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SUMMARY:WEBINAR | Taste and See: Using Food So Readers Can Experience Your Stories
DESCRIPTION:The date and time shown reflect the rescheduled date. \n\n\n\nA sensual medium\, food can serve as a metaphor to show\, not tell\, stories of belonging or exclusion\, joy or trauma\, passion or comfort. \n\n\n\nFor Food Writing\, Fiction\, and Creative NonfictionIncluded in the Season Pass \n\n\n\nWho doesn’t love to eat? Culinary imagery is not just for food journalists or restaurant reviewers. Food is a metaphor and cultural touchstone\, and the flavors\, aromas\, and experiences of sharing meals can bring life to many other kinds of narratives\, bringing richness\, texture\, and sensory depth to scenes. \n\n\n\nIn this 90-minute webinar\, examine scenes of fiction and creative nonfiction that use descriptions of food in surprising ways. Then expand your toolkit by practicing using these techniques in your own storytelling. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nREAD fiction and creative nonfiction that use food in scenes\n\n\n\nEXAMINE what makes these examples resonate with readers\n\n\n\nTRY an exercise in unexpected ways to write about food\n\n\n\nDISCOVER how food can serve as metaphor to show\, not tell\, stories of belonging\, trauma\, and desire\n\n\n\nLEAVE with new techniques to bring sensory richness to your own narratives\n\n\n\n\nThis webinar is ideal for beginning and intermediate writers…\n\n\n\n\nwrite fiction or creative nonfiction (essay or memoir)\n\n\n\nwant to learn food writing techniques that bring new sensory experiences to their stories\n\n\n\nwant to bridge food and literary writing\n\n\n\nare looking for fresh ways to use sensory detail \n\n\n\nare food lovers who want to bring their passion for eating and cooking to the page\n\n\n\nare writing about family\, memory\, identity\, or place and want a new entry point\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nA conversational speaker whose love of food and writing shine through\, Grace Hwang Lynch is a journalist\, essayist\, and community builder with an eye for Asian American culture and food. Her work can be found on outlets including Tin House\, Catapult\, and NPR and her food memoir How to Cook Rice: On the Care and Feeding of an Immigrant Family is coming in January 2027. Follow her on Instagram @gracehwanglynch or at gracehwanglynch.com. \n\n\n\nREFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.  \n\n\n\nThere are no refunds after the replay is sent.Questions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nInstructor\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/taste-and-see/
LOCATION:Zoom
CATEGORIES:Webinars
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DTSTART;TZID=America/New_York:20261007T150000
DTEND;TZID=America/New_York:20261007T160000
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CREATED:20260904T183007Z
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SUMMARY:WEBINAR | What Platform Is For: How Visibility Supports Your Work (Not the Other Way Around)
DESCRIPTION:A strong platform is a tool that helps you\, your book\, and your work reach the right people. Learn what true visibility makes possible so you can stop doing all the things and choose what moves you forward.\n\n\n\nNonfiction-focused\, but applicable across genres.Included in the Season Pass \n\n\n\nWriters are told they need a platform but rarely know what it’s actually for. This leads to a lot of posting\, emailing\, pitching\, and “showing up” without a clear reason behind the effort. The result is noise\, scattered energy\, lost writing time\, and the nagging question: How’s this going to pay off? \n\n\n\nIn this webinar\, Allison Lane reframes visibility as a tool that supports your book\, your work\, and your next opportunity. You’ll learn how platform works inside the publishing ecosystem\, why visibility needs a purpose\, and how to make clearer choices about where and how to show up. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nDEFINE what visibility could make possible for you and your writing\n\n\n\nUNDERSTAND what platform actually is in publishing and what it’s not\n\n\n\nIDENTIFY the difference between useful visibility and scattered activity\n\n\n\nCHOOSE platform-building efforts that support your real goals\, capacity\, and next steps\n\n\n\nLEARN how to start from the end state before deciding where to show up\n\n\n\n\nThis webinar is best for intermediate and advanced writers who…\n\n\n\n\nhave heard they need a platform but aren’t sure what it’s supposed to do\n\n\n\nare posting\, emailing\, pitching\, or showing up online\, but struggle to connect those efforts to their larger goal\n\n\n\nare preparing to query agents and publishers\n\n\n\nwant to launch their book or build awareness about an already-out-there book\n\n\n\nwant to make smarter choices about where to spend their time and energy\n\n\n\nare overwhelmed by social media\, newsletters\, podcasts\, speaking\, and all the other “platform” advice\n\n\n\nwant their visibility to support their book\, their work\, and their real life\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nClear and energetic\, motivating and sincere\, Allison Lane gives accessible advice that truly moves the needle—and she’s funny! As a strategic publishing and visibility advisor\, Allison helps women turn their expertise\, perspective\, and hard-earned reputation into visible authority\, market-ready books\, and bigger opportunities.  \n\n\n\nAllison helps women clarify what they want to be known for\, develop book ideas that can stand up in the marketplace\, and build visibility that makes people find and trust them\, recommend them\, publish them\, book them\, and hire them. She also hosts The Author’s Edge\, the go-to marketing podcast for authors who want expert guidance on publishing\, platform building\, book marketing\, and long-term visibility. \n\n\n\nREFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.  \n\n\n\nThere are no refunds after the replay is sent.Questions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nINSTRUCTOR\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/what-platform-is-for/
LOCATION:Zoom
CATEGORIES:Webinars
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DTSTART;TZID=America/New_York:20261014T150000
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SUMMARY:WEBINAR | Short Forms: Flash Fiction and Micro Memoir
DESCRIPTION:Create unforgettable stories in just one page—or less.\n\n\n\nFor Memoir\, Fiction\, and NonfictionIncluded in the Season Pass \n\n\n\nShort forms are the best training ground for learning how stories really work. Micro memoir and flash fiction sharpen every essential craft skill—precision\, structure\, and impact—in the smallest possible space. Their brevity invites experimentation\, but their simplicity can be deceptive: the most successful short works achieve the same depth\, resonance\, and emotional force of much longer pieces.  \n\n\n\nThrough close readings and craft analysis\, participants will examine a range of outstanding examples and discover the techniques that make short-form writing so delicious and so powerful. Explore how writers use compression\, implication\, and language to create memorable stories in remarkably small spaces and how they create narrative momentum\, develop character\, manage time\, and deliver satisfying endings.  \n\n\n\nWhether you’re writing micro memoir or flash fiction or want to apply these techniques to longer works\, this session will illuminate the craft principles that allow a few carefully chosen words to carry extraordinary weight. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nIDENTIFY essential characteristics of successful micro memoirs and flash fiction\n\n\n\nEXAMINE how compression\, selection\, and omission create emotional and narrative power\n\n\n\nANALYZE exemplary short-form works to understand the craft decisions behind their impact\n\n\n\nEXPLORE strategies for building character\, tension\, and narrative movement in limited space\n\n\n\nLEARN how openings\, endings\, and structural turns function differently in compressed forms\n\n\n\nGAIN a deeper understanding of how short forms can serve as your training ground\, sharpen your prose\, and strengthen larger writing projects\n\n\n\n\nThis webinar is best for writers at all levels who…\n\n\n\n\nare actively drafting or revising work for workshop\, submission\, or publication\n\n\n\nwant greater control over structure\, voice\, and narrative impact at the sentence and scene level\n\n\n\nare curious about—or already working in—compressed forms\n\n\n\nfeel their stories are too diffuse or overextended and want strategies for tightening and intensifying\n\n\n\nwant to understand how accomplished short-form writers achieve depth\, resonance\, and emotional force \n\n\n\nwant to study storytelling at its most distilled and precise\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nDr. Heather Sellers has been teaching for over thirty years\, and she doesn’t teach like anyone else. Her classes are innovative and groundbreaking\, and students describe them as fun\, lively\, and warm—the kind of workshop where you laugh out loud and walk away having learned an enormous amount.  \n\n\n\nShe is the author of You Don’t Look Like Anyone I Know\, a popular memoir about family and face blindness. An Oprah Book-of-the-Month Club selection and Editor’s Choice at the New York Times Book Review\, the award-winning book was featured on NPR’s All Things Considered\, Dick Gordon’s The Story\, Dateline\, The Today Show\, and Good Morning America with George Stephanopoulos. Her essays appear in The New York Times\, The Sun\, Reader’s Digest\, Good Housekeeping\, The Best American Essays\, and numerous journals and anthologies. She is the author of four books on the craft of writing\, including The Practice of Creative Writing. \n\n\n\nHer fifth collection of poetry\, Women in Tampa Talking About Alligators\, is just out from Lynx House Press. Currently\, she is a member of the MFA faculty at the University of South Florida\, where she won the university’s highest teaching award. She also offers in-person workshops and private lessons for writers at all levels. \n\n\n\nREFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.  \n\n\n\nThere are no refunds after the replay is sent.Questions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nINSTRUCTOR\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/short-forms/
LOCATION:Zoom
CATEGORIES:Webinars
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DTSTART;TZID=America/New_York:20261021T150000
DTEND;TZID=America/New_York:20261021T163000
DTSTAMP:20261014T212954Z
CREATED:20260916T193443Z
LAST-MODIFIED:20261014T212954Z
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SUMMARY:WEBINAR | Poetry-Curious? Exploring the Craft of Prose Poetry
DESCRIPTION:Spark your creativity\, level up your sentences\, and strengthen your voice by exploring the art and craft of prose poetry. \n\n\n\nFor Poetry and Prose Writers Included in the Season Pass \n\n\n\nExperiment\, expand your sentence-craft\, and have fun generating new work with prose poetry. As a hybrid form that sits between standard prose (like stories or essays) and poetry\, prose poems are a fascinating and enjoyable form for writers in all genres. Prose poems combine both the narrative and lyric impulses. They use standard sentences and paragraphs instead of traditional line breaks and stanzas\, yet they rely on poetic tools like metaphor and alliteration.  \n\n\n\nFor prose writers\, this form is a great entry way into exploring poetry. For poets\, it’s an exercise in learning to work without line breaks. For all writers\, it’s a great way to play with form and expand your creativity—while creating short work ready to revise and publish. \n\n\n\nDuring this generative online class\, explore what a prose poem is and what it isn’t\, the different types of prose poems\, and what makes a great prose poem. We’ll analyze examples and write drafts based on thought-provoking prompts. You’ll leave this workshop with a new appreciation for prose poems\, fuel for your writing inspiration\, and at least one new draft of your own. \n\n\n\nCome ready to write! \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nLEARN what a prose poem is (not just a lyrical paragraph!) \n\n\n\nDISCOVER the five key considerations of a prose poem \n\n\n\nEXPLORE common types and styles of prose poems\n\n\n\nLEARN tips for writing engaging prose poems that lit mag editors and readers will love\n\n\n\n\nThis webinar is for…\n\n\n\n\nwriters new to prose poetry\, with some experience in other forms\n\n\n\npoets who want to try the prose poem form\n\n\n\nnonfiction or fiction writers who want to explore writing poetry\n\n\n\nwriters who want to tap into and maximize their creativity\n\n\n\nwriters who love to learn through experimenting creatively and trying new things\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nBethany Jarmul is an Appalachian writer\, poet\, writing coach\, and enthusiastic\, engaging\, and inspiring workshop instructor. She’s the author of a poetry collection\, Lightning Is a Mother\, and a memoir\,Take Me Home. Her work has been published in more than 100 literary magazines\, including Rattle\, Brevity\, and Chestnut Review. Her writing was selected for Best Spiritual Literature and Best Small Fictions and nominated for the Pushcart Prize and The Best of the Net.  \n\n\n\n \n\n\n\nREFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process. \n\n\n\nThere are no refunds after the replay is sent.Questions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nINSTRUCTOR\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/poetry-curious/
LOCATION:Zoom
CATEGORIES:Webinars
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DTSTART;TZID=America/New_York:20261024T140000
DTEND;TZID=America/New_York:20261024T163000
DTSTAMP:20261014T213037Z
CREATED:20260910T150711Z
LAST-MODIFIED:20261014T213037Z
UID:10000154-1792850400-1792859400@writingcraft.com
SUMMARY:SEMINAR | Beyond the Book: Writing Companion Essays that Reach New Readers
DESCRIPTION:Your book contains more stories than the ones on its pages. Learn how to write and publish companion essays that draw readers to your work.\n\n\n\nFor fiction\, nonfiction\, and poetry alike—companion essays cross genres.Companion essays are written by an author before\, during\, and after a book is launched to create awareness of both the writer and the book. These essays showcase the writer’s voice\, storytelling\, and craft\, leaving readers wanting to read more and buy the book. The form is essay\, but this type of writing is valuable to writers across genres: creative nonfiction\, fiction\, and poetry. \n\n\n\nAlso called book-adjacent writing\, companion essays can address a wide range of topics: the book’s themes and craft; historical or cultural context; reflections\, research\, and ideas that extend beyond the book; or experiences from the writer’s life. These essays aren’t excerpts\, summaries\, reviews\, ads\, reading guides\, or a justification for the book. Companion essays are powerful in themselves—informative\, entertaining\, and surprising—and connect the reader to the author and book in unique ways. \n\n\n\nPublishers\, publicists\, and agents encourage (and expect) writers to write and publish companion pieces to support marketing and promotion\, build readership\, and expand the author’s platform. Whether your book is completed\, accepted\, or a work-in-progress\, the best time to begin thinking about and drafting these essays is early in the writing process.  \n\n\n\nWe’ll look at published examples to see what makes a successful companion essay. You’ll develop strategies for generating your own companion essay ideas\, and we’ll discuss where these essays can be pitched and published and the how-to’s of the submission process. Participants will receive the presentation slides with links to each essay and outlet discussed. \n\n\n\n\n\n\n\nIn this insightful 2.5-hour course\, you will:\n\n\n\n\nEXPLORE what makes a compelling companion essay and how it connects to a book without summarizing or promoting\n\n\n\nGENERATE companion essay ideas drawn from your book\, collection\, or work-in-progress\n\n\n\nLEARN HOW companion essays use topic\, structure\, voice\, and purpose to reach readers\n\n\n\nDISCOVER publications that publish companion essays\, and DEVELOP a strategy for pitching and publishing companion essays\n\n\n\n\n\n\n\n\nThis seminar is ideal for writers who…\n\n\n\n\nwant an effective way to connect readers to their new book\, collection\, or work-in-progress \n\n\n\nwant to increase their visibility and build their platform\n\n\n\nhave a book or collection at any stage of development \n\n\n\nwant to learn how to write and publish compelling companion essays\n\n\n\n\nClosed captioning is available. ✔Think you might miss class? No worries\, replays will be available 3 business days after the final session. ✔ \n\n\n\n\n\n\n\nABOUT YOUR Instructor\n\n\n\n\n\n\n\nKnowledgeable and well-prepared\, passionate\, encouraging\, and an empathetic and kind teacher\, Andrea A. Firth is a writer\, editor\, and educator based in the San Francisco Bay Area. She teaches creative writing and the literary magazine publishing process for Chill Subs and other digital education platforms in courses packed with information and lots of examples.   \n\n\n\nAn editor for The Brevity Blog and cofounder of Diablo Writers’ Workshop\, Andrea has an MFA in Creative Nonfiction Writing from Saint Mary’s College of California. Her writing focus is personal essay\, and she was a finalist for the Missouri Review’s 2021 Perkoff Prize in Nonfiction. You can read a selection of her published work at her website. \n\n\n\nStudent Testimonials \n\n\n\n“Andrea’s classes are stimulating\, well structured\, and informative\, and her experience and skill as a writer and teacher have been extremely valuable.” \n\n\n\n“Andrea is a warm and welcoming teacher. She creates a safe environment to ask questions and explore your skill as an emerging writer. Her knowledge and insights are keen\, kind and above all useful. I look forward to more.” \n\n\n\n“Andrea’s class was everything I hoped for and much more—detailed\, organized\, and packed with information.” \n\n\n\n“As an educator\, Andrea Firth delivers. She’s articulate\, energetic\, passionate\, and personable.” \n\n\n\nTHE FINE PRINT \n\n\n\nWe understand that life can get in the way of your plans. We want you to be able to get the most out of your course\, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers. \n\n\n\nBefore the class\, you may request a refund less a $10.00 processing fee. \n\n\n\nPlease keep in mind that no refunds or credits will be issued after class begins. \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/beyond-the-book/
LOCATION:Zoom
CATEGORIES:Seminars
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DTSTART;TZID=America/New_York:20261027T130000
DTEND;TZID=America/New_York:20261027T143000
DTSTAMP:20261025T160724Z
CREATED:20261024T220423Z
LAST-MODIFIED:20261025T160724Z
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SUMMARY:The Writers Bridge | Your Ideal Readers with Jessica Berg
DESCRIPTION:“Everyone will love this book” is not a marketing plan.\n\n\n\nAgents ask who your book is for. So do editors\, publicists and the algorithms behind every online bookstore. “Readers who love great stories” isn’t enough. \n\n\n\nYour ideal reader isn’t a guess or a demographic box you tick on a form. It’s a specific person with a specific inner life: what they worry about\, what they wish someone would say out loud\, which books are already on their nightstand\, and where they spend their time online. Once you know that person\, it gets easier to write your query letter\, pick your comp titles\, decide which platform to show up on first and choose your book’s keywords. \n\n\n\nIn this special work-along session\, we talk with literary agent Jessica Berg about how professionals actually do reader research and the resources you need. \n\n\n\n\nRead comp-title reviews like data\, finding what reviewers reveal about themselves\, not just about the book\n\n\n\nListen in where your readers gather\, on Reddit\, in Facebook groups and on Goodreads shelves\, and turn their language into your pitch\n\n\n\nTell “also shelved with” from true query comps\, and why you need both\n\n\n\nFind the gap in your category that your book fills\, stated in a sentence an agent will believe\n\n\n\nTurn reader research into a primary benefit\, an emotional promise and purchase triggers you can use in your query\, jacket copy and marketing\n\n\n\n\nEveryone who registers gets our free DIY Ideal Reader Research Guide\, a section-by-section walkthrough of the same research\, with the tools and sources for each step. Fair warning: done thoroughly by hand\, it’s a 44–70 hour project. But we’ll also show you how our Ideal Reader Analyzer can build the same persona\, comp list and marketing roadmap in about two minutes\, for writers who’d rather spend those hours writing–and give you a huge discount to try it out. \n\n\n\nJoin us TUESDAY October 27 at 1PM EASTERN / 10AM PACIFIC – live and FREE on Zoom\, all welcome! \n\n\n\n\n\n\n\nOur special guest \n\n\n\n\n\n\n\nJessica Berg is a literary agent\, author\, and the founder of Rosecliff Literary. She loves stories that explore grief\, longing\, ambition\, and survival and the complicated ways they intersect. \n\n\n\nShe earned her MFA from Spalding University and contributes regularly to Writer’s Digest. Jessica serves on the boards of the Women’s National Book Association and the Historical Novel Society\, and teaches nationally on querying\, comp titles\, and the business of authorship\, with a focus on building sustainable\, long-term writing careers. Her client list includes Vincent Zandri\, Lisa Roe\, Arizona Bell\, and others.. \n\n\n\nJoin your hosts Allison K Williams (SEVEN DRAFTS)\, Sharla Yates (CRAFT TALKS) and our special guest for a head start on your proposal\, your launch and your marketing plans. \n\n\n\nFREE\, all welcome! Sign up to receive the Zoom link the day before. \n\n\n\n\n\n\n\nEnjoy past recorded sessions here\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\n\n\n\n\nABOUT YOUR PRESENTERS\n\n\n\n\n\n\n\nAllison K Williams has edited and coached authors to publishing deals with Penguin Random House\, Knopf\, Mantle\, St. Martin’s Press\, and numerous small presses. An expert in author marketing and community building\, her platform includes the Brevity Blog (80k+ followers)\, Instagram (10k+)\, a mailing list (12k+)\, and Facebook (5k+)\, with publications in the New York Times and appearances on NPR and CBC. Her bestselling writing craft book is Seven Drafts: Self-Edit Like a Pro from Blank Page to Book. She leads the Rebirth Your Book writing retreats and co-hosts The Writers Bridge. \n\n\n\n\n\n\n\n\n\n\n\nSharla Yates is the author of the poetry chapbook What I Would Say if We Were to Drown Tonight\, published by Stranded Oak Press (2017). She hosts a webinar series\, CRAFT TALKS for writers on writing\, and co-hosts The Writers Bridge with Allison K Williams. Her nonfiction essay\, “Address” was a finalist for the 2015 Columbia Journal writing contest and the 2016 Penelope Niven Creative Nonfiction Award. She is the former Director of Education at the Creative Nonfiction Foundation and teaches creative writing at the University of Pittsburgh. \n\n\n\n\n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/the-writers-bridge-ideal-readers/
LOCATION:Zoom
CATEGORIES:Writers Bridge
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261029T150000
DTEND;TZID=America/New_York:20261029T160000
DTSTAMP:20261021T222131Z
CREATED:20260928T185401Z
LAST-MODIFIED:20261021T222131Z
UID:10000158-1793286000-1793289600@writingcraft.com
SUMMARY:WEBINAR | Write Beyond Yourself: Research\, Reporting\, and the Art of Narrative Nonfiction
DESCRIPTION:Some stories demand more than what we already know: interviews\, research\, quotations\, and reportage. Learn the skill of turning facts into scenes with inspiration and truth.\n\n\n\nFor Creative Nonfiction\, Narrative Nonfiction\, and MemoirIncluded in the Season Pass \n\n\n\nWe are often told to ‘write what we know.’ But what if the story we’re telling\, whatever our own role in it\, requires us to seek out information\, perspectives\, and knowledge beyond our own experience? Even as we write beyond ourselves\, the question at the heart of the book or essay must drive our inquiry. Why we are telling this story in turn dictates how that story unfolds and is structured and told. \n\n\n\nLearn narrative nonfiction writer Michael Copperman’s best techniques for conducting and writing interviews\, researching\, exploring archives and analyzing keepsakes\, quoting from other first sources\, and reportage. Through examples of transforming source material into recreated and imagined scenes and text\, you’ll discover the combination of skill\, patience\, and inspiration that powers successful narrative nonfiction. \n\n\n\nProceeds for this course support Short Reads\, the free\, flash-nonfiction literary magazine\, and the writers they publish. Find out more and subscribe to Short Reads here. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nEXPLORE different kinds of research\, reportage\, investigation\, and interviews\n\n\n\nINTERROGATE the ethics of transforming anecdotes\, facts\, and data into narrative\n\n\n\nCONSIDER models of transforming research into a story\n\n\n\nLEARN how to begin doing this work for your own writing\n\n\n\n\nThis webinar is ideal for beginning and intermediate writers who…\n\n\n\n\nwant to include archival materials and research and/or conduct interviews to enrich their own work\n\n\n\nwish to consider or include knowledge and perspectives beyond their own immediate experience\n\n\n\nwant to write compelling\, enlightening narrative nonfiction that appeals to audiences\, agents\, editors\, and readers\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nMICHAEL COPPERMAN’s memoir TEACHER: Two Years in the Mississippi Delta (University Press of Mississippi 2017)\, about the rural black public schools of the Mississippi Delta\, was a finalist for the 2018 Oregon Book Award in CNF. A funny\, generous and thoughtful teacher\, he blends specific information with the inspiration to use it\, right away. \n\n\n\nMichael’s prose has appeared in The Oxford-American\, Guernica\, The Sun\, Creative Nonfiction\, Boston Review\, Salon\, Gulf Coast\, Triquarterly\, Kenyon Review and Copper Nickel\, among many others\, and has won awards and garnered fellowships from the Munster Literature Center\, Breadloaf Writers Conference\, Oregon Literary Arts\, and the Oregon Arts Commission. His work is represented by David Dunton of Harvey Klinger. \n\n\n\nREFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process. \n\n\n\nThere are no refunds after the replay is sent.Questions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nINSTRUCTOR\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/write-beyond-yourself/
LOCATION:Zoom
CATEGORIES:Webinars
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