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SUMMARY:WEBINAR | The Dreaded Comp Titles: A Necessary Evil That Can Launch Your Career
DESCRIPTION:Learn why the industry relies on comps\, where to find the best ones\, and how to use them to strengthen your pitch.\n\n\n\nComp titles are one of the most powerful tools for helping agents and publishers quickly understand where your book fits in the market. These comparable books—similar to yours in key ways—can make or break your pitch. In a logline or query\, comp titles serve as “shorthand” for your book’s tone\, theme and story\, making it easier for editors and agents to determine if a manuscript is a good fit. In a proposal\, strong comp titles also prove that books like yours are selling now. \n\n\n\nYet\, finding and using comp titles is one of the most challenging parts of querying. \n\n\n\nThis webinar will demystify the process of identifying and effectively using comp titles. Learn why the industry relies on comps\, where to find the best ones\, and how to use them to strengthen your pitch. Discover tools\, databases\, and research methods to uncover comps with strong sales numbers—all with step-by-step guidance and one-on-one assistance. Learn a structured\, 7-step process to streamline the search\, giving you everything needed to research and find your titles. \n\n\n\nAs an added resource\, a 30-minute video will be provided\, detailing how to use your newly found comps to improve your chances of securing the right agent or publishing house. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\n✅ Discover effective strategies for finding strong comp titles\n\n\n\n✅ Learn how to use comp titles to strengthen queries and pitches\n\n\n\n✅ Understand how comps demonstrate market viability and attract agents\n\n\n\n✅ Overcome the frustration of searching for and selecting the right comps\n\n\n\n✅ Avoid common mistakes that can weaken a book’s positioning\n\n\n\n✅ Gain tools to maximize success in securing an agent or publisher\n\n\n\n\nThis webinar is ideal for ….\n\n\n\n\nAspiring and Querying Authors – Writers preparing to pitch their book to agents and publishers who need strong comp titles to strengthen their query.\n\n\n\nSelf-Publishing Authors – Writers looking to position their book in the market and attract the right audience using comp titles.\n\n\n\nLiterary Agents & Editors – Publishing professionals who want to refine their ability to identify and evaluate comp titles for submissions.\n\n\n\nBook Coaches & Writing Instructors – Professionals who guide writers through the querying and publishing process and need effective strategies for teaching comp title research.\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nAMY COLLINS\, Agent with Talcott Notch Literary Services\, has over 30 years of experience matching books with readers. As a former book buyer\, publisher\, and sales director\, Amy focuses on the marketplace and sales potential for authors. As an agent\, she represents many authors who have signed deals with major publishers and is currently negotiating book to film as well. Amy is the author of several non-fiction books and is currently traveling the country with her two dogs meeting with editors and authors. She can be found on Instagram\, Threads\, and BluSky at @askamycollins. \n\n\n\nQuestions? Please email Info@craft-talks.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/webinar-the-dreaded-comp/
LOCATION:Zoom
CATEGORIES:Webinars
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DTSTART;TZID=America/New_York:20250405T120000
DTEND;TZID=America/New_York:20250405T160000
DTSTAMP:20250327T143117Z
CREATED:20250122T195931Z
LAST-MODIFIED:20250327T143117Z
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SUMMARY:SEMINAR | Deep Characterization for Fiction: Uncovering Secrets\, Relationships and Your Character’s Inner Life
DESCRIPTION:Do you feel like your character isn’t fully speaking to you? Dive deep into the mindset\, psychology\, motivations\, and relationships of your characters to produce stunning results.\n\n\n\nTo truly capture a character’s voice\, motivations\, and subtext\, it’s essential to imaginatively live in their skin. Characters drive your story\, and fully inhabiting their consciousness and uncovering their hidden mysteries will infuse new life into your narrative. This seminar is a guided deep dive into both the inner and outer worlds of your characters. \n\n\n\nThrough a series of immersive exercises\, you’ll start by exploring your character’s outer world in unique ways: drawing\, mind-mapping\, and sensory charts. These activities will allow you to experience your character’s surroundings in a fresh\, impactful manner. You’ll also take a meditative journey into your character’s inner world\, exploring how their environment influences their thoughts\, reactions\, and inner dialogue. This process will help you uncover histories and relationships within your story that you may not have discovered yet. \n\n\n\nBy the end of this seminar\, you’ll feel equipped to live inside your character’s skin\, with a repeatable set of exercises and techniques to deeply understand the characters in every story you write.  \n\n\n\nThere will be a break at the halfway point of our session. \n\n\n\n\n\n\n\n\n\n\n\nIn this seminar you’ll:\n\n\n\n\nENTER a flow state and imaginatively immerse yourself in your character’s world\n\n\n\nMASTER techniques for eliciting emotional depth through setting and past memories\n\n\n\nMEDITATE to explore your character’s emotions and relationships in a profound way\n\n\n\nCREATE a mind-map based on emotion and character motivations\, while avoiding forced or inauthentic plot elements\n\n\n\nDEVELOP an ongoing emotional and analytical connection with your character\, allowing them to speak to you \n\n\n\nALLOW your character to drive the narrative\, ensuring their actions remain grounded in their authentic motivations\n\n\n\nDISCOVER character objectives through non-analytical means\, so you always understand why your characters do what they do\n\n\n\nREFINE your story’s POV and voice to reflect the evolving discovery of your character\n\n\n\nUTILIZE these exercises to overcome writer’s block and reignite your inspiration\n\n\n\n\nEvery registrant will receive a manual of exercises that can be used to continually deepen their character work. \n\n\n\n\n\n\n\nThis seminar is ideal for fiction writers in all genres who:\n\n\n\n\nFeel intimidated or confused about characterization\n\n\n\nStruggle to convey their characters in a lifelike manner\n\n\n\nFeel their characters aren’t speaking to them\n\n\n\nWant to understand their characters’ motivations but aren’t sure where to start\n\n\n\nSeek to go beyond analytical character analysis and fully inhabit their character’s world\n\n\n\nStruggle to emotionally connect with their character’s inner world or bridge the gap between inner and outer worlds\n\n\n\nAre drafting or significantly revising a work-in-progress\n\n\n\n\nWho this class may not be suited for:\n\n\n\nThe class focuses on delving deeply into both the inner and outer worlds of your character for fiction writers and illustrators. Writers of memoir or narrative nonfiction will need to create their own workarounds for many of the immersive exercises\, which is possible but won’t be directly provided by the instructor. \n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nBRITTA JENSEN’s novel\, Eloia Born\, won the 2019 Writer’s League of Texas YA Discovery Prize and was long-listed for the Exeter Novel Prize. Subsequent publications include a sequel\, Hirana’s War\, Ghosts of Yokosuka\, and the forthcoming Orphan Pods as well as short stories “Why Not Ophelia” in the Castle Anthology of Horror- Femme Fatales\, and “Noise in the Woods” in Mixed Bag of Tricks. Her stories explore themes of persevering through disability\, found family\, and the intersection of love and various cultures on new worlds. For the past twenty-two years she has taught creative writing and edited books. Friends often refer to her as a polyglot— a product of living twenty-two years overseas in Japan\, South Korea\, and Germany before settling in Austin\, Texas with her awesome capoerista/tailor husband. She loves coaching authors and editing books with The Writing Consultancy and Yellowbird Editors.  \n\n\n\nTestimonials from past Character Immersion Workshops for SCBWI\, Westbank Library\, The Writer’s League of Texas\, schools & TWC Workshops:\n\n\n\n“I got so much out of the Character Immersion Workshop and can’t wait to use it on more of my characters!” –Lynne Kelly\, author of Song for a Whale\, The Secret Language of Birds and Chained. \n\n\n\n“The class was so rich with ideas and wonderful exercises. Our group will be talking about some of your ideas for weeks to come\, I’m sure!”-Maureen Turner Carey\, author & librarian\, Westbank Library \n\n\n\n“I can’t express enough how much this workshop was a breakthrough for me\, but for the rest of the characters I have written since. I keep going back to the material because I had been stuck on an important character who was acting only on the surface of herself: she was showing up in the right scenes and saying the right things. When I put her through this Immersion Workshop I discovered her core motivation which will allow a more purposeful character to have much more impact those same scenes and those same lines.”-Marc Hess\, author \n\n\n\n“A breakthrough for me was better understanding my character through the POV of another. When writing from another character’s POV\, so much more was revealed that both clarified and verified things swirling around in my head\, but couldn’t yet breakthrough.”-Kellie McCants\, author and actor \n\n\n\nTHE FINE PRINT \n\n\n\nWe understand that life can get in the way of your plans. We want you to be able to get the most out of your course\, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers. \n\n\n\nBefore the class\, you may request a full refund. \n\n\n\nPlease keep in mind that no refunds or credits will be issued after class begins. \n\n\n\nQuestions? Please email Info@craft-talks.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/seminar-deep-characterization/
LOCATION:Zoom
CATEGORIES:Seminars
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DTSTART;TZID=America/New_York:20250402T150000
DTEND;TZID=America/New_York:20250402T161500
DTSTAMP:20250327T143139Z
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SUMMARY:WEBINAR | Writing the Taboo in Memoir: Bring Your Most Vulnerable Stories to Life
DESCRIPTION:At their best\, personal narratives about “taboo” topics speak to our darkest truths and teach us what it means to be vulnerable.\n\n\n\nTopics like mental illness\, sex\, and violence are often branded “taboo” and can be some of the most difficult material to write about. But at their best\, these narratives speak to our darkest truths and teach us what it means to be vulnerable. Even the most stigmatized topics can be made approachable if you know how to pull the reader in and give your story universal resonance. No matter how difficult the subject matter\, memoirists can keep readers engaged by using craft techniques like worldbuilding\, identifying universal truths\, and exercising narrative control. \n\n\n\nThis webinar will explore the challenges and opportunities of writing honestly about taboo topics. We’ll discuss why it’s so important to give voice to unsayable truths\, and how to use craft tools to create unforgettable memoirs and essays. We’ll also address self-care strategies\, how to know when material is “too” explicit\, and how and when to exercise narrative restraint. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nEXPLORE why certain topics are “taboo” in personal narratives–and why you should write about them anyway.\n\n\n\nLEARN craft tools for making such stories feel resonant to readers\, including worldbuilding\, identifying universal truths\, and exercising narrative control.\n\n\n\nADDRESS the practical challenges of writing about taboo topics\, including self-care strategies\, knowing when material is “too” explicit\, and how to use narrative restraint.\n\n\n\n\nThis webinar is ideal for ….\n\n\n\nA memoirist or personal essayist who is tackling topics often considered taboo or stigmatized in society. Examples of these kinds of topics include mental illness\, sex\, and violence. \n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nKATIE BANNON is a writer\, editor\, and educator whose work has appeared in The Rumpus\, ELLE Magazine\, Narratively\, and more. Her memoir manuscript\, which charts her journey as a compulsive hair puller\, was a finalist for the Permafrost Nonfiction Book Prize. A graduate of GrubStreet’s Memoir Incubator\, she holds an MFA in creative nonfiction from Emerson College. She is a developmental editor who loves working with memoirists and essayists on how to write and revise their most vulnerable\, taboo stories. She teaches at GrubStreet and lives in Central Massachusetts with her partner and two cats. \n\n\n\n \n\n\n\nQuestions? Please email Info@craft-talks.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/writing-the-taboo/
LOCATION:Zoom
CATEGORIES:Webinars
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DTSTART;TZID=America/New_York:20250308T150000
DTEND;TZID=America/New_York:20250308T160000
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SUMMARY:Angle of Vision: Reflection and Retrospection\, Time and Tense
DESCRIPTION:Writers of nonfiction prose rarely consider tense\, but it is essential to orienting a reader. Writing about our own experiences\, crafting through verb tense\, allows retrospection—consideration of the past from the vantage point of the present. \n\n\n\nRetrospection is a powerful form of meaning-making: it allows us to consider what happened through the lens of subsequent experience\, adding a layer of significance to memory and allowing writers to recognize and reflect on what’s changed and why it matters. To powerfully use this voice\, writers must make thoughtful choices when choosing tense. \n\n\n\n\n\n\n\n\n\n\n\nWe’ll examine and discover how tense functions; consider the oft-repeated advice that present tense is more vivid and immediate; and analyze how mastering tense allows seasoned writers engage in retrospection and reflection. \n\n\n\nIn this webinar\, you will:\n\n\n\n\nEXAMINE the ways one can use tense to enable retrospection and reflection\n\n\n\nANALYZE past and present tense\, to understand how each functions discretely and how they can work together\n\n\n\nLEARN to use tense in your own writing\, to create an angle of vision that draws meaning from memory and experience\n\n\n\n\nThis webinar is ideal for writers of memoir and personal essay who want to better understand how to write from their own memories and experiences.\n\n\n\nClosed captioning is available ✔All registrants receive the recording ✔ \n\n\n\n\n\n\n\nYOUR PRESENTER\n\n\n\n\n\n\n\nMichael Copperman’s  prose has appeared in The Oxford-American\, Guernica\, The Sun\, Creative Nonfiction\, Boston Review\, Salon\, Gulf Coast\, Triquarterly\, Kenyon Review and Copper Nickel\, among many others\, and has won awards and garnered fellowships from the Munster Literature Center\, Breadloaf Writers Conference\, Oregon Literary Arts\, and the Oregon Arts Commission. His memoir TEACHER: Two Years in the Mississippi Delta (University Press of Mississippi 2017)\, about the rural black public schools of the Mississippi Delta\, was a finalist for the 2018 Oregon Book Award in CNF. His work is represented by David Dunton of Harvey Klinger. \n\n\n\nQuestions? Please email info@craft-talks.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/angle-of-vision-reflection-and-retrospection-time-and-tense/
CATEGORIES:Webinars
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DTSTART;TZID=America/New_York:20250301T123000
DTEND;TZID=America/New_York:20250301T150000
DTSTAMP:20250217T161634Z
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SUMMARY:The Secrets to Finding the Right Path to Publication for Your Book
DESCRIPTION:This is your year to focus on your publishing goals! Make meaningful strides toward achieving them in this two-day intensive\, tailored for writers aiming to publish traditionally with Big Five\, literary\, or university presses.\n\n\n\nThis two-day event includes focused teaching sessions\, plus industry guests discussing the publishing landscape and taking your questions. Your host Peter Mountford will teach the dos and don’ts of writing query letters\, with a focus on how they differ by genre\, covering common publishing pitfalls and clarifying important questions\, such as the necessity of having a platform\, what that truly means\, and much more! \n\n\n\nIn addition to these key lessons\, Literary Agent Anjali Singh\, Tin House Editorial Director Masie Cochran and FSG Executive Editor Jenna Johnson will join us to share the topics currently on publishers’ minds. Our time also includes networking\, pitch practice\, and a rich resource packet to spark–and sustain–your publishing journey.  \n\n\n\n\n\n\n\n\n\n\n\nGuests Include:\n\n\n\n\nAnjali Singh – Founder of her own literary agency (est. 2024) and former agent at Ayesha Pande Literary\, Anjali represents literary fiction\, memoir\, narrative nonfiction\, and graphic novels.\n\n\n\nMasie Cochran – Editorial Director and Interim Publisher at Tin House Books\, where she has edited numerous award-winning and bestselling works since joining in 2011.\n\n\n\nJenna Johnson – Executive Editor at Farrar\, Straus and Giroux\, working across fiction and nonfiction with a focus on cultural history and overlooked stories from around the world.\n\n\n\n\nOn day two\, you’ll be able to join early and participate in breakout rooms to practice your pitch with fellow writers. \n\n\n\n\n\n\n\nDuring this intensive\, you will:\n\n\n\n\nLearn to write an effective query letter: Understand the structure\, tone\, and content of a compelling query tailored to your genre.\n\n\n\nDevelop a targeted list of publishers to pursue: Identify the right publishers for your work based on genre\, style\, and market fit.\n\n\n\nDiscsover essential resources for finding the right agent: Gain insights into the agent search process and learn to find agents who align with your goals.\n\n\n\nEngage in meaningful discussions with industry professionals who will share their insights and address your specific questions.\n\n\n\nRefine and Practice your elevator pitch: Participate in breakout sessions designed to help you craft and polish a succinct\, impactful pitch (sometimes called a “jacket copy“) that showcases your book.\n\n\n\n\nAll participants will receive the slides and an extensive resource packet to support their publishing journey. \n\n\n\n\n\n\n\nThis intensive is best for writers who:\n\n\n\n\nWant to cut through the noise to work efficiently toward their publishing goals\n\n\n\nHave little to intermediate knowledge of the publishing industry and are looking for more practical guidance on navigating the submission process\n\n\n\nAre considering seeking an agent and/or publisher for their book\n\n\n\nDesire a clearer understanding of the publishing landscape\, including current trends and expectations from publishers\n\n\n\nAre weighing whether traditional publishing is the right path for them\n\n\n\n\nClosed captioning is available (except for breakout rooms). ✔Think you might miss part of the intensive? No worries\, a replay will be available. ✔ \n\n\n\n\n\n\n\nABOUT YOUR Host\n\n\n\n\n\n\n\nPeter Mountford is a popular writing coach and teacher with twenty years of experience. The author of the novels A Young Man’s Guide to Late Capitalism (Washington State Book Award)\, and The Dismal Science (NYT editor’s choice)\, as well as the forthcoming collection of short stories\, Detonator. His work has appeared or is forthcoming in the New York Times (Modern Love)\, Paris Review\, Ploughshares\, The Atlantic\, Guernica\, The Sun\, Granta\, and Missouri Review He lives in Seattle\, and teaches at the University of Nevada\, Reno at Lake Tahoe’s MFA. \n\n\n\n\n\n\n\nThe Fine Print\n\n\n\nWe understand that life can get in the way of your plans. We want you to be able to get the most out of your course\, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers. \n\n\n\nBefore the class\, you may request a refund (less a $25 processing fee). \n\n\n\nPlease keep in mind that no refunds or credits will be issued after class begins. \n\n\n\nQuestions? Please email Info@craft-talks.com \n\n\n\n\n\n\n\n\nFeatured Guests\n\n\n\n\nMaise Cochran is Editorial Director (and Interm Publisher) of Tin House Books\, where she has worked since 2011. Before coming to Tin House\, she worked at InkWell Management Literary Agency in New York\, NY. She has edited many award-winning and bestselling titles\, including the intricately plotted novels of Claire Fuller; an Obama Best Book of the Year pick (Cory Taylor’s Dying: A Memoir); E. J. Koh’s family saga The Magical Language of Others; Annie Hartnett’s darkly funny Rabbit Cake. \n\n\n\n\n\nJenna Johnson is an Executive Editor at Farrar\, Straus and Giroux working in both fiction and nonfiction\, with particular interest in overlooked stories from around the world\, religion\, cultural history and biography\, natural history and ecology\, and food. Among her titles are Samantha Hunt’s “The Dark Dark” and “Mr. Splitfoot\,” National Book Award Finalist “The Turner House” by Angela Flournoy\, national bestseller and NBF 5 Under 35 honoree “We the Animals” by Justin Torres\, Booker shortlisted “Pigeon English” by Stephen Kelman\, Man Asian Prize Winner “Three Sisters” by Bi Feiyu\, National Jewish Book Award winner “The Lion Seeker” by Kenneth Bonert\, and James Beard Winner “Save the Deli” by David Sax. Before FSG\, she worked at Houghton Mifflin Harcourt and in advertising and public relations. She holds a B.A. in History from Columbia and an M.A. in Religious Studies from NYU. \n\n\n\n\n\nAnjali Singh founded her agency in 2024. Most recently\, she was an agent at Ayesha Pande Literary for nine years; she has also worked as an editor at Vintage Books\, Houghton Mifflin Harcourt\, Simon + Schuster and as Editorial Director of Other Press. She is best known for having championed Marjane Satrapi’s Persepolis after stumbling across it on a visit to Paris. She has always been drawn to the thrill of discovering new writers and among the literary novelists whose careers she helped launch are Chimamanda Ngozi Adichie\, Samantha Hunt\, Saleem Haddad and Nawaaz Ahmed. She focuses on literary fiction\, memoir\, and narrative nonfiction as well as representing graphic novel writers and illustrators across all age ranges. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/publishing-intensive-the-secrets-to-finding-the-right-path-to-publication-for-your-book/
CATEGORIES:Intensives
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