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SUMMARY:WEBINAR | Exploring the Happy Accident: Crafting Draft Discoveries into Exquisite Nonfiction
DESCRIPTION:Learn to cultivate a writing process that provides fertile ground for unexpected discoveries and how to make the most of moments when you’re surprised by your own writing.\n\n\n\nFor creative nonfiction\, nonfiction\, and all writers eager to find more spontaneity in their processIncluded in the Season Pass \n\n\n\nSometimes the exact thing your writing needs is the thing you least expect: the subject you weren’t meaning to consider\, the turn of phrase you didn’t know you had in you\, or the connections you never realized you could make. These “Lucky Drafts” are happy accidents\, turning serendipity\, coincidence\, and unwitting juxtaposition into exquisite nonfiction. And often\, these drafts surprise us with their flow and power\, transcending the labor of writing to reach our strongest authorial voice.  \n\n\n\nI never meant to be an essayist. The first long-form piece of creative nonfiction I ever wrote was meant to be an 800-word contribution to a roundtable on race and poetry. It turned into a 9000-word essay that went explosively viral upon publication. Nearly every essay I’ve published since has similarly arrived while I was writing something else entirely. This is true of many of my poems\, too.  \n\n\n\nOther writers across genres—poets\, novelists\, and essayists—have shared with me their own adventures in happy accidents\, to borrow a phrase from legendary painter and PBS fixture Bob Ross\, and how inadvertent nonfiction can become the best essays we never meant to write. \n\n\n\nIn this webinar\, we’ll consider why and how the inadvertent can so often be so much more interesting and satisfying than the thing we were meaning to write. We’ll discuss strategies for cultivating and embracing happy accidents and learn to create the circumstances (and welcome the surprises!) to generate exciting new work that surpasses our own expectations for our writing. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nDISCOVER examples of accidental turns in essay writing\n\n\n\nEXPLORE how and why the unintentional can result in potent and memorable writing\n\n\n\nLEARN how to embrace the unexpected and let it lead us to fresh and exciting new essays\n\n\n\nRELEASE over-control of your writing to allow yourself to surprise yourself\n\n\n\n\nThis webinar is ideal for writers who…\n\n\n\n\nfeel stuck or blocked\n\n\n\nare writing a ton but publishing less than they hope to\n\n\n\nseek to differentiate their work from everyone else’s in an oversaturated media moment\n\n\n\nare waiting for their writing to “flow” instead of pushing\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nA personable and lively teacher\, Jaswinder Bolina’s superpower is translating complicated ideas into plain English. His conversational\, humorous sessions are transformative for students’ work. Noted for being analytical yet highly approachable\, Jaswinder’s most recent book English as a Second Language and Other Poems (2023) was awarded the 2025 Kingsley Tufts Poetry Award from Claremont Graduate University. He is author of three previous poetry collections\, The 44th of July (2019)\, Phantom Camera (2013)\, and Carrier Wave (2007)\, and of the essay collection Of Color (2020).REFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process. \n\n\n\nThere are no refunds after the replay is sent.Questions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nINSTRUCTOR\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/exploring-the-happy-accident/
LOCATION:Zoom
CATEGORIES:Webinars
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DTSTART;TZID=America/New_York:20261029T150000
DTEND;TZID=America/New_York:20261029T160000
DTSTAMP:20261021T222131Z
CREATED:20260928T185401Z
LAST-MODIFIED:20261021T222131Z
UID:10000158-1793286000-1793289600@writingcraft.com
SUMMARY:WEBINAR | Write Beyond Yourself: Research\, Reporting\, and the Art of Narrative Nonfiction
DESCRIPTION:Some stories demand more than what we already know: interviews\, research\, quotations\, and reportage. Learn the skill of turning facts into scenes with inspiration and truth.\n\n\n\nFor Creative Nonfiction\, Narrative Nonfiction\, and MemoirIncluded in the Season Pass \n\n\n\nWe are often told to ‘write what we know.’ But what if the story we’re telling\, whatever our own role in it\, requires us to seek out information\, perspectives\, and knowledge beyond our own experience? Even as we write beyond ourselves\, the question at the heart of the book or essay must drive our inquiry. Why we are telling this story in turn dictates how that story unfolds and is structured and told. \n\n\n\nLearn narrative nonfiction writer Michael Copperman’s best techniques for conducting and writing interviews\, researching\, exploring archives and analyzing keepsakes\, quoting from other first sources\, and reportage. Through examples of transforming source material into recreated and imagined scenes and text\, you’ll discover the combination of skill\, patience\, and inspiration that powers successful narrative nonfiction. \n\n\n\nProceeds for this course support Short Reads\, the free\, flash-nonfiction literary magazine\, and the writers they publish. Find out more and subscribe to Short Reads here. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nEXPLORE different kinds of research\, reportage\, investigation\, and interviews\n\n\n\nINTERROGATE the ethics of transforming anecdotes\, facts\, and data into narrative\n\n\n\nCONSIDER models of transforming research into a story\n\n\n\nLEARN how to begin doing this work for your own writing\n\n\n\n\nThis webinar is ideal for beginning and intermediate writers who…\n\n\n\n\nwant to include archival materials and research and/or conduct interviews to enrich their own work\n\n\n\nwish to consider or include knowledge and perspectives beyond their own immediate experience\n\n\n\nwant to write compelling\, enlightening narrative nonfiction that appeals to audiences\, agents\, editors\, and readers\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nMICHAEL COPPERMAN’s memoir TEACHER: Two Years in the Mississippi Delta (University Press of Mississippi 2017)\, about the rural black public schools of the Mississippi Delta\, was a finalist for the 2018 Oregon Book Award in CNF. A funny\, generous and thoughtful teacher\, he blends specific information with the inspiration to use it\, right away. \n\n\n\nMichael’s prose has appeared in The Oxford-American\, Guernica\, The Sun\, Creative Nonfiction\, Boston Review\, Salon\, Gulf Coast\, Triquarterly\, Kenyon Review and Copper Nickel\, among many others\, and has won awards and garnered fellowships from the Munster Literature Center\, Breadloaf Writers Conference\, Oregon Literary Arts\, and the Oregon Arts Commission. His work is represented by David Dunton of Harvey Klinger. \n\n\n\nREFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process. \n\n\n\nThere are no refunds after the replay is sent.Questions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nINSTRUCTOR\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/write-beyond-yourself/
LOCATION:Zoom
CATEGORIES:Webinars
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DTSTART;TZID=America/New_York:20261021T150000
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SUMMARY:WEBINAR | Poetry-Curious? Exploring the Craft of Prose Poetry
DESCRIPTION:Spark your creativity\, level up your sentences\, and strengthen your voice by exploring the art and craft of prose poetry. \n\n\n\nFor Poetry and Prose Writers Included in the Season Pass \n\n\n\nExperiment\, expand your sentence-craft\, and have fun generating new work with prose poetry. As a hybrid form that sits between standard prose (like stories or essays) and poetry\, prose poems are a fascinating and enjoyable form for writers in all genres. Prose poems combine both the narrative and lyric impulses. They use standard sentences and paragraphs instead of traditional line breaks and stanzas\, yet they rely on poetic tools like metaphor and alliteration.  \n\n\n\nFor prose writers\, this form is a great entry way into exploring poetry. For poets\, it’s an exercise in learning to work without line breaks. For all writers\, it’s a great way to play with form and expand your creativity—while creating short work ready to revise and publish. \n\n\n\nDuring this generative online class\, explore what a prose poem is and what it isn’t\, the different types of prose poems\, and what makes a great prose poem. We’ll analyze examples and write drafts based on thought-provoking prompts. You’ll leave this workshop with a new appreciation for prose poems\, fuel for your writing inspiration\, and at least one new draft of your own. \n\n\n\nCome ready to write! \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nLEARN what a prose poem is (not just a lyrical paragraph!) \n\n\n\nDISCOVER the five key considerations of a prose poem \n\n\n\nEXPLORE common types and styles of prose poems\n\n\n\nLEARN tips for writing engaging prose poems that lit mag editors and readers will love\n\n\n\n\nThis webinar is for…\n\n\n\n\nwriters new to prose poetry\, with some experience in other forms\n\n\n\npoets who want to try the prose poem form\n\n\n\nnonfiction or fiction writers who want to explore writing poetry\n\n\n\nwriters who want to tap into and maximize their creativity\n\n\n\nwriters who love to learn through experimenting creatively and trying new things\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nBethany Jarmul is an Appalachian writer\, poet\, writing coach\, and enthusiastic\, engaging\, and inspiring workshop instructor. She’s the author of a poetry collection\, Lightning Is a Mother\, and a memoir\,Take Me Home. Her work has been published in more than 100 literary magazines\, including Rattle\, Brevity\, and Chestnut Review. Her writing was selected for Best Spiritual Literature and Best Small Fictions and nominated for the Pushcart Prize and The Best of the Net.  \n\n\n\n \n\n\n\nREFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process. \n\n\n\nThere are no refunds after the replay is sent.Questions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nINSTRUCTOR\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/poetry-curious/
LOCATION:Zoom
CATEGORIES:Webinars
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DTSTART;TZID=America/New_York:20261014T150000
DTEND;TZID=America/New_York:20261014T161500
DTSTAMP:20261008T115524Z
CREATED:20260910T163345Z
LAST-MODIFIED:20261008T115524Z
UID:10000155-1791990000-1791994500@writingcraft.com
SUMMARY:WEBINAR | Short Forms: Flash Fiction and Micro Memoir
DESCRIPTION:Create unforgettable stories in just one page—or less.\n\n\n\nFor Memoir\, Fiction\, and NonfictionIncluded in the Season Pass \n\n\n\nShort forms are the best training ground for learning how stories really work. Micro memoir and flash fiction sharpen every essential craft skill—precision\, structure\, and impact—in the smallest possible space. Their brevity invites experimentation\, but their simplicity can be deceptive: the most successful short works achieve the same depth\, resonance\, and emotional force of much longer pieces.  \n\n\n\nThrough close readings and craft analysis\, participants will examine a range of outstanding examples and discover the techniques that make short-form writing so delicious and so powerful. Explore how writers use compression\, implication\, and language to create memorable stories in remarkably small spaces and how they create narrative momentum\, develop character\, manage time\, and deliver satisfying endings.  \n\n\n\nWhether you’re writing micro memoir or flash fiction or want to apply these techniques to longer works\, this session will illuminate the craft principles that allow a few carefully chosen words to carry extraordinary weight. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nIDENTIFY essential characteristics of successful micro memoirs and flash fiction\n\n\n\nEXAMINE how compression\, selection\, and omission create emotional and narrative power\n\n\n\nANALYZE exemplary short-form works to understand the craft decisions behind their impact\n\n\n\nEXPLORE strategies for building character\, tension\, and narrative movement in limited space\n\n\n\nLEARN how openings\, endings\, and structural turns function differently in compressed forms\n\n\n\nGAIN a deeper understanding of how short forms can serve as your training ground\, sharpen your prose\, and strengthen larger writing projects\n\n\n\n\nThis webinar is best for writers at all levels who…\n\n\n\n\nare actively drafting or revising work for workshop\, submission\, or publication\n\n\n\nwant greater control over structure\, voice\, and narrative impact at the sentence and scene level\n\n\n\nare curious about—or already working in—compressed forms\n\n\n\nfeel their stories are too diffuse or overextended and want strategies for tightening and intensifying\n\n\n\nwant to understand how accomplished short-form writers achieve depth\, resonance\, and emotional force \n\n\n\nwant to study storytelling at its most distilled and precise\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nDr. Heather Sellers has been teaching for over thirty years\, and she doesn’t teach like anyone else. Her classes are innovative and groundbreaking\, and students describe them as fun\, lively\, and warm—the kind of workshop where you laugh out loud and walk away having learned an enormous amount.  \n\n\n\nShe is the author of You Don’t Look Like Anyone I Know\, a popular memoir about family and face blindness. An Oprah Book-of-the-Month Club selection and Editor’s Choice at the New York Times Book Review\, the award-winning book was featured on NPR’s All Things Considered\, Dick Gordon’s The Story\, Dateline\, The Today Show\, and Good Morning America with George Stephanopoulos. Her essays appear in The New York Times\, The Sun\, Reader’s Digest\, Good Housekeeping\, The Best American Essays\, and numerous journals and anthologies. She is the author of four books on the craft of writing\, including The Practice of Creative Writing. \n\n\n\nHer fifth collection of poetry\, Women in Tampa Talking About Alligators\, is just out from Lynx House Press. Currently\, she is a member of the MFA faculty at the University of South Florida\, where she won the university’s highest teaching award. She also offers in-person workshops and private lessons for writers at all levels. \n\n\n\nREFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.  \n\n\n\nThere are no refunds after the replay is sent.Questions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nINSTRUCTOR\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/short-forms/
LOCATION:Zoom
CATEGORIES:Webinars
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DTSTART;TZID=America/New_York:20261007T150000
DTEND;TZID=America/New_York:20261007T160000
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CREATED:20260904T183007Z
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SUMMARY:WEBINAR | What Platform Is For: How Visibility Supports Your Work (Not the Other Way Around)
DESCRIPTION:A strong platform is a tool that helps you\, your book\, and your work reach the right people. Learn what true visibility makes possible so you can stop doing all the things and choose what moves you forward.\n\n\n\nNonfiction-focused\, but applicable across genres.Included in the Season Pass \n\n\n\nWriters are told they need a platform but rarely know what it’s actually for. This leads to a lot of posting\, emailing\, pitching\, and “showing up” without a clear reason behind the effort. The result is noise\, scattered energy\, lost writing time\, and the nagging question: How’s this going to pay off? \n\n\n\nIn this webinar\, Allison Lane reframes visibility as a tool that supports your book\, your work\, and your next opportunity. You’ll learn how platform works inside the publishing ecosystem\, why visibility needs a purpose\, and how to make clearer choices about where and how to show up. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nDEFINE what visibility could make possible for you and your writing\n\n\n\nUNDERSTAND what platform actually is in publishing and what it’s not\n\n\n\nIDENTIFY the difference between useful visibility and scattered activity\n\n\n\nCHOOSE platform-building efforts that support your real goals\, capacity\, and next steps\n\n\n\nLEARN how to start from the end state before deciding where to show up\n\n\n\n\nThis webinar is best for intermediate and advanced writers who…\n\n\n\n\nhave heard they need a platform but aren’t sure what it’s supposed to do\n\n\n\nare posting\, emailing\, pitching\, or showing up online\, but struggle to connect those efforts to their larger goal\n\n\n\nare preparing to query agents and publishers\n\n\n\nwant to launch their book or build awareness about an already-out-there book\n\n\n\nwant to make smarter choices about where to spend their time and energy\n\n\n\nare overwhelmed by social media\, newsletters\, podcasts\, speaking\, and all the other “platform” advice\n\n\n\nwant their visibility to support their book\, their work\, and their real life\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nClear and energetic\, motivating and sincere\, Allison Lane gives accessible advice that truly moves the needle—and she’s funny! As a strategic publishing and visibility advisor\, Allison helps women turn their expertise\, perspective\, and hard-earned reputation into visible authority\, market-ready books\, and bigger opportunities.  \n\n\n\nAllison helps women clarify what they want to be known for\, develop book ideas that can stand up in the marketplace\, and build visibility that makes people find and trust them\, recommend them\, publish them\, book them\, and hire them. She also hosts The Author’s Edge\, the go-to marketing podcast for authors who want expert guidance on publishing\, platform building\, book marketing\, and long-term visibility. \n\n\n\nREFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.  \n\n\n\nThere are no refunds after the replay is sent.Questions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nINSTRUCTOR\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/what-platform-is-for/
LOCATION:Zoom
CATEGORIES:Webinars
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DTSTART;TZID=America/New_York:20261003T130000
DTEND;TZID=America/New_York:20261003T143000
DTSTAMP:20260921T200051Z
CREATED:20260828T131911Z
LAST-MODIFIED:20260921T200051Z
UID:10000151-1791032400-1791037800@writingcraft.com
SUMMARY:WEBINAR | Taste and See: Using Food So Readers Can Experience Your Stories
DESCRIPTION:The date and time shown reflect the rescheduled date. \n\n\n\nA sensual medium\, food can serve as a metaphor to show\, not tell\, stories of belonging or exclusion\, joy or trauma\, passion or comfort. \n\n\n\nFor Food Writing\, Fiction\, and Creative NonfictionIncluded in the Season Pass \n\n\n\nWho doesn’t love to eat? Culinary imagery is not just for food journalists or restaurant reviewers. Food is a metaphor and cultural touchstone\, and the flavors\, aromas\, and experiences of sharing meals can bring life to many other kinds of narratives\, bringing richness\, texture\, and sensory depth to scenes. \n\n\n\nIn this 90-minute webinar\, examine scenes of fiction and creative nonfiction that use descriptions of food in surprising ways. Then expand your toolkit by practicing using these techniques in your own storytelling. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nREAD fiction and creative nonfiction that use food in scenes\n\n\n\nEXAMINE what makes these examples resonate with readers\n\n\n\nTRY an exercise in unexpected ways to write about food\n\n\n\nDISCOVER how food can serve as metaphor to show\, not tell\, stories of belonging\, trauma\, and desire\n\n\n\nLEAVE with new techniques to bring sensory richness to your own narratives\n\n\n\n\nThis webinar is ideal for beginning and intermediate writers…\n\n\n\n\nwrite fiction or creative nonfiction (essay or memoir)\n\n\n\nwant to learn food writing techniques that bring new sensory experiences to their stories\n\n\n\nwant to bridge food and literary writing\n\n\n\nare looking for fresh ways to use sensory detail \n\n\n\nare food lovers who want to bring their passion for eating and cooking to the page\n\n\n\nare writing about family\, memory\, identity\, or place and want a new entry point\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nA conversational speaker whose love of food and writing shine through\, Grace Hwang Lynch is a journalist\, essayist\, and community builder with an eye for Asian American culture and food. Her work can be found on outlets including Tin House\, Catapult\, and NPR and her food memoir How to Cook Rice: On the Care and Feeding of an Immigrant Family is coming in January 2027. Follow her on Instagram @gracehwanglynch or at gracehwanglynch.com. \n\n\n\nREFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.  \n\n\n\nThere are no refunds after the replay is sent.Questions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nInstructor\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/taste-and-see/
LOCATION:Zoom
CATEGORIES:Webinars
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DTSTART;TZID=America/New_York:20260930T150000
DTEND;TZID=America/New_York:20260930T161500
DTSTAMP:20260923T212523Z
CREATED:20260827T161412Z
LAST-MODIFIED:20260923T212523Z
UID:10000149-1790780400-1790784900@writingcraft.com
SUMMARY:WEBINAR | Getting Past "I": The Challenge of Writing in First-Person POV
DESCRIPTION:Writing a compelling first-person narrator in your novel or memoir is far more challenging than it seems. Learn to recognize and avoid the pitfalls of your Point of View.\n\n\n\nFor All GenresIncluded in the Season Pass \n\n\n\nWriting in first-person seems easy at first. After all\, how hard can it be to get inside just one character’s head and stay there? But from a craft perspective\, writing in first-person is a potential minefield. Building an interesting and dynamic world full of believable characters can be a craft challenge when the reader only sees that world through one set of eyes.  \n\n\n\nCommon first-person pitfalls involve an over-reliance on telling rather than showing; not using inner dialogue strategically to build conflict and tension; and accidentally switching out of first-person\, which can confuse the reader.  \n\n\n\nYet the first-person perspective is an exciting opportunity to explore your protagonist’s deepest secrets—whether a fictional character or from your own perspective—and drives and develops a sympathetic bond with the reader as they get to know your character from the inside.  \n\n\n\nIn this webinar\, we’ll examine what can go wrong and explore great examples of first-person done well. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nDETERMINE the right Point of View for your story and genre\n\n\n\nLEARN HOW first-person works differently from other POVs\n\n\n\nANALYZE examples of first-person pitfalls\n\n\n\nIDENTIFY hallmarks of great first-person POV writing\n\n\n\nEXPLORE practical techniques to vary your writing style within a single narrator\n\n\n\n\nThis webinar is ideal for beginning and intermediate writers…\n\n\n\n\nwriting a novel\, memoir\, or personal essay in first person who want to strengthen their craft\n\n\n\nworried their narrator sounds flat\, limited\, or overly self-focused\n\n\n\nstruggling with showing rather than telling from a single perspective\n\n\n\nwho want to build a rich\, believable world through one character’s eyes\n\n\n\nunsure whether first-person is the right POV choice for their story\n\n\n\nwho find themselves accidentally slipping out of first person mid-scene\n\n\n\nwho need models of first-person done exceptionally well\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nAmy L. Bernstein shares her passion for writing craft and her deep knowledge in info-packed presentations with clear examples and plenty of time for Q&A!  \n\n\n\nAmy writes award-winning fiction and nonfiction that lets readers feel while making them think. As the author of six novels\, including Tent City\, and a book of inspiration for creatives called Wrangling the Doubt Monster\, Amy brings a compassionate and insightful voice to writers’ conferences around the country. A former journalist\, Amy also works as a book coach\, helping nonfiction authors craft compelling book proposals. She welcomes followers to her weekly Substack\, Doubt Monster\, which explores the agony and ecstasy of creativity. \n\n\n\nREFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.  \n\n\n\nThere are no refunds after the replay is sent.Questions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nINSTRUCTOR\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/getting-past-i/
LOCATION:Zoom
CATEGORIES:Webinars
ATTACH;FMTTYPE=image/png:https://writingcraft.com/wp-content/uploads/2026/08/Bernstein.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260916T150000
DTEND;TZID=America/New_York:20260916T163000
DTSTAMP:20260909T231859Z
CREATED:20260821T172243Z
LAST-MODIFIED:20260909T231859Z
UID:10000148-1789570800-1789576200@writingcraft.com
SUMMARY:WEBINAR | Choose Your Best Publishing Path: Balancing Dollars and Sense
DESCRIPTION:How do books land on shelves? And what publishing path fits your time\, budget\, and expectations? \n\n\n\nFor full-length fiction\, nonfiction and memoir\, including collectionsIncluded in the Season Pass \n\n\n\nWith over four million new titles for sale last year\, publishing is a multibillion-dollar business. Costs\, time\, and maintaining control over the process are critical elements in an author’s decision\, and every writer has their own set of must-haves and non-negotiables. From acquisition to sales to your ideal readers\, it’s vital to educate yourself even before you finish the book. \n\n\n\nIn this webinar\, we’ll discuss the pros and cons of traditional\, hybrid\, and self-publishing. We’ll tackle the financial costs and resources required for each and learn from established authors what they enjoy most (and least) about their chosen path. You’ll leave with information to determine which option is the best fit not only for your work but also to meet your own goals and expectations. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nUNDERSTAND traditional\, hybrid\, and self-publishing—and what each actually costs in time\, money\, and creative control\n\n\n\nIDENTIFY which publishing path best aligns with your goals\, your book\, and your non-negotiables\n\n\n\nHEAR firsthand from established authors about what they wish they had known before choosing their publishing route\n\n\n\nGAIN the vocabulary and framework to ask the right questions—of agents\, publishers\, hybrid presses\, and yourself\n\n\n\nBUILD a realistic roadmap for one of the most important decisions of your writing life\n\n\n\n\nThis webinar is best for new-to-publishing writers \n\n\n\n\nwho are indecisive of their publishing path\n\n\n\nwho are ready to publish but require more info\n\n\n\ninterested in the book publishing business\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nA buoyant\, high-energy teacher who motivates writers to “stick with it\,” Kristin Owens\, PhD\, is an award-winning educator and writer living in oxygen-deprived Colorado. She’s a contributor to Writer’s Digest\, 5280\, and Wine Enthusiast. Her debut novel\, Elizabeth Sails\, was shortlisted for the 2025 Gilda Prize and Killer Nashville’s Award for Best Cozy. With her background in university instruction\, she takes complex subjects and breaks them down into informative and entertaining bite-sized pieces. She can usually be found (playing and working) onboard a cruise ship. \n\n\n\nREFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.  \n\n\n\nThere are no refunds after the replay is sent.Questions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/choose-your-best-path/
LOCATION:Zoom
CATEGORIES:Webinars
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260909T150000
DTEND;TZID=America/New_York:20260909T163000
DTSTAMP:20260902T215452Z
CREATED:20260812T152818Z
LAST-MODIFIED:20260902T215452Z
UID:10000145-1788966000-1788971400@writingcraft.com
SUMMARY:WEBINAR | Writing the Senses: Transform Your Prose with Vivid Descriptions
DESCRIPTION:Specific sensory details transform “good” writing to unforgettable. Through guided meditations on all five senses\, practice capturing the precise\, vivid observations that bring prose to life.\n\n\n\nFor Fiction\, Nonfiction\, Memoir\, and PoetryIncluded in the Season Pass \n\n\n\nLush\, descriptive writing is like magic. Sensory moments draw readers in to let them experience another life entirely. In this 90-minute session\, award-winning author and writing coach April Dávila guides writers through a series of meditations\, followed by writing exercises designed to help you move past tired clichés and find the details that are genuinely\, uniquely yours. \n\n\n\nOften\, exploring sensory details surprises us\, allowing us to stop focusing on “perfect” prose and lean into our own\, and our characters’\, specific experience. Write a handful of descriptive lines you’ll actually want to use—and confidence in how to choose those lines carefully to avoid verbosity in your finished work. \n\n\n\nWriters at all skill levels are welcome. Bring a work-in-progress or a blank page\, and leave with fresh material and new ways of expressing your ideas. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nSHARPEN your ability to capture specific\, vivid details that pull readers into your world\n\n\n\nMOVE through guided meditations on sight\, sound\, touch\, smell\, and taste\n\n\n\nSILENCE your inner critic and get words on the page without second-guessing every line\n\n\n\nGENERATE new material you can pull directly into your stories\, essays\, or poems\n\n\n\nGAIN a fresh approach to descriptive writing\n\n\n\n\nThis webinar is ideal for beginning and intermediate writers…\n\n\n\n\nwhose prose feels flat or overly visual\, relying too heavily on sight and missing the other four senses\n\n\n\nwho find themselves reaching for the same tired phrases and want to develop a more original\, specific voice\n\n\n\nworking on any project (fiction\, memoir\, poetry\, or essay) who want fresh material and new ways into their writing\n\n\n\nwho tend to rush past description and want to slow down and pay closer attention to the world of their story\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nApril Dávila is an award-winning\, traditionally published novelist and an experienced writing coach. A warm\, straightforward teacher\, April’s unique approach combines the practical tools of writing with the transformative power of mindfulness\, empowering writers to quiet their inner critics and make meaningful progress on their work. A passionate advocate for creative expression\, April guides aspiring authors in overcoming blocks and building sustainable writing habits. Her first nonfiction book\, Sit Write Here: 6 Mindfulness Practices to Help You Write More and Suffer Less\, is forthcoming from St. Martin’s Press. \n\n\n\nREFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.  \n\n\n\nThere are no refunds after the replay is sent.Questions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/writing-the-senses/
LOCATION:Zoom
CATEGORIES:Webinars
ATTACH;FMTTYPE=image/png:https://writingcraft.com/wp-content/uploads/2026/08/MASTER-Event-Templates-2-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260904T150000
DTEND;TZID=America/New_York:20260904T161500
DTSTAMP:20260826T234410Z
CREATED:20260803T145116Z
LAST-MODIFIED:20260826T234410Z
UID:10000143-1788534000-1788538500@writingcraft.com
SUMMARY:WEBINAR | Power Your Memoir with Mystery: How Curiosity Fuels Craft
DESCRIPTION:The fuel that runs the engine of all good writing is our uncertainty…and the true curiosity of the writer.\n\n\n\nFor memoir and nonfictionIncluded in the Season Pass \n\n\n\nToo often\, writers of true stories lock in early on what they know—times\, places\, apparent facts—and what results is a flat retelling of the past. But memoir is essentially an act of discovery. As writers\, we must enter our work filled with questions and true uncertainty\, or we risk pushing the story where we think it should go rather than where it needs to be. As acclaimed memoirist Abigail Thomas warns\, “If your memoir ends where you thought it was going to end\, you aren’t doing it right.”The engine of good writing is fueled by the curiosity of the writer\, the process of thinking aloud on the page\, and uncovering what we didn’t know the morning we sat down to begin our memoir or story.  \n\n\n\nIn this webinar\, we will look at how other writers have used their uncertainty as fuel for the story\, how to locate your own questions\, and how reconnecting with what you don’t know can revive a stalled project. There will also be prompts and time for questions. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nSEE how questions within your process allow for discovery and surprise\n\n\n\nLEARN strategies for incorporating “what you don’t know” into nonfiction\n\n\n\nUNDERSTAND how questions and curiosity drive memoir\, nonfiction\, and even fiction\n\n\n\nENGAGE with a series of short prompts to find the questions in your own work \n\n\n\n\nThis webinar is ideal for writers who… \n\n\n\n\nat the beginning stages of a memoir or nonfiction project\n\n\n\nwho feel stalled on their current essay\, story or book\n\n\n\nwith a story they want to tell\, who feel unsure why readers will be interested enough to read it\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\nPreviously offered August 2023 \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nOne of our most popular and beloved presenters\, DINTY W. MOORE is author of the memoirs Between Panic & Desire and To Hell With It\, and the writing guides Crafting the Personal Essay and The Mindful Writer\, among other books. He has published essays and stories in Harper’s\, The New York Times Magazine\, Georgia Review\, Kenyon Review\, Southern Review\, Short Reads\, and elsewhere. He is the founding editor of Brevity\, the preeminent journal of flash nonfiction\, and an editor at The Brevity Blog. \n\n\n\nREFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.  \n\n\n\nThere are no refunds after the replay is sent.Questions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/curiosity-fuels-craft/
LOCATION:Zoom
CATEGORIES:Webinars
ATTACH;FMTTYPE=image/png:https://writingcraft.com/wp-content/uploads/2025/05/Moore.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260826T150000
DTEND;TZID=America/New_York:20260826T161500
DTSTAMP:20260819T221956Z
CREATED:20260721T144532Z
LAST-MODIFIED:20260819T221956Z
UID:10000142-1787756400-1787760900@writingcraft.com
SUMMARY:WEBINAR | Mastering Braided Memoirs: How to Structure Multiple Dramatic Threads
DESCRIPTION:Learn the craft techniques that transform separate threads into a rich\, seamless narrative that surprises\, moves\, and resonates with readers. \n\n\n\nFor memoir and nonfictionIncluded in the Season Pass \n\n\n\nThe braided memoir has become one of the most exciting and sought-after forms in contemporary nonfiction—but weaving multiple narrative threads into a compelling whole requires far more than alternating between story lines. How can you transform fragments\, obsessions\, research\, memory\, and reflection into a unified work that delivers both emotional impact and a high level of reader engagement? \n\n\n\nIn this webinar\, we explore the hidden architecture that makes braided memoirs resonate. Learn how to choose strands that deepen one another\, create momentum across timelines\, withhold and reveal information strategically\, and build a deeply satisfying narrative arc from seemingly disparate materials.  \n\n\n\nWhether you’re simply curious about the form\, beginning a braided essay or book-length project\, or struggling to master the form\, you’ll leave with new tools for creating a memoir with confidence and purpose\, whose threads are stronger together than apart. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nIDENTIFY the three powerful reasons to use this exciting—but tricky—form\n\n\n\nSELECT themes that connect multiple narrative strands\n\n\n\nLEARN to MAP the movement between each narrative beat\n\n\n\nEXPLORE the braider’s triple threat: repetition\, juxtaposition\, and variation\n\n\n\nAVOID common pitfalls\n\n\n\nDISCOVER revision techniques that strengthen connections between strands\n\n\n\n\nThis webinar is ideal for writers who… \n\n\n\n\nare new memoirists needing a flexible\, accessible way to begin\n\n\n\nwant to deepen their structural and thematic control of memoir \n\n\n\nfeel ready to break out of linear storytelling and try something more dynamic \n\n\n\nare struggling to connect disparate memories\, themes\, or materials into a cohesive narrative\n\n\n\nwant to strengthen structure\, control\, and impact in their memoir\n\n\n\nseek to weave personal experience with research\, reflection\, or cultural context\n\n\n\nwant to turn vivid fragments into a finished essay or book\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nDr. Heather Sellers has been teaching for over thirty years\, and she doesn’t teach like anyone else. Her classes are innovative and groundbreaking\, and students describe them as fun\, lively\, and warm—the kind of workshop where you laugh out loud and walk away having learned an enormous amount.  \n\n\n\nShe is the author of You Don’t Look Like Anyone I Know\, a popular memoir about family and face blindness. An Oprah Book-of-the-Month Club selection and Editor’s Choice at the New York Times Book Review\, the award-winning book was featured on NPR’s All Things Considered\, Dick Gordon’s The Story\, Dateline\, The Today Show\, and Good Morning America with George Stephanopoulos. Her essays appear in The New York Times\, The Sun\, Reader’s Digest\, Good Housekeeping\, The Best American Essays\, and numerous journals and anthologies. She is the author of four books on the craft of writing\, including The Practice of Creative Writing. \n\n\n\nHer fifth collection of poetry\, Women in Tampa Talking About Alligators\, is just out from Lynx House Press. Currently\, she is a member of the MFA faculty at the University of South Florida\, where she won the university’s highest teaching award. She also offers in-person workshops and private lessons for writers at all levels. \n\n\n\nREFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.  \n\n\n\nThere are no refunds after the replay is sent.Questions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/mastering-braided-memoirs/
LOCATION:Zoom
CATEGORIES:Webinars
ATTACH;FMTTYPE=image/png:https://writingcraft.com/wp-content/uploads/2026/07/MASTER-Event-Templates-1-2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260819T150000
DTEND;TZID=America/New_York:20260819T163000
DTSTAMP:20260812T155705Z
CREATED:20260717T012659Z
LAST-MODIFIED:20260812T155705Z
UID:10000137-1787151600-1787157000@writingcraft.com
SUMMARY:WEBINAR | Your Words\, Your Readers: Building a Substack That Lasts
DESCRIPTION:What separates a thriving newsletter from one that fizzles out after three posts? A best-selling Substack founder has answers you can use.\n\n\n\nFor publicity/platform-buildingIncluded in the Season Pass \n\n\n\nIn recent years\, many writers have turned to Substack and other newsletter platforms as a way to explore niche interests\, publish creative work\, and bypass gatekeepers to connect directly with readers. Newsletters in all formats can help writers grow an audience\, gain craft confidence\, and build a publicity platform to support publishing their books\, public speaking\, and teaching careers.  \n\n\n\nIn this session\, we will start from the beginning and look at how to create a newsletter for anyone eager to begin. We’ll address important and often-overlooked areas like the Substack name\, About section\, and style. We’ll also look at common questions: How often should you post? How long should your posts be? What should you write about (and what if you change your mind)? How do you sustain momentum beyond the first few months? Finally\, we’ll discuss how to gain readers and continue growing your audience over time. \n\n\n\nNote: While this webinar will include technical elements specific to Substack\, the underlying principles of newsletter set-up\, frequency\, audience awareness\, and platform growth will apply to any newsletter or email-sending platform. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nLEARN HOW to start a Substack and what pitfalls to avoid\n\n\n\nUNDERSTAND best strategies for maintaining a newsletter over the long haul\n\n\n\nSTRATEGIZE how to grow readership and build a platform\n\n\n\nGET INSPIRED to launch a Substack and connect directly with readers\n\n\n\n\nThis webinar is ideal for writers who… \n\n\n\n\nhave a Substack (or other type of newsletter) but feel stagnant\n\n\n\nwant to learn whether or not to launch a newsletter (and are curious about pros and cons)\n\n\n\nare excited about their newsletter and want to keep growing it\n\n\n\nare overwhelmed by the prospect of a newsletter and want to see if it’s the right fit for their own platform\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nA down-to-earth\, practical\, and encouraging teacher\, Becky Tuch is the founder of Lit Mag News\, a bestselling Substack dedicated to demystifying the world of literary magazines. Lit Mag News has over 17\,000 subscribers and has been listed in Writer’s Digest’s 101 Best Websites for Writers. The leading expert in understanding\, assessing\, and submitting to literary magazines\, Becky is noted for her generous sharing of knowledge and accessible\, honest information for writers at all stages of their publication process.  \n\n\n\nBecky’s short fiction has been honored with a MacDowell fellowship and first place in Moment Magazine’s Karma Foundation Fiction Prize and has appeared or is forthcoming in STORY Magazine\, Chicago Quarterly Review\, Gulf Coast\, Best of the Net\, and elsewhere. She has taught newsletter writing and fiction writing to kids\, teens\, and adults throughout the country. She lives with her family in Philadelphia\, PA. \n\n\n\nREFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.  \n\n\n\nThere are no refunds after the replay is sent.Questions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/your-words-your-readers/
LOCATION:Zoom
CATEGORIES:Webinars
ATTACH;FMTTYPE=image/png:https://writingcraft.com/wp-content/uploads/2025/09/MASTER-Event-Templates-2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260812T150000
DTEND;TZID=America/New_York:20260812T163000
DTSTAMP:20260806T161037Z
CREATED:20260717T011254Z
LAST-MODIFIED:20260806T161037Z
UID:10000136-1786546800-1786552200@writingcraft.com
SUMMARY:WEBINAR | Writing That Breaks the Rules: 10 Craft “Laws” You Can Defy
DESCRIPTION:Every genre has its sacred rules. Learn what they actually protect — so you can break them with confidence.\n\n\n\nFor writers at all stages\, in all genresIncluded in the Season Pass \n\n\n\nEvery writer collects a list of commandments. Show\, don’t tell. Don’t start a scene with dialogue. One point-of-view per scene. Search and destroy all adverbs. Memoir must be told in the first person. These rules are repeated in workshops and webinars until we think they’re all true\, all the time\, but most of them are shorthand for a much more useful question: Am I making the best craft choices for readers to experience these words as I intend? \n\n\n\nIn this webinar\, Allison K Williams (author of Seven Drafts and editor of NYT bestselling memoirs and novels) debunks the “rules” writers hear most often in workshops\, craft classes\, and query guidance and unpacks the real craft principle underneath each one. You’ll learn which rules are structural (break them\, and the story stops working) and which are stylistic conventions (break them deliberately\, and readers barely notice—or love you for it). We’ll use examples from published books that defy every dictum on this list and succeed anyway\, plus a clear-eyed look at when breaking a rule reads as “bold choice” versus “rookie mistake.” \n\n\n\nYou’ll leave knowing exactly which rules support the writing  you want to do—and which ones were never really rules at all. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nIDENTIFY the difference between structural craft principles and stylistic conventions\n\n\n\nLEARN why POV discipline\, tense consistency\, and dialogue-opening “rules” exist—and what actually breaks when you ignore them\n\n\n\nEXAMINE notable published novels\, essays and memoirs that violate these rules on purpose\, and why they work\n\n\n\nWALK AWAY with a framework for deciding\, scene by scene\, when a “rule” is serving your story and when it’s safe to ignore—or gleefully defy\n\n\n\n\nThis webinar is ideal for writers at any level who… \n\n\n\n\nkeep getting the same craft note in workshop and want to understand why\, not just fix it\n\n\n\nhave gotten craft feedback that doesn’t resonate or feels just plain wrong\n\n\n\nare drafting memoir\, YA\, or genre fiction and want to know which conventions their category actually enforces (and what to do if you’re not going to play along)\n\n\n\nhave a bold structural choice in mind and want to pressure-test it before committing\n\n\n\nare tired of contradictory advice and want one clear-eyed pass through the “rules” that matter\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nSharp\, funny\, and genuinely useful from the first five minutes\, Allison K Williams is the author of Seven Drafts: Self-Edit Like a Pro from First Draft to Book Deal and Managing Editor of the Brevity Blog. She teaches memoir and novel craft through Rebirth Your Writing\, leads retreats from Maine to Morocco to the middle of the Atlantic\, and has a well-earned reputation for advice that improves your pages the same day you hear it.  \n\n\n\nAllison holds an MFA from Western Michigan University\, and her own work has appeared in The New York Times\, McSweeney’s\, and Brevity (the magazine) as well as on NPR\, The Moth\, Snap Judgement\, and CBC-Canada. She is the co-producer of CRAFT TALKS and founder of The Writers Bridge. \n\n\n\nREFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.  \n\n\n\nThere are no refunds after the replay is sent.Questions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/writing-that-breaks-the-rules/
LOCATION:Zoom
CATEGORIES:Webinars
ATTACH;FMTTYPE=image/png:https://writingcraft.com/wp-content/uploads/2025/04/Event-Template-1-6.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260805T150000
DTEND;TZID=America/New_York:20260805T163000
DTSTAMP:20260730T144018Z
CREATED:20260707T153643Z
LAST-MODIFIED:20260730T144018Z
UID:10000135-1785942000-1785947400@writingcraft.com
SUMMARY:WEBINAR | Worth 1000 Words: Writing the Image+Text Essay
DESCRIPTION:Sometimes words aren’t enough. Discover how photos\, documents\, original artwork\, and other visual elements can deepen\, complicate\, and illuminate your creative nonfiction.\n\n\n\nFor creative nonfiction\, including hybrid & experimentalIncluded in the Season Pass \n\n\n\nFrom family photos\, maps\, and diagrams to drawings\, erasures\, and collages\, authors\, artists\, and publishers are finding new ways to present mixed media texts that combine words and visual elements. Whether you’ve already started using images or are curious about how images could enrich your writing process and practice\, this webinar is for you. \n\n\n\nFrom brainstorming and generating to the printed page\, images can add depth and nuance to your writing practice and finished drafts. We’ll look at striking examples of hybrid and mixed media essays\, and talk through not only the whys but also the hows—including technical and conceptual considerations (‘Do I need Photoshop?’ ‘What does ‘print ready’ mean?’ ‘Does it count as Fair Use if I only use a piece of someone else’s work?’ You’ll leave with inspiration and actionable ideas for your own visual + text essays. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nLEARN different uses for images in both brainstorming and writing essays\n\n\n\nGET an overview of practical considerations\, such as hardware and software\, publication readiness\, and permissions for images that aren’t your own\n\n\n\nBE INSPIRED by image+text prompts and a roundup of resources\n\n\n\nDISCOVER image + text work from a great reading list\n\n\n\n\nThis webinar is ideal for writers at any level who… \n\n\n\n\nwant to explore hybrid writing\, collage\, or experimental essays\n\n\n\nenjoy hands-on brainstorming techniques (collage is great for that!)\n\n\n\nare already experimenting with images and want to learn how to get them published\n\n\n\nhave a visual art practice or passion they want to combine with their writing practice\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nKnown for packing her webinars with deep knowledge\, actionable information\, and fun facts\, Chelsea Biondolillo is a collage artist and the author of The Skinned Bird: Essays and two prose chapbooks\, Ologies and #Lovesong.  \n\n\n\nHer essays have been collected in Best American Science and Nature Writing 2016\, The Lyric Essay as Resistance\, How We Talk to One Another: An Essay Daily Reader and is forthcoming in The Rose Metal Press Field Guide to Writing the Lyric Essay.  \n\n\n\nChelsea’s paper and mixed media collages have been shown in Oregon\, Washington\, and New York. Her image and text essay\, “Weeds” was the winner of CRAFT Literary’s inaugural hybrid writing contest. She has a BFA from the Pacific Northwest College of Art and an MFA from the University of Wyoming. She currently lives in Eugene\, Oregon. \n\n\n\nREFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.  \n\n\n\nThere are no refunds after the replay is sent.Questions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/worth-1000-words/
LOCATION:Zoom
CATEGORIES:Webinars
ATTACH;FMTTYPE=image/png:https://writingcraft.com/wp-content/uploads/2026/07/MASTER-Event-Templates-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260801T000000
DTEND;TZID=America/New_York:20260831T235959
DTSTAMP:20260814T155427Z
CREATED:20260724T160435Z
LAST-MODIFIED:20260814T155427Z
UID:10000140-1785542400-1788220799@writingcraft.com
SUMMARY:August REPLAY | The Ideal Sentence: Your Voice\, Your Tone\, Your Pace
DESCRIPTION:Every beginning sets a tone\, establishes a voice\, and signals the quality of the language that is to come. Your beginning is one of your most important writing choices—learn to make it powerful.\n\n\n\nREPLAY INCLUDES: VIDEO\, CHAT\, HANDOUT\, AND TRANSCRIPT \n\n\n\nFor All Genres \n\n\n\nWill that language be complex and tangled? Plain-spoken? Vanilla? Lavender? Will it zing like jazz or sing like a lullabye? Will it feel lethargic\, or will it clop\, or will it swashbuckle? \n\n\n\nIt’s always time to think about sentences—to explore the ways they work (and sometimes don’t)\, the ways we bend them to get closer to the truth\, and the ways we work on patterns and rhythms so that the pages remain alive.  \n\n\n\nProse from Hilton Als\, Michael Ondaatje\, Jean-Dominique Bauby\, Jia Tolentino\, Annie Dillard\, Olivia Laing\, Carmen Machado\, Terry Tempest Williams\, and Mark Richard will inspire us and lead our way. \n\n\n\nExercises presented will be focused on voice\, tone\, mood\, and pace. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nREFINE your writing voices\n\n\n\nEXPERIMENT with mood\, tone\, and pace\n\n\n\nDEVELOP powerful new beginnings\n\n\n\nCREATE a better understanding of your writerly strengths\n\n\n\n\nThis webinar is ideal for writers who:\n\n\n\n\nare intent on capturing the attention of agents\, editors\, and readers.  \n\n\n\nare keen on perfecting their work.\n\n\n\nwish to build more dimension into their writing.\n\n\n\nWant to learn more about sentence craft and explore their writing voice.\n\n\n\n\n\n\n\n\nThe live event happened in May 2025.ABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nOne of our favorite presenters\, BETH KEPHART\, is the award-winning writer of memoir\, children’s books\, young adult novels\, and craft books. She is also a paper artist. Her new book\, her first novel for adults\, is Tomorrow Will Bring Sunday’s News: A Philadelphia Story. Please join her Substack journey at The Hush and the Howl. More at bethkephartbooks.com \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\nBecause the replay is delivered instantly upon purchase\, all sales are final. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/the-ideal-sentence-2/
LOCATION:Zoom
CATEGORIES:Webinars
ATTACH;FMTTYPE=image/png:https://writingcraft.com/wp-content/uploads/2025/04/Event-Template-1-copy-2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260729T150000
DTEND;TZID=America/New_York:20260729T163000
DTSTAMP:20260723T141946Z
CREATED:20260624T153352Z
LAST-MODIFIED:20260723T141946Z
UID:10000131-1785337200-1785342600@writingcraft.com
SUMMARY:WEBINAR | Nature Writing Reimagined: Cultivating Observation & Connection in Every Genre
DESCRIPTION:Nature writing is often treated as a genre of its own\, but the natural world belongs in every story\, essay\, or poem. Move beyond viewing nature as a backdrop\, and weave it meaningfully into your writing.\n\n\n\nFor All GenresIncluded in the Season Pass \n\n\n\nDiscover what happens when we stop treating nature as scenery and begin to recognize it as an active presence in our narratives\, woven into every story we tell. Through a selection of historical and contemporary readings\, we’ll look at the many ways writers have engaged with the living world and consider how those approaches can enrich our own work. \n\n\n\nTogether\, we’ll explore the idea of de-othering nature and its implications for our writing\, from setting and imagery to metaphor\, character\, and point of view. Through lecture\, close reading\, and a generative writing exercise\, you’ll experiment with new ways of bringing the natural world onto the page—not simply as background\, but as a vital part of the work itself. \n\n\n\nWhether you write fiction\, nonfiction\, or poetry\, you’ll leave with practical techniques for creating more vivid and immersive landscapes\, a deeper awareness of the relationships between people and place\, and fresh inspiration for your creative practice. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nEXPLORE how writers across time have represented the natural world\, from historical texts to contemporary voices reshaping the genre\n\n\n\nREIMAGINE nature’s role in your work and how de-othering the environment can transform your imagery\, figurative language\, and sense of place\n\n\n\nSTRENGTHEN your craft with tools for creating rich\, memorable landscapes \n\n\n\nINTEGRATE environmental awareness into your creative practices\n\n\n\n\nThis webinar is ideal for writers at any level who… \n\n\n\n\nstruggle with settings and world-building\n\n\n\nwant to explore a new way of writing from a new point of view \n\n\n\nwrite about the natural world but don’t want to be pigeonholed as “nature writers”\n\n\n\nare garden-obsessed\, dirt-under-the-fingernails\, seed-catalog-collecting\, hiking-boot-wearing aficionados who wonder what else there is to write about\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nA high-energy teacher noted for deep historical dives and technical side quests that always bring more understanding\, Megan Baxter has won numerous national awards\, including a Pushcart Prize. Her essay collection\, Twenty Square Feet of Skin\, was longlisted for the 2024 PEN/Diamonstein-Spielvogel Award for the Art of the Essay.  \n\n\n\nMegan has published three books of creative nonfiction and is currently writing short stories and novels. Her short story collection ‘The Off-Season’ debuts in Spring 2027 from Jada Ibis Press. She lives in New Hampshire\, where she runs her own small farm and teaches creative writing through online courses and lessons. \n\n\n\nREFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.  \n\n\n\nThere are no refunds after the replay is sent.Questions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/nature-writing-reimagined/
LOCATION:Zoom
CATEGORIES:Webinars
ATTACH;FMTTYPE=image/png:https://writingcraft.com/wp-content/uploads/2026/06/baxter.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260723T150000
DTEND;TZID=America/New_York:20260723T163000
DTSTAMP:20260717T010706Z
CREATED:20260615T170009Z
LAST-MODIFIED:20260717T010706Z
UID:10000130-1784818800-1784824200@writingcraft.com
SUMMARY:WEBINAR | The Art of the Cinematic Close-Up: Crafting Details that Immerse Readers in Your Story
DESCRIPTION:Learn to use your writerly “lens” to focus on the solitary details that open a narrative universe of fluid\, truthful\, and seamless prose.\n\n\n\nFor Creative Nonfiction and Fiction WritersIncluded in the Season Pass \n\n\n\nWriters of fiction and nonfiction alike understand: we can’t use ostentatious or flowery language\, nor vague or abstract moments\, if we want to truly grab our readers and immerse them in the world of our story. Learn how to focus your scenes with concrete details\, vivid imagery\, original language\, and apt metaphor that is scaled to the task at hand. \n\n\n\nIn this webinar\, we’ll use the metaphor of photography and cinema to focus our writing lenses on the art of the close-up—the particular\, singular\, and sustained. Looking at writers from Cheryl Strayed to Virginia Woolf\, J.R.R. Tolkien to Zadie Smith\, we’ll examine how to describe physical things and people\, places\, as well as discreet moments in time\, states of high emotion\, and interiority with rigor and specificity. From “close-ups” like a dying moth on a windowsill; the way a drunken father stumbles around the house; the moment you tossed your second hiking boot off the mountaintop; a feeling of foreboding partway through a quest; you’ll discover how to use language beautifully and truthfully to create what John Gardner called a “vivid and continuous” dream in the reader’s imagination.   \n\n\n\nYou’ll leave having written some new passages that you can use in any writing project. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nEXPLORE the craft of sustained\, vivid description\n\n\n\nDISCOVER how to manipulate your writerly lens of focus with intention\n\n\n\nLEARN the difference between the particular and specific vs. the vague and abstract\n\n\n\nPRACTICE writing new passages using close-up techniques you can immediately apply to your own work\n\n\n\n\nThis webinar is ideal for writers who:\n\n\n\n\nfeel their work is flat or lacking depth\, focus or specificity\n\n\n\nare finding their writing voice\n\n\n\nstruggle with writing description\n\n\n\nwant to move beyond generic imagery and find the singular\, unexpected detail that brings a scene to life\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nA sharp\, funny presenter\, Ethan Gilsdorf is a writer\, teacher\, performer\, and a huge nerd. The author of the award-winning memoir Fantasy Freaks and Gaming Geeks\, his work appears in the New York Times\, Washington Post\, Esquire\, Wired\, Salon\, O the Oprah Magazine\, Huffington Post\, Brevity\, Electric Literature\, Poetry\, and The Southern Review\, among other publications\, and has been named “Notable” by The Best American Essays.  \n\n\n\nEthan teaches workshops in essay\, creative nonfiction\, and memoir at GrubStreet in Boston\, where he leads the Essay Incubator program\, and at LitArts RI. He is also on the faculty of the Solstice MFA Program at Lasell University. At Hampshire College\, he studied filmmaking and creative writing and received an MFA in Creative Writing (Poetry) from Louisiana State University. He presented the TEDx talk “Why Dungeons & Dragons is Good for You (In Real Life)” and offers workshops teaching adults\, children\, and organizations how to play Dungeons & Dragons. \n\n\n\nREFUNDS (less a $10 processing fee) ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process.  \n\n\n\nThere are no refunds after the replay is sent.Questions? Please email Info@writingcraft.com \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/art-of-the-cinematic/
LOCATION:Zoom
CATEGORIES:Webinars
ATTACH;FMTTYPE=image/png:https://writingcraft.com/wp-content/uploads/2025/06/Event-Templates-copy.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260708T150000
DTEND;TZID=America/New_York:20260708T163000
DTSTAMP:20260707T154923Z
CREATED:20260610T150205Z
LAST-MODIFIED:20260707T154923Z
UID:10000129-1783522800-1783528200@writingcraft.com
SUMMARY:WEBINAR | Shake It Loose! Unexpected Prompts and Nudges to Spark “The Muse”
DESCRIPTION:Inspiration is tied to innovation\, and innovation is a deliberate act.\n\n\n\nFor Nonfiction\, Memoir\, and Fiction WritersIncluded in the Season PassThis webinar will be entirely interactive\, with varied suggestions\, nudges\, and obstructions carefully designed to uncover fertile new directions for your work\, whether you are looking to start something new or trying to regain momentum in your current work-in-progress.\n\n\n\nWell-meaning folks often ask about our “inspiration\,” as if some external force—an angel\, a bluebird\, the Muse—mysteriously slips a brilliant idea into our brain as we sleep\, and all we need do is wake up and write it down. Easy peasy!  \n\n\n\nBut it doesn’t work like that. Inspiration is tied to innovation\, and innovation is a deliberate act. We achieve success by being the ones who jump up from the rut of normal and predictable\, by walking bravely into an unexplored forest of fresh ideas and raw emotions\, and trusting we will find something worth writing about there. \n\n\n\nAnd how do we find these forests of artistic innovation? One of the surest ways is prompts and nudges\, as odd and varied as we can find.  \n\n\n\nThis approach can work wonders. And by the way\, it’s also fun! Bring a pencil or two\, some paper\, your brain\, and a willingness to go in unexpected directions. Shake it up and let’s write! \n\n\n\nCan’t make it live? No worries—a replay will be available to all registrants. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nDISCOVER how to shake loose new ideas\, new angles and fresh perspectives\n\n\n\nLEARN the power of odd associations\, mixed signals\, curveballs\, and stretching the muscles of the imagination\n\n\n\nEXPERIENCE prompts and nudges that work to open up neural pathways\, and lubricate the imagination (and memory)\n\n\n\nUNCOVER fertile new directions for your work\n\n\n\nSURPRISE YOURSELF with new writing in new directions\n\n\n\n\nThis webinar is ideal for writers at any level who…\n\n\n\n\nworry that they keep writing the same thing or feel stuck in an established comfort zone\n\n\n\nare concerned that they have “run through” all of their good ideas\n\n\n\nfeel stuck on a current project (large or small)\n\n\n\nhave just finished a draft and desperately need a palate-cleanser\n\n\n\nare looking for fresh places to take future projects\n\n\n\nwant to have fun\, surprise themselves\, and take some chances\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nOne of our most popular and beloved presenters\, DINTY W. MOORE\, is the author of the memoirs Between Panic & Desire and To Hell With It and the writing guides Crafting the Personal Essay and The Mindful Writer\, among other books. He has published essays and stories in Harper’s\, The New York Times Magazine\, Georgia Review\, Kenyon Review\, Southern Review\, Short Reads\, and elsewhere. He is founding editor of Brevity\, the journal of flash nonfiction. \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\nBefore the replay is sent\, you may request a refund less a $10.00 processing fee. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/shake-it-loose/
LOCATION:Zoom
CATEGORIES:Webinars
ATTACH;FMTTYPE=image/png:https://writingcraft.com/wp-content/uploads/2025/05/Moore.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260701T150000
DTEND;TZID=America/New_York:20260701T163000
DTSTAMP:20260625T123305Z
CREATED:20260603T164418Z
LAST-MODIFIED:20260625T123305Z
UID:10000128-1782918000-1782923400@writingcraft.com
SUMMARY:WEBINAR | Crafting Emotion & Imagination: Exploring Lyrical Writing
DESCRIPTION:Learn the secrets to writing gorgeous\, lyrical work that makes editors and readers say\, “Wow!” \n\n\n\nFor Creative Nonfiction\, Fiction\, and PoetryIncluded in the upcoming Season Pass \n\n\n\nDo you want your writing to be beautiful and imaginative while staying true to the emotional moment? Would you like to improve the sound and musicality of your sentences? During this generative session\, we’ll dive deep into techniques and tools you can use to increase the lyricism of your writing\, regardless of genre.  \n\n\n\nFirst\, learn the difference between lyrical and narrative writing and when you may want to use one or the other. Then explore the five key elements of lyrical writing\, with examples from virtuoso writers\, and what makes each one powerful for readers. Finally\, practice applying lyrical techniques to your own writing with a prompt and writing time. You’ll leave with the start of a new draft and additional exercises to explore and develop your writing on your own. \n\n\n\nCan’t make it live? No worries—a replay will be available to all registrants. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nLEARN the five key elements of lyrical writing\n\n\n\nEXPLORE the differences between lyrical and narrative writing\, and how (and why!) to use both\n\n\n\nPRACTICE suspending or manipulating time in your essays\, stories\, or poems\, along with other lyrical techniques\n\n\n\nDISCOVER strategies to increase the emotional and musical resonance of your writing at the sentence level\n\n\n\nUSE imaginative tools to add layers to your work\n\n\n\n\nThis webinar is ideal for intermediate writers who want to…\n\n\n\n\nexplore lyrical writing \n\n\n\ndeepen and develop their writing voice\n\n\n\nincrease the musicality and beauty of their prose or poetry \n\n\n\ntap into higher levels of imagination and emotion in their writing\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nBethany Jarmul is an Appalachian writer\, poet\, writing coach\, and enthusiastic\, engaging\, and inspiring workshop instructor. She’s the author of a poetry collection\, Lightning Is a Mother\, and a memoir\, Take Me Home. Her work has been published in more than 100 literary magazines\, including Rattle\, Brevity\, and Chestnut Review. Her writing was selected for Best Spiritual Literature and Best Small Fictions and nominated for the Pushcart Prize and The Best of the Net. \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\nFULL REFUNDS ARE AVAILABLE before the replay is sent out. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/crafting-emotion/
LOCATION:Zoom
CATEGORIES:Webinars
ATTACH;FMTTYPE=image/png:https://writingcraft.com/wp-content/uploads/2025/09/MASTER-Event-Templates-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260701T000000
DTEND;TZID=America/New_York:20260731T235959
DTSTAMP:20260720T143736Z
CREATED:20250825T195635Z
LAST-MODIFIED:20260720T143736Z
UID:10000055-1782864000-1785542399@writingcraft.com
SUMMARY:REPLAY | Beyond Description: Creating Powerful\, Realistic Characters in Fiction and Memoir
DESCRIPTION:The most powerful characters on the page are complex and multi-layered\, and they both surprise and convince readers with (and within!) their reality.\n\n\n\nREPLAY INCLUDES: VIDEO\, SLIDES\, CHAT\, PROMPTS\, HANDOUT\, AND TRANSCRIPT \n\n\n\nFor Fiction and Memoir \n\n\n\nNovelists create characters from nothing\, who must feel as real as anyone we’ve met. Memoirists must pack a lifetime of knowledge into selected details to show readers the people they engaged with\, as those people truly are. But too often\, writers default to physical description—characters pausing in front of conveniently reflective surfaces—or narrating our own judgements of the people we know\, rather than allowing readers to make those discoveries themselves. As an actor\, playwright\, and director\, Allison K Williams has explored character creation inside and out. \n\n\n\nIn this special 2-hour webinar\, you’ll learn how to use tools from theatre to analyze your own text and create stronger characters on the page. With examples from fiction and memoir\, we’ll examine how objectives\, passions\, and foibles drive characters and deepen their dramatic impact; how qualities of movement are expressed in verbs and adverbs; the difference between high-context dialogue and “stuff I needed the reader to know so I made a character say it”; and even dive into how punctuation can shape a character’s emotion in a scene. \n\n\n\nYou’ll raise your craft level and gain a tool kit to help you present all your characters\, real or fictional\, as fully rounded beings\, regardless of their word count\, and make each one memorable and worthy of their time on the page.  \n\n\n\nIn-class writing time and live editing will give you a chance to apply this to your writing right away. \n\n\n\n\n\n\n\nThis is a TWO-HOUR class\, with 20 minutes of writing time in the middle.\n\n\n\n\n45 minutes – Learn the tools of character analysis\, and key writing techniques to show character on the page\n\n\n\n10 minutes – Q&A to fully understand and apply the information.\n\n\n\n20 minutes – Revise a scene that introduces one of your key characters to heighten the character’s impact on the page and more skillfully show who they are\, what they want and why they matter. Allison will continue taking questions in the chat. \n\n\n\nOPTIONAL: volunteer for live-editing and upload your scene as a Word doc or docx to a Google Drive (link will be provided in class\, no pages will be accepted before they are called for).\n\n\n\n40 minutes – Allison will live-edit pages shared on screen\, noting where the writer is succeeding and what revisions could make the prose even more effective. During live edits\, she’ll call out specific techniques and tips for everyone to apply to their own work\, right away. \n\n\n\n10 minutes – Q&A and planning your writing from here.\n\n\n\n\nThis webinar will cover\n\n\n\n\nHOW the interplay of passion and foible creates conflict and tension within and between characters\n\n\n\nThe “CHARACTER ZERO” of Commedia Dell’ Arte and how it relates to modern prose\n\n\n\nSHOWING villainous\, abusive\, narcissistic and harmful behavior in ways that allow the reader to judge—and why moments of “good” give evil more impact\n\n\n\nWORLDBUILDING through character action and dialogue\n\n\n\nWHEN\, HOW\, and WHY to use adverbs (hint: “in a _____ tone” is needlessly verbose! Bring on the adverbs!)\n\n\n\nThe ACTOR’S TECHNIQUE for bringing to life the most minor of characters—and how to use it in writing.\n\n\n\nOBJECTIVES and OBSTACLES\, and how they make characters active in every scene.\n\n\n\n\nThis webinar is ideal for\n\n\n\n\nNovelists with a large cast of characters who need distinction; or only a few characters who must hold the reader’s attention throughout the book\n\n\n\nMemoirists who want to write vivid characters without getting lost in their own emotional past experience\n\n\n\nCreative writing students and graduates of MFA programs who want to expand their writing craft with conscious practice.\n\n\n\nDevelopmental editors who want to grow their knowledge of characterization in prose and better communicate that knowledge to their author clients.\n\n\n\n“Plotters” struggling with bringing a character dossier to life on the page \n\n\n\n“Pantsers” who need to fill in background and personality without info-dumping\n\n\n\nWriters hearing feedback that their characters blend together\, or are too “black-and-white” and need more depth\n\n\n\n\n\n\n\n\nThe live event happened in October 2025. \n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nAllison K Williams is the author of Seven Drafts: Self-Edit Like a Pro From Blank Page to Book. She has edited and coached writers to Big Five and literary/university publishing deals and the New York Times and USA Today bestsellers lists. She’s guided essayists and humorists to publication in media including the New Yorker\, Time\, the Guardian\, the New York Times\, McSweeney’s\, Refinery29\, Hippocampus\, the Belladonna and TED Talks. As Social Media Editor for Brevity\, she inspires thousands of writers with weekly blogs on craft and the writing life. \n\n\n\nBefore turning to writing and editing fulltime\, Allison was a classically-trained actor. With a BA in Theatre and an MFA in Playwriting\, she has acted and directed with American Stage\, The Kentucky Shakespeare Festival\, Eckerd College\, Western Michigan University\, and many more. Her plays for young actors have been noted by Dramatics Magazine as top-ten most produced worldwide\, and her multi-character solo show TRUE STORY won Best of Fringe at the London Fringe Festival and toured the USA and Canada. \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\nBecause the replay is delivered instantly upon purchase\, all sales are final. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/beyond-description/
LOCATION:Zoom
CATEGORIES:Webinars
ATTACH;FMTTYPE=image/png:https://writingcraft.com/wp-content/uploads/2025/04/Event-Template-1-6.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260624T150000
DTEND;TZID=America/New_York:20260624T161500
DTSTAMP:20260618T124558Z
CREATED:20260518T163624Z
LAST-MODIFIED:20260618T124558Z
UID:10000125-1782313200-1782317700@writingcraft.com
SUMMARY:WEBINAR | Poetry\, Prose\, or Both? Writing and Publishing a Hybrid Memoir
DESCRIPTION:Crossing genres can be an obstacle—or a selling point. Explore the craft of writing and the art of pitching a memoir that wants both poetry and prose.\n\n\n\nFor Creative Nonfiction\, Poetry\, and Hybrid \n\n\n\nSometimes a moment demands the compression of a poem. Sometimes it needs room to breathe in prose. But what happens when your memoir wants both? In this webinar\, we’ll explore the craft of hybrid memoir—how to recognize when a piece is calling for verse versus essay\, how to let both forms coexist without flattening or repeating yourself\, and how each genre can do work the other can’t.We’ll also tackle the practical challenges of bringing hybrid and multi-genre work to publication: how to structure the manuscript\, how to describe it in a query\, how to find receptive publishers\, and how to talk about your book when it defies easy categorization.Drawing from Brenda’s experience writing and placing Love You\, Bye: A Daughter’s Journey in Essays and Poems (Skinner House Books\, April 2026)\, she’ll share both the creative and publishing lessons learned along the way. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nLEARN to recognize when a moment\, image\, or memory wants to be a poem or an essay\n\n\n\nGAIN permission to try different forms and genres for the same material\n\n\n\nDISCOVER strategies for letting poetry and prose speak to each other without redundancy\n\n\n\nEXPLORE organizing principles for a hybrid manuscript\n\n\n\nPRACTICE language for describing multi-genre work to agents\, editors\, and readers\n\n\n\nIDENTIFY which presses are most open to unconventional memoir forms\n\n\n\n\nThis webinar is for…\n\n\n\n\nwriters who enjoy the freedom to explore more than one genre at once (and want to feel better about it!)\n\n\n\nanyone who has wondered: “Is this a poem or is this an essay?”—and suspected the answer might be “yes”\n\n\n\n writers working on a book that feels like “essays” and “memoir” and “maybe poetry” all at once\n\n\n\nanyone who has been told their manuscript is “hard to categorize” or “difficult to shelve”\n\n\n\nthose preparing to query or submit a multi-genre project and unsure how to describe it\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nBrenda Miller is noted for making form “feel like a gift\, not a constraint” and teaches as “a wise friend who’s read everything and still gets excited about a well-placed line break.” Warm\, practical\, and full of “what ifs\,” Brenda’s sessions are full of the mutual joy of discovery.  \n\n\n\nBrenda Miller’s new hybrid collection\, Love You\, Bye: A Daughter’s Journey in Essays and Poems\, is just out from Skinner House Books (April 2026). She is the author of six additional essay collections\, including A Braided Heart: Essays on Writing and Form\, andAn Earlier Life\, winner of the Washington State Book Award for Memoir. Her work has received seven Pushcart Prizes. She co-authored\, with Holly J. Hughes\, The Pen and the Bell: Mindful Writing in a Busy World\, and\, with Suzanne Paola\, Tell It Slant: Creating\, Refining\, and Publishing Creative Nonfiction\, now in its third edition. She coined the term “Hermit Crab Essay.” Her website is www.brendamillerwriter.com. \n\n\n\n \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\nBefore the replay is sent\, you may request a refund less a $10.00 processing fee. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/poetry-prose-or-both/
LOCATION:Zoom
CATEGORIES:Webinars
ATTACH;FMTTYPE=image/png:https://writingcraft.com/wp-content/uploads/2025/03/4.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260617T150000
DTEND;TZID=America/New_York:20260617T160000
DTSTAMP:20260611T143020Z
CREATED:20260518T161918Z
LAST-MODIFIED:20260611T143020Z
UID:10000124-1781708400-1781712000@writingcraft.com
SUMMARY:WEBINAR | Artful Intelligence: What the Rise of AI Can Teach Us about Great Writing
DESCRIPTION:In all the hype and paranoia around AI\, it’s still our flawed\, funny\, and felt humanity that brings art into the world.\n\n\n\nFor Creative Nonfiction\, Nonfiction\, and Poetry \n\n\n\nArtificial Intelligence can’t do what you can do because it doesn’t feel what you feel. Learn to harness those feelings to make original and unforgettable human art.  \n\n\n\nWe’ll explore AI via literature and writing\, with an overview of how chatbots produce “original” works\, trends in publishing and marketing related to the rise of AI\, and what artificial writing can teach us about our own\, human craft.  \n\n\n\nAs part of our investigation\, we’ll study technical aspects of AI to learn how it works and how to detect its usage. And we’ll examine how our own response to the emergence of AI can help us contend with the social\, moral\, and aesthetic challenges posed by advancements in technology.  \n\n\n\nThis webinar will allay your fears over AI taking over the world—or at least taking over the writing world—and putting all of us creative writers out of business. No prior technical knowledge is required—only a passion for reading\, exploring how technology shapes storytelling\, and uncovering how human stories shape technology. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nUNDERSTAND how so-called Artificial Intelligence actually writes\n\n\n\nEXPLORE what AI reveals about writing formulas and clichés to avoid in our own work\n\n\n\nLEARN how to write\, publish\, and stand out in a world beset by emerging technologies\n\n\n\n\nThis webinar is for beginning and intermediate writers who …\n\n\n\n\nworry about AI and its impacts on their own writing and prospects for publication\n\n\n\nseek to make their own work more original and attention-grabbing\n\n\n\nwant to recognize AI “in the wild” and understand its use as a tool\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nJaswinder Bolina’s superpower is translating complicated ideas into conversational\, humorous sessions that students find transformational for their work. Noted for being analytical yet highly approachable\, Jaswinder’s most recent book English as a Second Language and Other Poems (2023) was awarded the 2025 Kingsley Tufts Poetry Award from Claremont Graduate University. He is author of three previous poetry collections\, The 44th of July (2019)\, Phantom Camera (2013)\, and Carrier Wave (2007)\, and of the essay collection Of Color (2020).  \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\nBefore the replay is sent\, you may request a refund less a $10.00 processing fee. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/artful-intelligence/
LOCATION:Zoom
CATEGORIES:Webinars
ATTACH;FMTTYPE=image/png:https://writingcraft.com/wp-content/uploads/2025/05/Event-Templates-copy.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260610T150000
DTEND;TZID=America/New_York:20260610T163000
DTSTAMP:20260604T142919Z
CREATED:20250508T193202Z
LAST-MODIFIED:20260604T142919Z
UID:10000025-1781103600-1781109000@writingcraft.com
SUMMARY:WEBINAR | Self-Publishing Foundations: Prepare\, Plan and Promote for Long-term Success
DESCRIPTION:Savvy book marketers know that successful promotion starts long before publication.\n\n\n\nAll Genres \n\n\n\nSet yourself up for lasting success with key decisions to make and actions every self-publishing author should take before publication—steps that significantly impact how well your book will market once it’s out in the world. While these elements aren’t always labeled as “marketing\,” neglecting them can limit your book’s reach and longevity. \n\n\n\nWhat can you do when you’re not active on social media (and should you be)? When marketing\, where should you spend and where should you save? How can you connect with other authors as colleagues\, early readers\, and potential blurbs? Through David’s expert experience and case studies showing how people with limited free time put these principles to work to achieve their goals\, you’ll understand how to weave marketing strategy into the publishing process itself so your book launches stronger and stays marketable for the long haul. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nLEARN the “forever decisions”: the 9 things you cannot change without republishing your book.\n\n\n\nUNDERSTAND the 5 types of comp titles research and how each contributes to a successful launch.\n\n\n\nDISCOVER why creating a distribution plan is the first and most important step in self-publishing.\n\n\n\nGET THE NITTY-GRITTY on how to coordinate print book pre-ordering using IngramSpark and Amazon KDP to meet deadlines\, make/save money\, and avoid publishing the wrong version of your book.\n\n\n\nLEARN the A-B-C list method for reaching testimonial writers\, influencers\, and readers/buyers.\n\n\n\nFORMULATE a review strategy: a framework for seeking and using editorial and customer reviews during book preparation.\n\n\n\nKNOW HOW TO LEVERAGE the strengths of self-publishing when it comes to distribution\, pricing\, media outreach\, and contacting influencers.\n\n\n\n\nThis webinar is ideal for Writers who…\n\n\n\n\nWonder if self-publishing is right for them\n\n\n\nNeed to know more about self-directed marketing\, even if they’re publishing traditionally\n\n\n\nWant to build connections with readers long before their book is released\n\n\n\nUnderstand better with detailed case studies of how other authors “did it”\n\n\n\nDon’t have vast sums of money for marketing\, or vast amounts of time to spend online\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\nOriginally presented on June 3\, 2026 \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nDavid Wogahn is the author of six self-published books\, including the Countdown to Book Launch® series of publishing guides and the Before the Launch workbook. In 2012\, he became the author of the first LinkedIn Learning course on the topic of self-publishing (Lynda.com at the time).David is a frequent speaker and trainer and has given presentations for the Independent Book Publishers Association\, IBPA Publishing University\, the Alliance of Independent Authors (ALLi)\, the Independent Writers of Southern California\, the Santa Barbara Writers Conference\, and Jane Friedman\, among other publishing professional organizations.Before founding the author services firm AuthorImprints.com in 2011\, David worked for the 1984 Los Angeles Olympic Organizing Committee and the Los Angeles Times\, and was co-founder and COO of the first online publisher of sports-team branded websites known today as the CBS College Sports Network. \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\nBefore the replay is sent\, you may request a refund less a $10.00 processing fee. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/self-publishing-foundations/
LOCATION:Zoom
CATEGORIES:Webinars
ATTACH;FMTTYPE=image/png:https://writingcraft.com/wp-content/uploads/2025/05/Event-Templates-1.png
ORGANIZER;CN="David Wogahn":MAILTO:davidw@authorimprints.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260603T150000
DTEND;TZID=America/New_York:20260603T163000
DTSTAMP:20260529T030024Z
CREATED:20260427T215933Z
LAST-MODIFIED:20260529T030024Z
UID:10000122-1780498800-1780504200@writingcraft.com
SUMMARY:WEBINAR | Making Memoir Real: Captivate Your Readers with Dynamic Settings & Characters
DESCRIPTION:Dropping our readers into a particular time\, a particular place\, populated by particular people\, is essential to making readers care about our stories. Learn to create vibrant\, convincing reality on the page.\n\n\n\nFor Memoirist and Essay Writers \n\n\n\nMemoir is a juggling act. As writers\, our job is to bring the potent emotional stakes of our story to the page right from the beginning\, introducing conflicts and launching the book’s dynamic journey. But equally important is establishing the story’s reality and dropping our readers into a particular time\, a particular place\, populated by particular people. This is how readers begin to care deeply and invest their hearts in our work. \n\n\n\nThis interactive webinar will closely examine the techniques of setting and characterization—often taught in fiction workshops—and how important they are to memoir. We will study the difference between mere “description” and active\, dynamic detail and movement. Prompts will be provided for new work and for work-in-progress. \n\n\n\nCan’t make it live? No worries—a replay will be available to all registrants. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nDISCOVER how to transplant readers directly into the world of your memoir through vivid\, specific detail\n\n\n\nLEARN the craft of characterization techniques borrowed from fiction and applied to true stories\n\n\n\nIDENTIFY the difference between static description and dynamic\, active detail that propels your narrative forward\n\n\n\nPRACTICE writing prompts designed to deepen both new work and works-in-progress\n\n\n\nEXPLORE how to establish emotional stakes early while simultaneously grounding readers in time\, place\, and character\n\n\n\n\nThis webinar is ideal for writers at any level who…\n\n\n\n\nwould  like their work to immediately capture attention\, to engage agents\, editors and—most of all—readers\n\n\n\nstruggle with “Why would anyone care about my story?”\n\n\n\nworry their prose is moving too slowly\, that they may be “explaining too much” and showing too little\n\n\n\nare insecure about their storytelling skills (that’s all of us)!\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nOne of our most popular and beloved presenters\, DINTY W. MOORE\, is the author of the memoirs Between Panic & Desire and To Hell With It and the writing guides Crafting the Personal Essay and The Mindful Writer\, among other books. He has published essays and stories in Harper’s\, The New York Times Magazine\, Georgia Review\, Kenyon Review\, Southern Review\, Short Reads\, and elsewhere. He is founding editor of Brevity\, the journal of flash nonfiction. \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\nBefore the replay is sent\, you may request a refund less a $10.00 processing fee. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/making-memoir-real/
LOCATION:Zoom
CATEGORIES:Webinars
ATTACH;FMTTYPE=image/png:https://writingcraft.com/wp-content/uploads/2025/05/Moore.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260601T000000
DTEND;TZID=America/New_York:20260630T235959
DTSTAMP:20260604T144450Z
CREATED:20260520T145148Z
LAST-MODIFIED:20260604T144450Z
UID:10000126-1780272000-1782863999@writingcraft.com
SUMMARY:REPLAY | Writing Through the Lens: Think Like a Photographer to Craft Compelling Scenes
DESCRIPTION:Struggling with writing scenes or recreating lost memories? Thinking like a photographer can help.\n\n\n\nREPLAY INCLUDES: VIDEO\, CHAT\, PROMPTS\, HANDOUT\, AND TRANSCRIPT   \n\n\n\nNot included in the Season Pass \n\n\n\nImages can be a remarkable tool for creative nonfiction writers. Photographers use vivid prose to describe their work\, and the techniques they use to create inspired\, memorable photos can have the same effect on your writing. \n\n\n\nAs memoirists\, we choose what events and moments belong in our work. Photographers make similar decisions when composing images\, and the elements that make a picture memorable and meaningful are often the result of choices that the casual observer doesn’t even realize the person behind the camera is making. Whether you’re writing a memoir or creative nonfiction\, photographs can be a powerful tool to help you not only tap into what is happening but also show the reader why these scenes are taking place. \n\n\n\nIn this webinar\, we will examine samples of memoir and essay that draw upon photographs to deepen scenes and characters\, and you will learn how to use these practical techniques in your own storytelling. \n\n\n\nRegistrants will receive a handout with prompts and actionable tips. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nLEARN to read photographs in order to better understand composition of scenes\n\n\n\nDRAW inspiration from two-dimensional images to “frame” your own scenes\n\n\n\nLEARN how to create compelling prose that draws your reader into your story \n\n\n\n\nThis webinar is for creative nonfiction writers who are struggling to make old memories or family tales come to life.\n\n\n\nThe live event happened in November 2023. \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nGrace Hwang Lynch is a storyteller in journalism\, essays\, and photography. Her work can be found on outlets including Tin House\, Catapult\, and NPR. Her food memoir How to Cook Rice: On the Care and Feeding of an Immigrant Family will be published in early 2027 by Regalo Press. Website: www.gracehwanglynch.com \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\nBecause the replay is delivered instantly upon purchase\, all sales are final. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/replay-writing-through-the-lens/
LOCATION:Zoom
CATEGORIES:Webinars
ATTACH;FMTTYPE=image/png:https://writingcraft.com/wp-content/uploads/2026/05/Hwang.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260527T150000
DTEND;TZID=America/New_York:20260527T161500
DTSTAMP:20260521T165455Z
CREATED:20260409T161303Z
LAST-MODIFIED:20260521T165455Z
UID:10000116-1779894000-1779898500@writingcraft.com
SUMMARY:WEBINAR | Blurb Clinic: The 150 Words That Hook Agents\, Editors\, and Readers
DESCRIPTION:Write your book’s “blurb”—the sharp\, versatile pitch for submissions\, promotion\, and marketing that defines what your book is and why it matters.\n\n\n\nAll Genres \n\n\n\nWhether you call it “jacket copy\,” an “extended pitch” or the meat of your query\, your book’s blurb is critical. This short piece of persuasive copy determines whether someone reads on\, requests the manuscript\, or buys the book. Just 150 words do a lot of heavy lifting: positioning your book in the market\, introducing your protagonist and stakes\, and making a promise that reading will be worth the commitment.  \n\n\n\nBut many writers get stuck with blurbs that sound generic or interchangeable with another author’s book. Shortcuts\, AI\, and borrowed language won’t sum up the heart of 100\,000 words. You have to step inside your book and ask what it is truly offering—and then stress-test whether or not your manuscript delivers on that promise. \n\n\n\nWhen I finally arrived at the right 150 words for my own memoir/reported nonfiction project\, everything fell into place. I received thoughtful\, encouraging passes instead of crickets\, and in a very short period of time\, two offers of publication. As I wrote and revised\, the blurb became a microcosm of my story’s logic and the reason someone would choose my book over anything else in front of them. \n\n\n\nAgents are looking for the blurb in your query letter (and will use it to sell your book to publishers). Editors are looking for the blurb in your book proposal. Marketers are looking for the blurb in your materials. And most importantly\, your readers are looking to be fulfilled by the blurb’s promise. They want to read your book; give them every chance to be excited. This session shows you how to make those 150 words count. \n\n\n\nCan’t make it live? No worries—a replay will be available to all registrants. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nDEFINE what a blurb is (and is not) and see how it functions across queries\, proposals\, websites\, and sales materials\n\n\n\nANALYZE real blurb examples to see how a clear\, compelling story or concept is expressed in 150 words\n\n\n\nSTRUCTURE a blurb for yourself that introduces the protagonist/author\, stakes\, and take-away (without summarizing the entire book!)\n\n\n\nIDENTIFY and AVOID common pitfalls that weaken blurbs\, including generic language and over-reliance on trends\n\n\n\nEVALUATE whether your blurb makes a promise your manuscript actually delivers on\n\n\n\n\nThis webinar is ideal for writers who are …\n\n\n\n\nnot getting responses from their query letters or book proposals\n\n\n\nplanning to self-publish and needing strong sales copy for online retail pages and author websites\n\n\n\nfinished with their manuscript and need to articulate what the book is about\n\n\n\nstruggling to describe their book clearly\, concisely\, and in a compelling way\n\n\n\ngetting stuck in the weeds of their book and need to refine the premise\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nMichelle Cutler is an award-winning screenwriter\, storytelling coach\, and developmental editor specializing in true stories and memoir\, as well as an enthusiastic teacher. She has written more than 1\,700 advertising campaigns for global brands\, humanizing brand copy for short form content. She holds an MFA in film from NYU and a diploma in advanced creative writing nonfiction from Cambridge. She is currently writing I WON’T LET YOU DIE ALONE\, a reported memoir from the trenches of modern elder caregiving for Bloomsbury. \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\nBefore the replay is sent\, you may request a refund less a $10.00 processing fee. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/blurb-clinic/
LOCATION:Zoom
CATEGORIES:Webinars
ATTACH;FMTTYPE=image/png:https://writingcraft.com/wp-content/uploads/2026/04/Cutler.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260520T150000
DTEND;TZID=America/New_York:20260520T170000
DTSTAMP:20260514T160448Z
CREATED:20260422T175949Z
LAST-MODIFIED:20260514T160448Z
UID:10000120-1779289200-1779296400@writingcraft.com
SUMMARY:WEBINAR | Mind the Gaps: Writing Less While Saying More
DESCRIPTION:Beyond show-don’t-tell\, create powerful scenes through details\, images\, and juxtaposition.\n\n\n\nFor Fiction Writers\, Memoirists\, and Essayists \n\n\n\nOur strongest writing makes the reader feel with our characters/our narrator selves. But too often\, we over-write—spelling out emotions\, explaining through dialogue\, interrupting memoir scenes with reflection or novel scenes with backstory—so that readers are watching someone else have an experience. By paring down our prose to singular details and powerful images\, we give room for the reader to “lean in” to the story\, actively assemble information\, and share the discoveries\, realizations\, tears\, and laughter on the page. \n\n\n\nIn this interactive webinar (let’s call it a workshop!) we’ll prune text\, remove summaries to let details stand\, and use gestures and images to create meaning and feeling. We’ll examine how to “score” text by arranging it on the page\, making the visual processing of words and white space part of the reader’s experience. In published examples from fiction and memoir\, we’ll learn how juxtaposition\, high-context dialogue\, and purposeful repetition give emotional punch. And we’ll challenge ourselves to create endings without explanations that resonate in the reader’s mind long after they’ve closed the book. \n\n\n\nRaise your craft level and gain a tool kit. In-class writing time and live editing will give you a chance to apply this to your writing right away. \n\n\n\nCan’t make it live? No worries—a replay will be available to all registrants. \n\n\n\n\n\n\n\nThis is a TWO-HOUR class\, with 20 minutes of writing time in the middle. \n\n\n\n\n45 minutes – Learn a new tool kit of writing techniques to give fewer words more power.\n\n\n\n5 minutes – Q&A to fully understand and apply the techniques.\n\n\n\n20 minutes – Revise a scene from your novel\, memoir\, short story\, or essay using your new tools. Allison will continue taking questions in the chat. \n\n\n\nOPTIONAL: Volunteer for live editing and upload your revised scene as a Word doc or docx to a Google Drive (link will be provided IN CLASS; no pages accepted early).\n\n\n\n40 minutes – Allison will live-edit volunteer pages on screen\, noting where the writer is succeeding and what revisions could make the prose even more effective. She’ll call out specific techniques and tips for everyone to apply to their own work. \n\n\n\n10 minutes – additional Q&A and more on applying this work to your writing.\n\n\n\n\nIn this workshop you will: \n\n\n\n\nHEAR how the interplay of said and unsaid makes dialogue more powerful\n\n\n\nSEE how scoring text on the page establishes distance and attitude\, smooths transitions\, and increases dramatic tension\n\n\n\nDISCOVER ways to increase emotional power on the page through specific details\n\n\n\nAPPLY the tools and techniques to your own scene\, essay or story\n\n\n\nCREATE powerful emotional connection with deliberate craft choices\n\n\n\n\nThis Course is ideal for writers who are …\n\n\n\n\nNovelists who want readers to feel what the characters are feeling\n\n\n\nMemoirists and essayists who want to write powerful emotions without over-explaining their own feelings or over-using reflection.\n\n\n\nCreative writing students and graduates of MFA programs who want to expand their writing craft with conscious practice.\n\n\n\nDevelopmental editors who want to grow their knowledge of white space\, details\, and juxtaposition in prose and better communicate that knowledge to their author clients.\n\n\n\nWriters hearing feedback that they are “telling” or info-dumping on the page\n\n\n\nWriters struggling with realistic dialogue\, whether recreating a remembered scene or writing fiction.\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nAllison K Williams is the author of Seven Drafts: Self-Edit Like a Pro From Blank Page to Book. She has edited and coached writers to Big Five and literary/university publishing deals and the New York Times and USA Today bestsellers lists. She’s guided essayists and humorists to publication in media including the New Yorker\, Time\, the Guardian\, the New York Times\, McSweeney’s\, Refinery29\, Hippocampus\, the Belladonna and TED Talks. As Social Media Editor for Brevity\, she inspires thousands of writers with weekly blogs on craft and the writing life.As a memoirist\, essayist\, and travel journalist\, Allison has written craft\, culture and comedy for National Public Radio\, CBC-Canada\, the New York Times\, the Christian Science Monitor\, Creative Nonfiction\,McSweeney’s Internet Tendency\, Kenyon Review Online\,Travelers’ Tales and Flash Nonfiction Funny. \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\nBefore the replay is sent\, you may request a refund less a $10.00 processing fee. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/mind-the-gaps/
LOCATION:Zoom
CATEGORIES:Webinars
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DTSTART;TZID=America/New_York:20260513T150000
DTEND;TZID=America/New_York:20260513T163000
DTSTAMP:20260507T123213Z
CREATED:20260412T152910Z
LAST-MODIFIED:20260507T123213Z
UID:10000117-1778684400-1778689800@writingcraft.com
SUMMARY:WEBINAR | Call and Response: Writing Beginnings and Endings in Essays
DESCRIPTION:What tone to strike at the start? And how to shape an ending that responds? Learn how to make your essays move.\n\n\n\nFor Personal Essays \n\n\n\nEssays sing. Beginning sentences open the tune—and connect to the endings in how the song ends. An essay’s opening says something about what the writer wants to explore through different lenses or truths. The beginning can nail the “what\,” the essence of an essay’s quest\, through an image or inflection or voice or rhythm of language (“It was the best of times\, it was the worst of times”).  \n\n\n\nEssays move. Writers listen for a change—a mini-epiphany\, an angle through the mind’s eye that frames in a fresh way\, or a phrase like prayer in structure and sound. What might the last line say in response to the first? If beginnings and endings are siblings\, what is the connection that links them? How might the closing not just echo the opening but instead extend it\, go beyond what’s there? \n\n\n\nIn this practice-driven webinar (be ready to write)\, Jonathan Callard will guide you through possibilities in shaping strong openings and closings in essays and how they can work together to inspire movement and revelation in your work. \n\n\n\nCan’t make it live? No worries—a replay will be available to all registrants. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nEXPLORE key elements of strong openings in essays and how to express them on the page.\n\n\n\nDISCOVER how closings can respond to openings to deepen a piece and ways to write strong closings.\n\n\n\nLEARN how beginnings and endings can work with a “what”—a tension/question—to create a transformative essay that pivots toward a change/shift\, a “then.”\n\n\n\nPRACTICE writing your own openings and closings in real time\, guided by exercises designed to unlock movement and revelation in your essays.\n\n\n\n\nThis webinar is ideal for writers who …\n\n\n\n\nfeel stuck on how to begin or end their pieces\n\n\n\nwant to play with structure of narrative or idea\n\n\n\nwant to hone their essays to engage agents\, editors\, and readers\n\n\n\nwant to understand how a central tension or question can guide an essay\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nJonathan Callard is a writer\, editor\, and teacher who helps writers shape stories and find their voice. The winner of the Prairie Schooner Creative Nonfiction Contest judged by National Book Award honoree Sarah M. Broom\, his work has appeared in Prairie Schooner\, PublicSource\, Creative Nonfiction\, Hotel Amerika\, Gulf Coast\, Image\, the Pittsburgh Tribune-Review\, Pittsburgh Magazine\, Arts & Letters\, and the Dallas Morning News\, among others\, and has earned fellowships from the Ragdale Foundation\, the Virginia Center for the Creative Arts\, and the Brush Creek Foundation for the Arts. Having previously taught for the Creative Nonfiction Foundation\, he currently offers writer-mentoring services and also teaches for the University of Pittsburgh\, where he received an MFA in nonfiction writing. He lives in Pittsburgh\, Pennsylvania. \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\nBefore the replay is sent\, you may request a refund less a $10.00 processing fee. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/call-and-response/
LOCATION:Zoom
CATEGORIES:Webinars
ATTACH;FMTTYPE=image/png:https://writingcraft.com/wp-content/uploads/2026/04/Callard.png
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DTSTART;TZID=America/New_York:20260506T150000
DTEND;TZID=America/New_York:20260506T160000
DTSTAMP:20260430T163553Z
CREATED:20260409T154710Z
LAST-MODIFIED:20260430T163553Z
UID:10000115-1778079600-1778083200@writingcraft.com
SUMMARY:WEBINAR | The Art of Book Reviewing: Discovering Connection through Critique
DESCRIPTION:In a crowded publishing marketplace\, professionally reviewing books is a way to network and build your byline.\n\n\n\nFocus: Creative Nonfiction though LARGELY THE PRINCIPLES APPLY ACROSS GENRES \n\n\n\nBook reviewing is a time-tested\, excellent way to connect with literary venues and network with writers further along in their careers. Whether you have a manuscript of creative nonfiction well underway or are just beginning to break into essay or memoir writing\, reviewing also allows you to practice critical approaches to writing that transfer to resolving thorny issues in your work.  \n\n\n\nIn a time of thumbs up or thumbs down and dashed-off Goodreads reviews of “this sucked” or “loved it\,” there’s an art to book reviewing—and a need for a blending of personal and critical analysis. But there are many different types and formats of book reviews and countless outlets that accept them\, so it may be difficult to know where to get started.  \n\n\n\nIn this webinar we will outline different types of book reviews and outlets\, learn the do’s and don’ts (and the value!) in the writing and publishing process of book reviews\, and take home craft tools to create a successful review of your own. \n\n\n\nCan’t make it live? No worries—a replay will be available to all registrants. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nLEARN do’s and don’ts of book review pitching and writing\n\n\n\nGAIN PERSPECTIVE on reviewing as a means of elevating your own writing and others’ \n\n\n\nDISCOVER how searching for comps in a book review helps find comps for your own manuscript\n\n\n\nLEARN how the practice of analysis and critique leads to stronger writing\n\n\n\nDISCOVER venues for your reviews and the expectations for different outlets\n\n\n\nLEARN how reviewing is a valuable networking tool in the creative nonfiction and independent publishing communities\n\n\n\nDECONSTRUCT a sample review structure\n\n\n\n\nThis webinar is ideal for writers and readers of creative nonfiction who …\n\n\n\n\nhope to professionally network with others in the field\n\n\n\nseek practice pitching both critical and creative work\n\n\n\nare interested in book reviewing but not sure how to start\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nBrooke Champagne is a native New Orleanian and the award-winning author of Nola Face: A Latina’s Life in the Big Easy\, named a Best Book of 2024 from Kirkus Reviews.  Her book of cultural criticism and reportage\, Drive-Thru Daiquiri\, is forthcoming with LSU Press.  Champagne serves as Book Reviews Editor for River Teeth: A Journal of Narrative Nonfiction.  She is an Assistant Professor of Creative Writing in the MFA Program at the University of Alabama. \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\n \n\n\n\nBefore the replay is sent\, you may request a refund less a $10.00 processing fee. For a refund\, EMAIL us at info@WritingCraft.com. Canceling your Zoom invite will not initiate this process. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/the-art-of-book-reviewing/
LOCATION:Zoom
CATEGORIES:Webinars
ATTACH;FMTTYPE=image/png:https://writingcraft.com/wp-content/uploads/2026/04/Champagne.png
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DTSTART;TZID=America/New_York:20260501T000000
DTEND;TZID=America/New_York:20260531T235959
DTSTAMP:20260427T220758Z
CREATED:20260423T152437Z
LAST-MODIFIED:20260427T220758Z
UID:10000119-1777593600-1780271999@writingcraft.com
SUMMARY:REPLAY | The Magic of Micro Prose: Find Your Story in 300 Words or Less
DESCRIPTION:Unlock your storytelling potential and share your words with captivating brevity.\n\n\n\nREPLAY INCLUDES : VIDEO\, CHAT SCRIPT\, AUDIO FILE\, SLIDES\, HANDOUT\, AND TRANSCRIPT & MORE \n\n\n\nMicro prose—stories told in 300 words or less—provides an opportunity for more\, not less. Learn how this short but versatile form can amplify your creative nonfiction work (memoir and personal essay) and even poetry and fiction.  \n\n\n\nWe’ll look at examples of micro in the world\, how you can begin writing micro right away\, and submission opportunities as you ready your work for the world. Darien will share her methods for drafting and crafting micro prose\, and lead an in-class exercise so you can try it for yourself.  \n\n\n\nIf you’ve ever been curious about micro\, now’s a great time to add this powerful form to your writer’s toolbox. \n\n\n\n\n\n\n\nIn this webinar\, you will:\n\n\n\n\nLEARN about micro prose and its storytelling superpowers\n\n\n\nEXPLORE micro prose possibilities for creative nonfiction\, fiction or poetry projects\n\n\n\nCONSIDER submission and publication options for your own micro prose work \n\n\n\n\nThis webinar is ideal for writers who …\n\n\n\n\nwant to explore new ways to generate material\n\n\n\nare interested in learning more about short-form writing\n\n\n\nare ready to experiment with different ways of telling a story\n\n\n\nwant to publish short work as they write toward longer projects\n\n\n\nwant to deepen their literary craft\n\n\n\n\nClosed captioning is available. ✔All registrants receive the recording. ✔ \n\n\n\n\n\n\n\nABOUT YOUR PRESENTER\n\n\n\n\n\n\n\nDarien Hsu Gee is an international bestselling author published by Penguin Random House and the third Mark Twain Distinguished Writer-in-Residence at the University of Connecticut\, following Alexander Chee and Justin Torres. Her work spans genres\, from novels translated into eleven languages to award-winning micro prose and poetry collections. She is the executive editor of Nonwhite and Woman: 131 Micro Essays on Being in the World (IPPY Silver Award) and the author of Allegiance (IPPY Bronze Award)\, Other Small Histories (Poetry Society of America Chapbook Fellowship)\, and Writing the Hawaiʻi Memoir (Ka Palapala Poʻokela Award of Excellence). \n\n\n\nA recipient of a Sustainable Arts Foundation grant and a Vermont Studio Center fellowship\, Darien teaches creative nonfiction at UCLA Extension and Hugo House. She also leads specialized micro prose workshops through her platform\, Writer-ish\, and publishes two Substacks: Writer-ish\, focused on the art of micro prose\, and Drafts\, Deals & Detours\, a real-time look at the working writer’s life. \n\n\n\nHer service to the literary community includes board work with Short Reads and Flash Fiction Institute. \n\n\n\nQuestions? Please email Info@writingcraft.com \n\n\n\nBecause the replay is delivered instantly upon purchase\, all sales are final. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegistration Info\n\n\n\n\n\n\n\n\n\n\n\nEvent Organizer\n\n\n\n\n\n\n\n\n\n\n\nLocation
URL:https://writingcraft.com/event/replay-the-magic-of-micro/
LOCATION:Zoom
CATEGORIES:Webinars
ATTACH;FMTTYPE=image/png:https://writingcraft.com/wp-content/uploads/2026/04/Gee.png
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