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SUMMARY:August REPLAY | The Ideal Sentence: Your Voice\, Your Tone\, Your Pace
DESCRIPTION:Every beginning sets a tone\, establishes a voice\, and signals the quality of the language that is to come. Your beginning is one of your most important writing choices—learn to make it powerful.\n\n\n\nREPLAY INCLUDES: VIDEO\, CHAT\, HANDOUT\, AND TRANSCRIPT \n\n\n\nFor All Genres \n\n\n\nWill that language be complex and tangled? Plain-spoken? Vanilla? Lavender? Will it zing like jazz or sing like a lullabye? Will it feel lethargic\, or will it clop\, or will it swashbuckle? \n\n\n\nIt’s always time to think about sentences—to explore the ways they work (and sometimes don’t)\, the ways we bend them to get closer to the truth\, and the ways we work on patterns and rhythms so that the pages remain alive.  \n\n\n\nProse from Hilton Als\, Michael Ondaatje\, Jean-Dominique Bauby\, Jia Tolentino\, Annie Dillard\, Olivia Laing\, Carmen Machado\, Terry Tempest Williams\, and Mark Richard will inspire us and lead our way. \n\n\n\nExercises presented will be focused on voice\, tone\, mood\, and pace. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nREFINE your writing voices\n\n\n\nEXPERIMENT with mood\, tone\, and pace\n\n\n\nDEVELOP powerful new beginnings\n\n\n\nCREATE a better understanding of your writerly strengths\n\n\n\n\nThis webinar is ideal for writers who:\n\n\n\n\nare intent on capturing the attention of agents\, editors\, and readers.  \n\n\n\nare keen on perfecting their work.\n\n\n\nwish to build more dimension into their writing.\n\n\n\nWant to learn more about sentence craft and explore their writing voice.\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\n\n\n\n\nThe live event happened in May 2025.ABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nOne of our favorite presenters\, BETH KEPHART\, is the award-winning writer of memoir\, children’s books\, young adult novels\, and craft books. She is also a paper artist. Her new book\, her first novel for adults\, is Tomorrow Will Bring Sunday’s News: A Philadelphia Story. Please join her Substack journey at The Hush and the Howl. More at bethkephartbooks.com \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\nBecause the replay is delivered instantly upon purchase\, all sales are final. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/the-ideal-sentence-2/
LOCATION:Zoom
CATEGORIES:Webinars
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DTSTART;TZID=America/New_York:20260823T170000
DTEND;TZID=America/New_York:20260906T183000
DTSTAMP:20260730T144058Z
CREATED:20260707T150655Z
LAST-MODIFIED:20260730T144058Z
UID:10000134-1787504400-1788719400@writingcraft.com
SUMMARY:3-WEEK WORKSHOP | Close to Home: Drawing Inspiration From Everyday Landscapes
DESCRIPTION:Turn the overlooked corners of your everyday world into vivid and compelling writing.\n\n\n\nOpen to 20 writers only\, working in poetry\, fiction\, and nonfiction. \n\n\n\nLive On Zoom | Sundays\, August 23 – September 6\, 2026 | 5-6:30 pm Eastern \n\n\n\nYou don’t have to travel far to find inspiration. This workshop explores how paying close attention to the natural world around us—whether in a backyard\, neighborhood park\, or along a familiar walking route—can lead to engaging\, thoughtful writing. Through readings\, lectures\, and guided assignments\, we’ll discover how ordinary places can reveal extraordinary stories. \n\n\n\nThe course includes three live sessions featuring discussions\, short lectures\, readings\, and workshops. Between meetings\, you’ll complete weekly writing assignments that encourage you to write where you are\, spend time outdoors\, and practice observing the living world with fresh eyes.  \n\n\n\nYou’ll also receive written instructor feedback on one piece you write during the course. \n\n\n\nWhether you’re new to nature writing or looking to deepen your practice\, you’ll leave with new ways of seeing the places you know best and the confidence to turn those observations into compelling pieces of prose or poetry. All you need is curiosity and a willingness to step outside.Students should set aside at least 4 hours a week for the course. \n\n\n\n\n\n\n\nOver these three weeks\, you will …\n\n\n\n\nSOW a nature writing practice through close observation\, weekly writing prompts\, and time spent outdoors in the landscapes you know best\n\n\n\nTEND your craft through readings\, discussions\, mini-lectures\, and workshops during three live class sessions\n\n\n\nROOT your writing in place through sensory detail\, observation\, and personal experience\n\n\n\nGATHER insights through personalized written instructor feedback and workshop notes\n\n\n\n\nSchedule\n\n\n\n\nWeek 1 – Intros\, lecture\, readings\, homework overview\n\n\n\nWeek 2 – Check-in\, workshop\, homework overview\n\n\n\nWeek 3 – Check-in\, workshop\, homework overview\n\n\n\nFeedback Submission Due – September 6th by 9pm EDT\n\n\n\nInstructor Feedback Returned – September 13th\n\n\n\n\nThis course is for writers who …\n\n\n\n\nwant to generate new material in a supportive environment\n\n\n\nwould like to train their observational skills\n\n\n\nwant to strengthen their use of setting and description\n\n\n\ndesire to get outside and soak up the season\n\n\n\n\nClosed captioning is available. ✔Think you might miss a class? No worries\, replays will be available. ✔ \n\n\n\n\n\n\n\nABOUT YOUR INSTRUCTOR\n\n\n\n\n\n\n\nA high-energy teacher noted for deep historical dives and technical side quests that always bring more understanding\, Megan Baxter has won numerous national awards\, including a Pushcart Prize. Her essay collection\, Twenty Square Feet of Skin\, was longlisted for the 2024 PEN/Diamonstein-Spielvogel Award for the Art of the Essay.  \n\n\n\nMegan has published three books of creative nonfiction and is currently writing short stories and novels. Her short story collection ‘The Off-Season’ debuts in Spring 2027 from Jada Ibis Press. She lives in New Hampshire\, where she runs her own small farm and teaches creative writing through online courses and lessons. \n\n\n\nTestimonials from past students\n\n\n\n“Megan’s belief in my viability as a writer never waned! Our discussions on craft and the works of other writers fueled my faith and love for language and the publishing process.” – Yossi R. \n\n\n\n“I enjoyed the class because of Megan’s energy and the well-organized\, immense amount of information shared.” – Daniel L. \n\n\n\n“I am a perpetual student\, taking multiple classes and workshops\, and Megan ranks among the top instructors I have met. She meets writers where they are and helps them discover\, develop\, and hone their writing voice as they move toward their goals.” – Lisa C. \n\n\n\n“Megan is that rare blend of insightful critique and genuine encouragement. I always leave our meetings feeling energized\, with a clear path forward and a stronger piece of work thanks to her guidance.” – Anne B. \n\n\n\nTHE FINE PRINT \n\n\n\nWe understand that life can get in the way of your plans. We want you to be able to get the most out of your course\, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers. \n\n\n\nBefore the first class\, you may request a refund (less a $25 processing fee).After class begins\, you may request a refund for the remaining value of the course (less a $25 processing fee). No credits or refunds will be available after the 1st class. \n\n\n\n \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/close-to-home/
LOCATION:Zoom
CATEGORIES:Workshops and Masterclasses
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DTSTART;TZID=America/New_York:20260904T150000
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SUMMARY:WEBINAR | Power Your Memoir with Mystery: How Curiosity Fuels Craft
DESCRIPTION:The fuel that runs the engine of all good writing is our uncertainty…and the true curiosity of the writer.\n\n\n\nFor memoir and nonfictionIncluded in the Season Pass \n\n\n\nToo often\, writers of true stories lock in early on what they know—times\, places\, apparent facts—and what results is a flat retelling of the past. But memoir is essentially an act of discovery. As writers\, we must enter our work filled with questions and true uncertainty\, or we risk pushing the story where we think it should go rather than where it needs to be. As acclaimed memoirist Abigail Thomas warns\, “If your memoir ends where you thought it was going to end\, you aren’t doing it right.”The engine of good writing is fueled by the curiosity of the writer\, the process of thinking aloud on the page\, and uncovering what we didn’t know the morning we sat down to begin our memoir or story.  \n\n\n\nIn this webinar\, we will look at how other writers have used their uncertainty as fuel for the story\, how to locate your own questions\, and how reconnecting with what you don’t know can revive a stalled project. There will also be prompts and time for questions. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nSEE how questions within your process allow for discovery and surprise\n\n\n\nLEARN strategies for incorporating “what you don’t know” into nonfiction\n\n\n\nUNDERSTAND how questions and curiosity drive memoir\, nonfiction\, and even fiction\n\n\n\nENGAGE with a series of short prompts to find the questions in your own work \n\n\n\n\nThis webinar is ideal for writers who… \n\n\n\n\nat the beginning stages of a memoir or nonfiction project\n\n\n\nwho feel stalled on their current essay\, story or book\n\n\n\nwith a story they want to tell\, who feel unsure why readers will be interested enough to read it\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\nPreviously offered August 2023 \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nOne of our most popular and beloved presenters\, DINTY W. MOORE is author of the memoirs Between Panic & Desire and To Hell With It\, and the writing guides Crafting the Personal Essay and The Mindful Writer\, among other books. He has published essays and stories in Harper’s\, The New York Times Magazine\, Georgia Review\, Kenyon Review\, Southern Review\, Short Reads\, and elsewhere. He is the founding editor of Brevity\, the preeminent journal of flash nonfiction\, and an editor at The Brevity Blog. \n\n\n\nREFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.  \n\n\n\nThere are no refunds after the replay is sent.Questions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/curiosity-fuels-craft/
LOCATION:Zoom
CATEGORIES:Webinars
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DTSTART;TZID=America/New_York:20260905T140000
DTEND;TZID=America/New_York:20260912T160000
DTSTAMP:20260721T181513Z
CREATED:20260720T134114Z
LAST-MODIFIED:20260721T181513Z
UID:10000139-1788616800-1789228800@writingcraft.com
SUMMARY:SEMINAR | Writing Big Feelings: The Peculiar Art of Evoking Emotions
DESCRIPTION:Grief on the page doesn’t guarantee grief in the reader. Learn to show how your character feels and make the reader feel it\, too.\n\n\n\nLive On Zoom | Saturdays\, September 5 & 12\, 2026 | 2-4 pm EasternFor Creative Nonfiction and Fiction Writers \n\n\n\nAs fiction and non-fiction writers\, we often want to evoke agony on the page—grief\, misery\, blinding fury. Yet we get feedback: “What is the narrator feeling?” \n\n\n\nOver two sessions\, we’ll examine how we\, as writers\, can do two separate things: \n\n\n\n\nEvoke emotions within the READER: sorrow\, compassion\, and empathy \n\n\n\nEffectively show how the point-of-view character/narrator is feeling\n\n\n\n\nThese two jobs are often conflated; people assume if they describe how a character is feeling\, readers will also feel those feelings. Alas\, it’s not that simple. \n\n\n\nWe’ll focus on why it’s not just important to render the feelings themselves and how we can’t intentionally manipulate the reader with forced or pushed emotions. \n\n\n\n\n\n\n\nIn this insightful two-day course\, you will:\n\n\n\n\nDISTINGUISH between evoking emotion in the reader and describing what a character feels—and learn why conflating the two weakens your work\n\n\n\nDIAGNOSE the “what is the narrator feeling?” note and understand what’s actually missing from the page\n\n\n\nPRACTICE techniques for rendering emotion through action\, image\, and subtext \n\n\n\nRECOGNIZE where emotional writing turns maudlin or overwrought—and how to pull back before you lose the reader\n\n\n\nAPPLY these techniques to a piece of your own work across two sessions\, with feedback for a selection of students on the second day\n\n\n\n\nSchedule…\n\n\n\nDay One—We start with the core distinction the whole workshop builds on: showing emotion versus evoking it. You’ll get a set of practical tips for writing feelings without naming them\, look at examples from published work\, and break into small groups to hunt for more on your own. Then a short in-class prompt—write an intense moment with the feelings stripped out—followed by open Q&A. \n\n\n\nHomework: Find two pages of your own work centered on a character or narrator feeling a big emotion. Revise so the emotion rises naturally from the material rather than being pushed onto the reader. (Extra credit for big feelings that never tip into maudlin!) \n\n\n\nSubmit 300–400 words of revised work as a Word document to the shared Google Drive by the morning of September 3rd. \n\n\n\nDay Two—This session is yours. We’ll screen-share as many submissions as time allows\, read them aloud\, and workshop each one with about 10 minutes of group discussion. \n\n\n\n\n\n\n\nThis seminar is ideal for intermediate writers wrestling with intense material that can feel overwhelming.\n\n\n\nClosed captioning is available. ✔Think you might miss class? No worries\, replays will be available 3 business days after the event. ✔ \n\n\n\n\n\n\n\nABOUT YOUR Instructor\n\n\n\n\n\n\n\nDirect\, funny\, and unsentimental\, Peter Mountford is a warm and encouraging teacher. He’s the author of the novels A Young Man’s Guide to Late Capitalism (Washington State Book Award)\, The Dismal Science (NYT editor’s choice)\, and his latest\, a collection of short stories\, Detonator (now out from Four Way Books). His work has appeared in the New York Times (Modern Love)\, Paris Review\, Southern Review\, The Atlantic\, The Sun\, Ploughshares\, and Guernica. He teaches at the University of Nevada\, Reno at Lake Tahoe’s MFA\, and through Mountford Writing. \n\n\n\nStudent Testimonials \n\n\n\n“I’m so grateful to Peter—he’s that perfect combination of sweet and sour\, candid but never cruel\, encouraging but never ever full of shit.” – Sharon Schindel (NYT\, Washington Post) \n\n\n\n“Peter has an unerring sense of a story’s center of gravity and the structure that best suits the material. Peter’s expertise & generosity have been instrumental in my writing journey. I can’t recommend him highly enough.” –  Hannah C. \n\n\n\n“Peter knows how to make a story work & how to make it publishable. ”- Jeremy S.  \n\n\n\n“In a star rating\, he’d get a full 5 from me.”- Robin R.“I left class seeing how much more I need to write & read and how much more there is to learn\, which is humbling and exciting. ”- Michael B. \n\n\n\nTHE FINE PRINT \n\n\n\nWe understand that life can get in the way of your plans. We want you to be able to get the most out of your course\, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers. \n\n\n\nBefore the class\, you may request a refund less a $10.00 processing fee. \n\n\n\nPlease keep in mind that no refunds or credits will be issued after class begins. \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/writing-big-feelings/
LOCATION:Zoom
CATEGORIES:Seminars
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