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DTSTART;TZID=America/New_York:20260408T150000
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DTSTAMP:20260507T094855
CREATED:20260311T150529Z
LAST-MODIFIED:20260402T144357Z
UID:10000108-1775660400-1775664900@writingcraft.com
SUMMARY:WEBINAR | Submit It to Win It: Literary Magazine Submission Strategies
DESCRIPTION:Stop crossing your fingers and randomly sending out your work. Instead\, learn to develop a strategy that’s fun and effective in getting your work published.\n\n\n\nFor all genres of literary writing: essays\, flash CNF\, micro-memoirs\, flash fiction\, short stories\, and poetry \n\n\n\nOur first submissions can feel overwhelming\, and the endless rounds of sending our work to literary magazines can feel discouraging\, but it doesn’t have to be that way. The process of publishing can be a fun and satisfying part of the writing life. During this live online class\, Bethany Jarmul will demystify the submissions process and offer practical steps you can take to develop and achieve your writing and submitting goals.  \n\n\n\nDuring the webinar\, we’ll explore eight different submission strategies and how to decide which one is right for you. Discover the pitfalls to avoid and learn tips and tricks to get the attention of editors and get your work published. You’ll leave this workshop with defined writing goals and a strategy for how to achieve them.  \n\n\n\nCan’t make it live? No worries—a replay will be available to all registrants. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nLEARN how to set realistic writing goals and achieve those goals\n\n\n\nDISCOVER eight different submission strategies and how to choose the one that’s right for you\n\n\n\nLEARN common submission mistakes to avoid\n\n\n\nEXPLORE tips and tricks to get your work published in literary magazines\n\n\n\n\nThis webinar is ideal for writers who…\n\n\n\n\nare new to submitting their work for publication\n\n\n\nfeel like they’re guessing where to submit\n\n\n\nwork in any genre\, including essays\, flash CNF/fiction\, micro-memoirs\, short stories\, and poetry\n\n\n\nfear or feel bad about rejections\n\n\n\nwant to get more acceptances from literary magazines this year\n\n\n\nwant to set writing and publishing goals and get ready to achieve them\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nBethany Jarmul is an Appalachian writer\, poet\, writing coach\, and workshop instructor. She’s the author of a poetry collection\, Lightning Is a Mother\, and a mini-memoir of flash nonfiction pieces\, Take Me Home. Her work has been published in more than 100 literary magazines\, including Brevity\, River Teeth\, and Chestnut Review. Her writing was selected for Best Spiritual Literature and Best Small Fictions\, and nominated for the Pushcart Prize\, The Best of the Net\, and Best Microfiction. Twice\, she earned first place in Women On Writing’s quarterly flash essay contest. Connect with her at bethanyjarmul.com or on social media: @BethanyJarmul. \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\nFULL REFUNDS ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/submit-it-to-win-it/
LOCATION:Zoom
CATEGORIES:Webinars
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DTSTART;TZID=America/New_York:20260411T120000
DTEND;TZID=America/New_York:20260411T150000
DTSTAMP:20260507T094855
CREATED:20260224T221504Z
LAST-MODIFIED:20260402T144320Z
UID:10000106-1775908800-1775919600@writingcraft.com
SUMMARY:SEMINAR | Turning Your Memoir Into A Screenplay
DESCRIPTION:You lived it. You wrote about it. Now\, you want to adapt it.\n\n\n\nFor Memoir \n\n\n\nDoes your memoir have what it takes to be a film or TV series? Adaptation requires more than screenplay formatting. This class shows you how to evaluate your story like a producer\, structure it like a screenwriter\, and imagine yourself as a character an actor would want to play.In this three-hour seminar\, we move beyond personal reflection and examine memoir as dramatic source material. You’ll begin by clarifying what your story actually is: its scale\, its genre\, its central tension\, and whether it is better suited to a feature film or television series format. \n\n\n\nNext\, we focus on the dramatic shift that drives adaptation. What is the disruption that alters the trajectory of the narrative? What decision\, loss\, or revelation creates forward motion? You’ll distinguish between interior point of view and visible action\, identifying the turning points that can structure and sustain a film or series rather than simply recounting events. \n\n\n\nFinally\, we adopt a producer’s lens. What makes this story entertaining? What does it need to sustain the development process? What makes the central character strong enough to attract the talent that can help get it made?  \n\n\n\nThrough focused exercises and real case studies—from big-budget movies to independent films and TV series—you’ll begin evaluating your memoir’s adaptation potential with clarity. \n\n\n\nAttendees are invited to submit loglines\, 250-word synopses\, OR a single scene from the exercises in class for written feedback\, up to 4 weeks after the session.  \n\n\n\nA resources handout with links and session slides will be available after the class. \n\n\n\n\n\n\n\nIn this insightful three-hour live seminar\, you will:\n\n\n\n\nCLARIFY the scope\, genre\, and central tension of your memoir as potential screen material\n\n\n\nDETERMINE whether your story is better suited to a feature film or a television series\n\n\n\nIDENTIFY the pivotal disruption in your memoir and distinguish between internal point of view and the dramatic action required for film & TV\n\n\n\nEVALUATE your memoir through a producer’s lens\, assessing entertainment value\, character strength\, and development potential\n\n\n\nANALYZE case studies of major studio and independent adaptations to understand how true stories are reshaped for the screen\n\n\n\nSUBMIT a logline\, 250-word synopsis\, OR short adaptation exercise for written feedback following the seminar\n\n\n\n\n\n\n\n\nThis course is ideal for…\n\n\n\n\nmemoirists who want to unlock the cinematic potential of their manuscript\n\n\n\nwriters ready to evaluate their book’s marketability through a producer’s lens\n\n\n\nauthors who want to translate true stories from source material to screen\n\n\n\nscreenwriters interested in adapting memoir and nonfiction projects\n\n\n\n\nClosed captioning is available. ✔Think you might miss class? No worries\, replay will be available 3 business days after the event. ✔ \n\n\n\n\n\n\n\nABOUT YOUR Instructor\n\n\n\n\n\n\n\nMichelle Cutler is an award-winning screenwriter\, storytelling coach\, and developmental editor specializing in true stories and memoir\, as well as an enthusiastic and collaborative teacher. She has worked with Academy Award–winning producers and directors\, and her original and adapted screenplays have been optioned and developed by major studios and featured at international film markets.  \n\n\n\nShe has written more than 1\,700 advertising campaigns for global brands and worked as a script analyst for agencies and production companies. She previously served as a judge for the Independent Spirit Awards and as North American Curator for the Chinese Women’s Film Festival. She holds an MFA in film from NYU and a diploma in advanced creative writing nonfiction from Cambridge. She is currently writing I WON’T LET YOU DIE ALONE\, a reported memoir from the trenches of modern elder caregiving. \n\n\n\nStudent Testimonials \n\n\n\n“Consulting with Michelle on my memoir’s adaptation has been transformative. She brought fresh ideas and a professional perspective I never would have had on my own\, while always honoring what my story was truly about at its core.” – Elizabeth Austin  \n\n\n\n“I participated in a highly informative seminar about adaptation with Michelle\, where she discussed how books gain the attention of media-makers. She is very knowledgeable and generous with her time personally\, as well.”- Christina Adams \n\n\n\n“Michelle’s professionalism\, knowledge\, and humor made this workshop engaging and insightful. Her attention to detail and the case studies she shared made the adaptation process clear. I would highly recommend this class for anyone working on a memoir project.” – Grace Koo \n\n\n\n“Working with Michelle on adapting my father’s story was an exceptional experience. Her care\, thoughtfulness\, and thoroughness were evident at every step. I highly recommend her for anyone seeking honest\, creative storytelling techniques for true story adaptations.”– Patrick Boyd \n\n\n\nTHE FINE PRINT \n\n\n\nWe understand that life can get in the way of your plans. We want you to be able to get the most out of your course\, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers. \n\n\n\nBefore the class\, you may request a full refund. \n\n\n\nPlease keep in mind that no refunds or credits will be issued after class begins. \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/memoir-into-a-screenplay/
LOCATION:Zoom
CATEGORIES:Seminars
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