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DTSTART;TZID=America/New_York:20260919T140000
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SUMMARY:SEMINAR | Sharpen Your Prose: How to Be Your Own Editor
DESCRIPTION:Writers don’t always have the luxury of a great editor. But we can teach ourselves to examine our own prose through an editor’s lens.\n\n\n\nLive on Zoom | Saturday & Sunday\, September 19-20\, 2026 | 2-3:30pm EDTFor Creative Nonfiction and Fiction Writers \n\n\n\nFor successful authors\, “all writing is rewriting.” Most of the best work we’ll ever do happens not in first drafts but through the painstaking process of revision. But what exactly is revision? How do we approach what can feel like an intimidating and endless process? How can we truly make our drafts better (and not just different)? And where do we turn for feedback when we’re writing on our own? \n\n\n\nRather than focusing on big-picture or developmental editing\, this class will focus on line-level techniques that reliably improve any piece of writing. We’ll discuss what makes individual sentences more impactful\, how to trim bloated paragraphs\, and the keys to maintaining a sense of immediacy that holds readers’ attention. Together\, we’ll study examples of both first-draft writing and polished\, published pieces\, naming the differences and working out how to move from point A to point B. We’ll learn how to create our own feedback\, moving from “author” to “editor” and back again. \n\n\n\nBy studying the work of others\, we’ll begin seeing our own writing more objectively. After our first class\, each participant will work on revising their own sentences\, practicing new techniques. By the end of our second class\, students will have acquired a set of revision practices that can be applied to any work-in-progress.  \n\n\n\n\n\n\n\nIn this insightful weekend course\, you will:\n\n\n\n\nLEARN techniques to view your writing more objectively\n\n\n\nREAD examples of sharp prose and consider how they were revised\n\n\n\nPRACTICE revising your own work\n\n\n\nDISCOVER a set of revision practices you can apply to any work-in-progress\n\n\n\n\nSchedule…\n\n\n\nSaturday—We’ll start with the core skill of condensing prose: mediating language\, shaping a true scene\, and revising toward stronger verbs. You’ll read past student work and discuss how to tighten it\, then turn to examples of sharp professional prose to see these techniques in action. \n\n\n\nAs a group\, we’ll build a working list of line-level revision techniques you can apply to your own writing. \n\n\n\nHomework: Revise an excerpt of your own work using the techniques from class. \n\n\n\nSunday—We’ll share revisions with the group and discuss what’s working and what could go further. You’ll gain new insight into your own editing by seeing others in action.  \n\n\n\n\n\n\n\nThis seminar is ideal for writers who…\n\n\n\n\ncan crank out a first draft but don’t know how to revise\n\n\n\nare working on their own without consistent feedback\n\n\n\nworry their sentences or page count may be bloated\n\n\n\nwant to learn to think like an editor\n\n\n\nwant to write sharper\, tighter prose to capture the attention of readers\n\n\n\n\nClosed captioning is available. ✔Think you might miss class? No worries\, replays will be available 3 business days after the final session. ✔ \n\n\n\n\n\n\n\nABOUT YOUR Instructor\n\n\n\n\n\n\n\nAn encouraging\, warm\, and deeply knowledgeable instructor\, Lindsey Deloach Jones holds a BA and MA in English and an MFA in Creative Nonfiction. She has taught creative writing at Clemson University and the South Carolina Governor’s School for the Arts & Humanities and served as Editor of Emrys Journal and Edible Upcountry. \n\n\n\nLindsey’s essays have been published in HuffPost\, HuffPost Parenting\, Split Lip\, Under the Gum Tree\, Motherwell\, Paste\, South Carolina Review\, and Salvation South\, among others. She is a recipient of the VanderMey Nonfiction Prize\, and an essay nominated by Pigeon Pages was recently a finalist for Best of the Net.  \n\n\n\nLindsey currently teaches writing online and in-person via WRITESHARE\, the writers’ network she co-founded in Upstate SC\, and for organizations such as Craft Talks. She is represented by Writers House. \n\n\n\nStudent Testimonials \n\n\n\n“Lindsey is knowledgeable\, well-prepared\, and interacts well through the chat comments and questions\, so the presentation is more of a conversation. So important!” Anne P. \n\n\n\n“Lindsey is a very ‘user-friendly’ presenter. She takes such complex subjects and makes them accessible.” Laura R. \n\n\n\n“I loved her creative topic\, her examples\, and her presentation. She did a great job of involving the attendees even though it was a virtual session. (Hard to do!) ” Sherrie D. V. \n\n\n\n“Lindsey is so knowledgeable and articulate. I wish I could take her classes in person!” Melissa R. \n\n\n\nTHE FINE PRINT \n\n\n\nWe understand that life can get in the way of your plans. We want you to be able to get the most out of your course\, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers. \n\n\n\nBefore the class\, you may request a refund less a $10.00 processing fee. \n\n\n\nPlease keep in mind that no refunds or credits will be issued after class begins. \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/sharpen-your-prose/
LOCATION:Zoom
CATEGORIES:Seminars
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DTSTART;TZID=America/New_York:20260920T150000
DTEND;TZID=America/New_York:20261004T170000
DTSTAMP:20260827T165044Z
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SUMMARY:3-WEEK WORKSHOP | The Art of Facts: Using Research in Lyric Essays
DESCRIPTION:“Lyric” essays are often poetic and personal—but they can do so much more! Extend the reach of your lyric essays with accurate\, effective research.\n\n\n\nOpen to 15 writers in creative nonfiction\, nonfiction and lyric essay \n\n\n\nLive On Zoom | Sundays\, September 20 – October 4\, 2026 | 3-5 pm Eastern \n\n\n\nFrom hermit crab to braided\, collage to fragmented\, lyric essays are having a big moment. They offer innovative and unexpected routes into the familiar territory of personal stories and reported essays. In this workshop\, we’ll look at several common essay forms and explore ways that research—including interviews and fieldwork—can enrich and invigorate your own lyric essays. \n\n\n\nIn the three weeks of this course we will talk\, read\, and write\, with multiple opportunities to share your progress and drafts for feedback. We’ll also discuss how veteran and emerging essayists can best work professionally with editors and fact-checkers\, plus tips and tricks on documenting sources. \n\n\n\nThis course will offer writers with a bit of experience in (or who are eager to explore) nonfiction or journalism a fun and engaging chance to experiment and add new tools to their practice\, all while drafting a flash lyric essay. There will be an opportunity to get written comments from the instructor\, and all participants will get a list of resources and further reading. \n\n\n\n\n\n\n\nOver these three weeks\, you will …\n\n\n\n\nEXPLORE a range of lyric essay styles\n\n\n\nDEVELOP your own list of possible essay topics\n\n\n\nPRACTICE effective techniques for incorporating researched elements\n\n\n\nGENERATE two drafts of a researched\, flash lyric essay\n\n\n\nPROVIDE & RECEIVE peer feedback\, and optional instructor-written comments\n\n\n\nLEARN tips and tricks for documenting sources and working with fact-checkers\n\n\n\n\nSchedule\n\n\n\n\nWeek 1 – Intros\, notable examples\, idea-generating prompt\, sourcing discussion\, homework overview\n\n\n\nWeek 2 – Check-in\, feedback-generating prompt\, workshop of participant essay drafts\,\, assignment review\, Q&A\n\n\n\nWeek 3 – Check-in\, workshop of participant essay drafts\, fact-checking discussion\, open Q&A\, next steps in your researched lyric essay journeys\n\n\n\nOptional office hours 3–4pm EDT on Tues and 8–9pm EDT Thurs \n\n\n\n\nThis course is for writers who …\n\n\n\n\nwith some experience in one or more: reporting\, researching or essay writing; or who have a desire to explore these skills\n\n\n\nwho want to add compelling facts & reported elements to their flash\, lyric\, or experimental essays\n\n\n\nwho want to add lyric\, poetic\, or experimental elements to their reported essays\n\n\n\nwho enjoy experimenting with prompts and shorter essays\n\n\n\nlooking for brainstorming\, researching\, and fact-checking tools to add to their essay or reporting practice\n\n\n\n\nClosed captioning is available. ✔Think you might miss a class? No worries\, replays will be available. ✔ \n\n\n\n\n\n\n\nABOUT YOUR INSTRUCTOR\n\n\n\n\n\n\n\nKnown for packing her courses with deep knowledge\, actionable information\, and fun facts\, Chelsea Biondolillo is a collage artist and the author of The Skinned Bird: Essays and two prose chapbooks\, Ologies and #Lovesong. \n\n\n\nHer essays have been collected in Best American Science and Nature Writing 2016\, The Lyric Essay as Resistance\, and How We Talk to One Another: An Essay Daily Reader and is forthcoming in The Rose Metal Press Field Guide to Writing the Lyric Essay. \n\n\n\nChelsea’s paper and mixed media collages have been shown in Oregon\, Washington\, and New York. Her image and text essay\, “Weeds” was the winner of CRAFT Literary’s inaugural hybrid writing contest. She has a BFA from the Pacific Northwest College of Art and an MFA from the University of Wyoming. She currently lives in Eugene\, Oregon. \n\n\n\nTestimonials from past students\n\n\n\n“I took an online workshop with Chelsea two years ago. As a fiction writer venturing into nonfiction\, I needed a lot of guidance\, and I got it. Chelsea’s lessons and feedback were immensely helpful to me. An essay I began in that class was later accepted by a well-known online magazine. I still go back to the material Chelsea provided as support when starting new projects. I can wholeheartedly recommend Chelsea as a mentor and teacher.” ~ L Doyle \n\n\n\n“I took Chelsea’s intensive flash nonfiction class and was deeply impressed by her commitment\, feedback\, and warm teaching style. The class was online\, but Chelsea managed to create a respectful and intellectually stimulating sense of community.” ~ J Zarankin  \n\n\n\n“Chelsea Biondolillo is an incredibly talented teacher. I learned more from a 1-month intensive workshop with her than I did in semester-long courses with many of my MFA professors. From her close attention to my verbs to her insights on pacing to her overall reflections on the themes of my essays\, Chelsea really got what I was trying to do\, and then made it better. Chelsea is also a cheerleader\, and will go to the mat for you and your work. I can’t recommend her enough.” ~ B Johnston \n\n\n\nTHE FINE PRINT \n\n\n\nWe understand that life can get in the way of your plans. We want you to be able to get the most out of your course\, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers. \n\n\n\nBefore the first class\, you may request a refund (less a $25 processing fee).After class begins\, you may request a refund for the remaining value of the course (less a $25 processing fee). No credits or refunds will be available after the 1st class. \n\n\n\n \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/the-art-of-facts/
LOCATION:Zoom
CATEGORIES:Workshops and Masterclasses
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