop-format course will include instructor feedback on 1,000 words.


    Over these four weeks, you will …
    • LEARN techniques of nonfiction narrative, including writerly presence, details and description, and the art of scene-making
    • DISCOVER how to use photographs to create richly imagined narrative nonfiction stories
    •  EXPLORE the possibilities of your own photographs as prompts for expressive essays and scenes 
    • EXPERIMENT with crafting and refining narrative nonfiction both individually and with guided workshopping
    Schedule
    • Week 1. Photographs and Stories
      We will look at how writers find stories in photographs and consider the different approaches a photograph can prompt. Then we’ll experiment with low-stakes writing inspired by your own photographs.
    • Week 2: Incomplete Photographs
      Explore how to turn a photograph into a scene, filling what is outside the frame and delving into memory and experience in the process. We will consider ways of crafting compelling descriptions and writerly presence. 
    • Week 3. Expanding the Writing
      Expanding on the work from Week 2, this week will focus on refining a draft of an essay. We will uncover ways of giving focus and depth to the developing piece towards a more richly textured draft. 
    • Week 4. Revision and Critique
      The final week offers guided group feedback, helping each other in thinking about directions for giving the writing a more solid frame and focus. 
    This course is for beginning and intermediate writers who want to
    • explore elements of creative nonfiction that draw on memory and experience 
    • experiment with how photographs can prompt stories 
    • refine their prose style and techniques
    • learn practical approaches to nonfiction storytelling 
    • have a pile of photographs to inform their memoir…but aren’t sure how to use them

    Closed captioning is available. ✔
    Think you might miss a class? No worries, replays will be available. ✔

    ABOUT YOUR INSTRUCTOR

    James Polchin is a writer and cultural historian, and a clinical professor at New York University. He is the author of Indecent Advances: A Hidden History of True Crime and Prejudice Before Stonewall, a finalist for an Edgar Award, and Shadow Men: The Tangled Story of Murder, Media, and Privilege That Scandalized Jazz Age America. His writing has appeared in The New York Times Book Review, Slate, TIME, Huffington Post, CrimeReads, Paris Review, Rolling Stone, The New Inquiry, Brevity, and the Gay and Lesbian Review. He has been interviewed about his work by BBC4 Radio, NPR, Advocate, The American Scholar, CrimeReads, Bookforum, and Publishers Weekly, among others.

    Testimonials from past students:

    “He really created a transformative course. His insightful comments on everyone’s writing were really superb, encouraging revision while also providing inspiration and direction.” 

    “I appreciated the thoughtful feedback and helpful questions.”

    “I was surprised by how much I was able to generate in a short time and in a way that felt fresh to me. The course opened up new pathways to consider.”

    “Big thanks to James for a class that fed my writing and my heart.” 

    THE FINE PRINT

    We understand that life can get in the way of your plans. We want you to be able to get the most out of your course, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers.

    Before the first class, you may request a refund (less a $25 processing fee).

    After class begins, you may request a refund for the remaining value of the course (less a $25 processing fee).

    No credits or refunds will be available after the 1st class.


    Questions? Please email Info@writingcraft.com


    Registration Info
    $190 Early Bird | $240 Cost of Event

    Event Organizer

    Location
  • The Writers Bridge | More Than a Writer: How Other Roles Inform Our Craft

    The Writers Bridge | More Than a Writer: How Other Roles Inform Our Craft

    March 31 @ 1:00 pm 2:00 pm EDT

    Three authors, three lives.

    Outside of our writing pursuits, we all have other roles: as parents, job-holders, athletes, volunteers, activists, etc. Writers often lament that these demands compete with our practice, but how can they improve our craft? But how can we balance the lives that surround our writing with the work we create–and more than that, how can our “regular” lives feed, complement, and support our creative process?

    Blair Glaser, Jocelyn Jane Cox and Jaque Gorelick will share the surprising ways their extra obligations (and passions!) provide inspiration, content, and transferable skills, and of course, how they handle all the multitasking. Get practical advice and strategies to get words on the page, not just in spite of your other roles but because of them.

    Join us TUESDAY March 31st at 1PM EASTERN – live and FREE on Zoom, all welcome!


    Our special guests:

    Blair Glaser is a recovering psychotherapist, executive leadership and career coach. Her essays have appeared in Longreads, Shondaland, Oldster, Quartz, HuffPost, Inside Higher Ed, and others, as well as in literary magazines such as Brevity, Scoop, Rain Taxi, and The Mantlepiece. She is the author of This Incredible Longing: Finding Myself in a Near-cult Experience (Heliotrope, 2026).

    Jocelyn Jane Cox was a competitive figure skater who became a national-level coach, balancing this role with her writing for over 25 years. She is the author of Motion Dazzle: A Memoir of Motherhood, Loss, and Skating on Thin Ice (Vine Leaves, 9/25). She holds an MFA from Sarah Lawrence College. Her work has appeared in The New York Times, Slate, The Offing, and the Colorado Review, among others.

    Jacque Gorelick is an elementary school teacher turned writer who spent years helping students turn ideas into stories. Her essays about motherhood, health, education, and estrangement appear in The New York Times, Salon, Los Angeles Review of Books, Pithead Chapel, X-R-A-Y, and The Kenyon Review. Map of a Heart: A Memoir of Love, Loss, and Finding the Way Home (Vine Leaves Press 2026) is her debut.

    Join your hosts Allison K Williams (SEVEN DRAFTS), Sharla Yates (CRAFT TALKS) and our special guests for this lively, funny hour of frank talk about publishing, platform, and always following your mission.

    FREE, all welcome! Sign up to receive the Zoom link the day before.


    Enjoy past recorded sessions here

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTERS

    Allison K Williams has edited and coached authors to publishing deals with Penguin Random House, Knopf, Mantle, St. Martin’s Press, and numerous small presses. An expert in author marketing and community building, her platform includes the Brevity Blog (80k+ followers), Instagram (10k+), a mailing list (12k+), and Facebook (5k+), with publications in the New York Times and appearances on NPR and CBC. Her book, Seven Drafts: Self-Edit Like a Pro from Blank Page to Book, sold on proposal. She leads the Rebirth Your Book writing retreats and co-hosts The Writers Bridge.

    Sharla Yates is the author of the poetry chapbook What I Would Say if We Were to Drown Tonight, published by Stranded Oak Press (2017). She hosts a webinar series, CRAFT TALKS for writers on writing, and co-hosts The Writers Bridge with Allison K Williams. Her nonfiction essay, “Address” was a finalist for the 2015 Columbia Journal writing contest and the 2016 Penelope Niven Creative Nonfiction Award. She is the former Director of Education at the Creative Nonfiction Foundation and teaches creative writing at the University of Pittsburgh.

    Questions? Please email Info@writingcraft.com

  • 3-WEEK WORKSHOP | Crash Course in Flash Nonfiction: Unlock the Power of Writing Short

    3-WEEK WORKSHOP | Crash Course in Flash Nonfiction: Unlock the Power of Writing Short

    April 23 @ 7:00 pm May 7 @ 9:00 pm EDT


    Regular tickets are sold out, but seats without instructor feedback are still available.

    For Creative Nonfiction, Flash Nonfiction, Literary Nonfiction

    Live On Zoom | Thursdays, April 23 – May 7, 2026 | 7-9 pm eastern

    Flash nonfiction is the art of telling true stories from one’s life with power and brevity (in 1,000 words or less). During this three-week generative workshop, participants will learn the craft of writing flash nonfiction narratives, write new drafts, and receive feedback to practice what they’re learning. 

    Together, we’ll explore examples of expertly crafted flash nonfiction narratives and define what makes them effective. You’ll learn how to make your personal stories connect with readers by using theme and plot, compression and layering, and images and lyricism. Discover what editors look for when selecting flash nonfiction pieces for publication, and write your own powerful pieces. 

    This course will include readings, writing prompts, in-class writing time, writing homework, and Q&A. You’ll receive instructor feedback on two flash-length narratives. 


    Over these three weeks, you will …
    • EXPLORE the key elements of flash nonfiction and how they work together to create powerful essays
    • LEARN to create emotional resonance so that readers will be thinking about your piece long after they read it
    • EXPLORE tips for writing engaging and powerful flash nonfiction that literary magazine editors will love
    • DISCOVER how to use compression, layering, and lyricism to make each sentence pop
    • WRITE flash nonfiction that’s powerful, punchy, personal, and poetic
    Schedule
    • Week 1. Make it Powerful: Theme, Plot, & Research 
    • Week 2. Make it Personal: Voice, Vulnerability & Emotional Intensity
    • Week 3. Make it Punchy: Compression, Lyricism, & Form 
    This course is for intermediate writers who 
    • Want to generate new flash nonfiction work 
    • Want their flash nonfiction pieces to grab the attention of editors and readers
    • Want to write more powerfully when writing short
    • Seek to increase the impact of their prose
    • Hope to publish flash nonfiction pieces in literary magazines

    Closed captioning is available. ✔
    Think you might miss a class? No worries, replays will be available. ✔

    ABOUT YOUR INSTRUCTOR

    Bethany Jarmul is an Appalachian writer, poet, writing coach, and workshop instructor. She’s the author of a poetry collection, Lightning Is a Mother, and a mini-memoir of flash nonfiction pieces, Take Me Home. Her work has been published in more than 100 literary magazines, including Brevity, River Teeth, and Chestnut Review. Her writing was selected for Best Spiritual Literature and Best Small Fictions, and nominated for the Pushcart Prize, The Best of the Net, and Best Microfiction. Twice, she earned first place in Women On Writing’s quarterly flash essay contest. Connect with her at bethanyjarmul.com or on social media: @BethanyJarmul.

    Testimonials from past students:

    “I love taking webinars taught by Bethany Jarmul and always get so much out of them. Bethany has a strong record of publication success and is skilled at sharing her techniques. In her webinars, which are both affordable and easy to sign up for, Bethany provides a huge amount of valuable information and writing strategies in clear, concise, easy-to-follow presentations.” – Beth Mulcahy 

    “Bethany’s workshops are helpful, worthwhile, and enjoyable. She is well organized and her workshops include step-by-step, actionable strategies that help writers take their craft to another level. The techniques I learned in her workshops helped to generate more writing in different genres and improved the quality of my writing overall. I’m always happy to attend one of her classes.”  – Angelle McDougall

    “Bethany is prepared, specific, and encourages questions. I’ve attended several of her webinars, even in a genre I don’t normally work in, and found myself stretching into this new area. Highly recommend her work and her webinars.” – Mare Biddle 

    “Bethany is a wonderful presenter. So grateful for how generous she was with examples, her own writing, suggestions for submissions, suggestions for continued diving into the craft…all in.” – Robin Perry

    “Bethany is a wonderful presenter, speaks clearly and with enthusiasm. VERY present.” – Winnie Ganshaw

    THE FINE PRINT

    We understand that life can get in the way of your plans. We want you to be able to get the most out of your course, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers.

    Before the first class, you may request a refund (less a $25 processing fee).

    After class begins, you may request a refund for the remaining value of the course (less a $25 processing fee).

    No credits or refunds will be available after the 1st class.


    Questions? Please email Info@writingcraft.com


    Registration Info
    $125 | NO FEEDBACK INCLUDED

    Event Organizer

    Location
  • SEMINAR |The Self-Editor’s Toolkit: 10 Tools, Tips and Techniques to Develop Your Memoir or Personal Essay

    SEMINAR |The Self-Editor’s Toolkit: 10 Tools, Tips and Techniques to Develop Your Memoir or Personal Essay

    June 28, 2025 @ 2:00 pm 5:00 pm EDT

    Nonfiction and Memoir

    Live on Zoom | Saturday, June 28 @ 2:00-5:00 pm  EDT

    After the joy of creating comes the picky process of self-scrutinizing, taking stock, and tuning up–essential steps in the writing process. Shifting from generative to reflective mode can be tough, but there are simple, straightforward methods to refresh your perspective and gain entry into what’s already on the page. 

    In this three-hour seminar, learn 10 techniques that creatively (and sometimes stealthily) re-engage you with the work, including scaffolding, housekeeping, reverse outlining, perhapsing, tic lists, set design, flow checks, and runway time. You’ll practice some of these methods live, then pick from the toolbox to build a personalized action plan for revising your work that suits your writing style.

    Using big-picture inventories and line-level search-and-destroy tactics, deep conceptual inquiries and thoughtful worksheets, you’ll gain greater clarity about how to refine language, structure, characterization, and more, and a new enthusiasm for self-editing.


    In this insightful Three-hour live seminar, you’ll learn to:
    • APPROACH your work with fresh perspectives
    • CLARIFY your aims for the work 
    • APPLY simple techniques and inventories that instantly elevate your prose 
    • BRING more dimension and depth to your work 
    • PLAN a clear and understandable revision process for your draft
    This seminar is ideal for writers who want to refine, strengthen, and deepen existing CNF and memoir drafts.

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR Instructor

    Lise Funderburg studied at Reed College and the Columbia University School of Journalism. Her work has appeared in The New York Times, Threepenny Review, Philadelphia Inquirer, National Geographic, Salon, The Nation, More, and The Chattahoochee Review.

    Her latest book is Apple, Tree: Writers on Their Parents (University of Nebraska Press, 2019), a collection of all-new work by 25 writers, which Publishers Weekly deemed a “sparkling anthology” in its starred review. Her previous book was Pig Candy: Taking My Father South, Taking My Father Home (Free Press, 2008), which was chosen as the Drexel University Freshman Read in 2012. Pig Candy fits into several genres—including narrative nonfiction, memoir, travelogue, and biography—but essentially, it’s a book about life, death, and barbecue.

    Testimonials from past students:

    “Great job of presenting new strategies to keep me writing!”

    “Very well organized and illuminating.”

    “I really, really felt comfortable with Lise as a person guiding us…she was so relatable, warm, and committed to offering helpful advice.”

    “Lise helped me find my voice when I dove into writing to process some difficult and painful life experiences. She patiently walked me through early drafts that read more like diary entries than memoir, and through her wise counsel, I found a road map to give voice to my experience and rediscover the joy of writing.”

    “She created a wonderful roadmap to follow!”

    “THANK YOU!!! Loved this very thoughtful, inspirational, and informative presentation.”

    THE FINE PRINT

    We understand that life can get in the way of your plans. We want you to be able to get the most out of your course, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers.

    Before the class, you may request a full refund.

    Please keep in mind that no refunds or credits will be issued after class begins.

    Questions? Please email Info@writingcraft.com


    Registration Info
    $75 Cost of the Event

    Event Organizer

    Location