Author: Angela Larkin

  • Craft a Stronger Memoir: Identifying and Fixing the 5 Most Common Craft Issues

    Craft a Stronger Memoir: Identifying and Fixing the 5 Most Common Craft Issues

    March 21 @ 2:00 pm 4:00 pm EST

    LIVE ON ZOOM | Saturdays, 2-4 pm Eastern | Jan 4th and 11th | Nonfiction

    Of course your memoir has unique craft challenges. And yet, most developmental editors – myself included – will tell you that common, identifiable and fixable issues arise in memoirs, again and again. Although most writers can sense when something in the manuscript is falling flat, or we know in our hearts “it’s just not ready yet,” we’re so close to the material that it’s difficult to identify which areas need improvement. 


    In this 2-day seminar, we’ll discuss the most common issues in memoir manuscripts and strategies for addressing them in our own work. You’ll learn a toolbox of revision strategies to apply to your manuscript immediately, including distinguishing “story” versus “situation,” evaluating the use of scene versus summary, and sharpening your opening and closing pages. You will leave the workshop with a more critical editorial lens, a toolbox of revision techniques, and a roadmap for making your memoir agent-ready.

    In this seminar you’ll:
    • LEARN the five most common issues in memoir manuscripts and how to avoid them.
    • DEVELOP a more critical editorial lens toward your work. 
    • ASSESS your manuscript for craft issues that might make agents stop reading.
    • BUILD a toolbox of revision strategies for making your memoir agent-ready–and improving all your future writing. 

    By the end of these two days, you’ll be equipped with a deep understanding of how scenes work, how to sequence scenes to create a dramatic story, and how and when to use summary and reflection to create memorable and meaningful narratives.

    This seminar is ideal for…
    • Writers looking to understand and apply essential revision strategies
    • Writers ready to revise their memoir manuscript with a critical, editorial lens.
    • Those who sense areas in their work that need improvement but aren’t sure how to address them.
    • Writers who’ve written most or all of a memoir draft and are looking to revise and pitch agents.

    Closed captioning is available. ✔

    Think you might miss part of the class? No worries, replays will be available. ✔

    ABOUT THE INSTRUCTOR

    Katie Bannon is a writer, editor, and educator whose work has appeared in The Washington Post, The Rumpus, ELLE Magazine, Narratively, and more. Her memoir manuscript, which charts her journey as a compulsive hair puller, was a finalist for the Permafrost Nonfiction Book Prize. A graduate of GrubStreet’s Memoir Incubator, she holds an MFA in creative nonfiction from Emerson College. She is a developmental editor who loves working with memoirists and essayists on how to write and revise their most vulnerable, taboo stories. She teaches at GrubStreet and lives in Central Massachusetts with her partner and two cats.

    Student Testimonials

    “Katie is the best writing instructor I have ever had. Her presentation was impeccable. She provided an abundance of ideas, details, examples, and information. In fact, the class was overflowing with information. I have nothing but praise for Katie and the class content.”

    “Katie is the best writing instructor I have ever had. Her presentation was impeccable. She provided an abundance of ideas, details, examples, and information. In fact, the class was overflowing with information. I have nothing but praise for Katie and the class content.”

    “Holy moly, this was a superb class. Instructor was well-prepared with lots of valuable and well-organized information and ideas. I have already begun applying some of the tools from class to revise—and what a difference it’s making!”

    “Katie was an amazing instructor- she explained core concepts with clarity and ease, provided excellent examples and writing samples, and created a very supportive learning environment. The class truly exceeded my expectations!”

    The Fine Print

    We understand that life can get in the way of your plans. We want you to be able to get the most out of your course, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers.

    Before the first class, you may request a refund (less a $25 processing fee).

    Please keep in mind that no refunds or credits will be issued after class begins.

    Questions? Please email Info@craft-talks.com


    Registration Info
    $75 – $99

    Event Organizer


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  • The Secrets to Finding the Right Path to Publication for Your Book

    The Secrets to Finding the Right Path to Publication for Your Book

    March 1 @ 12:30 pm 3:00 pm EST

    This two-day event includes focused teaching sessions, plus industry guests discussing the publishing landscape and taking your questions. Your host Peter Mountford will teach the dos and don’ts of writing query letters, with a focus on how they differ by genre, covering common publishing pitfalls and clarifying important questions, such as the necessity of having a platform, what that truly means, and much more!

    In addition to these key lessons, Literary Agent Anjali Singh, Tin House Editorial Director Masie Cochran and FSG Executive Editor Jenna Johnson will join us to share the topics currently on publishers’ minds. Our time also includes networking, pitch practice, and a rich resource packet to spark–and sustain–your publishing journey. 


    Guests Include:
    • Anjali Singh – Founder of her own literary agency (est. 2024) and former agent at Ayesha Pande Literary, Anjali represents literary fiction, memoir, narrative nonfiction, and graphic novels.
    • Masie Cochran – Editorial Director and Interim Publisher at Tin House Books, where she has edited numerous award-winning and bestselling works since joining in 2011.
    • Jenna Johnson – Executive Editor at Farrar, Straus and Giroux, working across fiction and nonfiction with a focus on cultural history and overlooked stories from around the world.

    On day two, you’ll be able to join early and participate in breakout rooms to practice your pitch with fellow writers.

    During this intensive, you will:
    • Learn to write an effective query letter: Understand the structure, tone, and content of a compelling query tailored to your genre.
    • Develop a targeted list of publishers to pursue: Identify the right publishers for your work based on genre, style, and market fit.
    • Discsover essential resources for finding the right agent: Gain insights into the agent search process and learn to find agents who align with your goals.
    • Engage in meaningful discussions with industry professionals who will share their insights and address your specific questions.
    • Refine and Practice your elevator pitch: Participate in breakout sessions designed to help you craft and polish a succinct, impactful pitch (sometimes called a “jacket copy“) that showcases your book.

    All participants will receive the slides and an extensive resource packet to support their publishing journey.

    This intensive is best for writers who:
    • Want to cut through the noise to work efficiently toward their publishing goals
    • Have little to intermediate knowledge of the publishing industry and are looking for more practical guidance on navigating the submission process
    • Are considering seeking an agent and/or publisher for their book
    • Desire a clearer understanding of the publishing landscape, including current trends and expectations from publishers
    • Are weighing whether traditional publishing is the right path for them

    Closed captioning is available (except for breakout rooms). ✔
    Think you might miss part of the intensive? No worries, a replay will be available. ✔

    ABOUT YOUR Host

    Peter Mountford is a popular writing coach and teacher with twenty years of experience. The author of the novels A Young Man’s Guide to Late Capitalism (Washington State Book Award), and The Dismal Science (NYT editor’s choice), as well as the forthcoming collection of short stories, Detonator. His work has appeared or is forthcoming in the New York Times (Modern Love), Paris Review, Ploughshares, The Atlantic, Guernica, The Sun, Granta, and Missouri Review He lives in Seattle, and teaches at the University of Nevada, Reno at Lake Tahoe’s MFA.

    The Fine Print

    We understand that life can get in the way of your plans. We want you to be able to get the most out of your course, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers.

    Before the class, you may request a refund (less a $25 processing fee).

    Please keep in mind that no refunds or credits will be issued after class begins.

    Questions? Please email Info@craft-talks.com


    Featured Guests

    Maise Cochran is Editorial Director (and Interm Publisher) of Tin House Books, where she has worked since 2011. Before coming to Tin House, she worked at InkWell Management Literary Agency in New York, NY. She has edited many award-winning and bestselling titles, including the intricately plotted novels of Claire Fuller; an Obama Best Book of the Year pick (Cory Taylor’s Dying: A Memoir); E. J. Koh’s family saga The Magical Language of Others; Annie Hartnett’s darkly funny Rabbit Cake.

    Jenna Johnson is an Executive Editor at Farrar, Straus and Giroux working in both fiction and nonfiction, with particular interest in overlooked stories from around the world, religion, cultural history and biography, natural history and ecology, and food. Among her titles are Samantha Hunt’s “The Dark Dark” and “Mr. Splitfoot,” National Book Award Finalist “The Turner House” by Angela Flournoy, national bestseller and NBF 5 Under 35 honoree “We the Animals” by Justin Torres, Booker shortlisted “Pigeon English” by Stephen Kelman, Man Asian Prize Winner “Three Sisters” by Bi Feiyu, National Jewish Book Award winner “The Lion Seeker” by Kenneth Bonert, and James Beard Winner “Save the Deli” by David Sax. Before FSG, she worked at Houghton Mifflin Harcourt and in advertising and public relations. She holds a B.A. in History from Columbia and an M.A. in Religious Studies from NYU.

    Anjali Singh founded her agency in 2024. Most recently, she was an agent at Ayesha Pande Literary for nine years; she has also worked as an editor at Vintage Books, Houghton Mifflin Harcourt, Simon + Schuster and as Editorial Director of Other Press. She is best known for having championed Marjane Satrapi’s Persepolis after stumbling across it on a visit to Paris. She has always been drawn to the thrill of discovering new writers and among the literary novelists whose careers she helped launch are Chimamanda Ngozi Adichie, Samantha Hunt, Saleem Haddad and Nawaaz Ahmed. She focuses on literary fiction, memoir, and narrative nonfiction as well as representing graphic novel writers and illustrators across all age ranges.


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  • Angle of Vision: Reflection and Retrospection, Time and Tense

    Angle of Vision: Reflection and Retrospection, Time and Tense

    March 8 @ 3:00 pm 4:00 pm EST

    Retrospection is a powerful form of meaning-making: it allows us to consider what happened through the lens of subsequent experience, adding a layer of significance to memory and allowing writers to recognize and reflect on what’s changed and why it matters. To powerfully use this voice, writers must make thoughtful choices when choosing tense.


    We’ll examine and discover how tense functions; consider the oft-repeated advice that present tense is more vivid and immediate; and analyze how mastering tense allows seasoned writers engage in retrospection and reflection.

    In this webinar, you will:
    • EXAMINE the ways one can use tense to enable retrospection and reflection
    • ANALYZE past and present tense, to understand how each functions discretely and how they can work together
    • LEARN to use tense in your own writing, to create an angle of vision that draws meaning from memory and experience

    This webinar is ideal for writers of memoir and personal essay who want to better understand how to write from their own memories and experiences.

    Closed captioning is available ✔
    All registrants receive the recording ✔

    YOUR PRESENTER

    Michael Copperman’s  prose has appeared in The Oxford-American, Guernica, The Sun, Creative Nonfiction, Boston Review, Salon, Gulf Coast, Triquarterly, Kenyon Review and Copper Nickel, among many others, and has won awards and garnered fellowships from the Munster Literature Center, Breadloaf Writers Conference, Oregon Literary Arts, and the Oregon Arts Commission. His memoir TEACHER: Two Years in the Mississippi Delta (University Press of Mississippi 2017), about the rural black public schools of the Mississippi Delta, was a finalist for the 2018 Oregon Book Award in CNF. His work is represented by David Dunton of Harvey Klinger.

    Questions? Please email info@craft-talks.com


    Registration Info
    $15 early bird | $25.00

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  • SEMINAR | Deep Characterization for Fiction: Uncovering Secrets, Relationships and Your Character’s Inner Life

    SEMINAR | Deep Characterization for Fiction: Uncovering Secrets, Relationships and Your Character’s Inner Life

    April 5 @ 12:00 pm 4:00 pm EDT

    To truly capture a character’s voice, motivations, and subtext, it’s essential to imaginatively live in their skin. Characters drive your story, and fully inhabiting their consciousness and uncovering their hidden mysteries will infuse new life into your narrative. This seminar is a guided deep dive into both the inner and outer worlds of your characters.

    Through a series of immersive exercises, you’ll start by exploring your character’s outer world in unique ways: drawing, mind-mapping, and sensory charts. These activities will allow you to experience your character’s surroundings in a fresh, impactful manner. You’ll also take a meditative journey into your character’s inner world, exploring how their environment influences their thoughts, reactions, and inner dialogue. This process will help you uncover histories and relationships within your story that you may not have discovered yet.

    By the end of this seminar, you’ll feel equipped to live inside your character’s skin, with a repeatable set of exercises and techniques to deeply understand the characters in every story you write. 

    There will be a break at the halfway point of our session.


    In this seminar you’ll:
    • ENTER a flow state and imaginatively immerse yourself in your character’s world
    • MASTER techniques for eliciting emotional depth through setting and past memories
    • MEDITATE to explore your character’s emotions and relationships in a profound way
    • CREATE a mind-map based on emotion and character motivations, while avoiding forced or inauthentic plot elements
    • DEVELOP an ongoing emotional and analytical connection with your character, allowing them to speak to you 
    • ALLOW your character to drive the narrative, ensuring their actions remain grounded in their authentic motivations
    • DISCOVER character objectives through non-analytical means, so you always understand why your characters do what they do
    • REFINE your story’s POV and voice to reflect the evolving discovery of your character
    • UTILIZE these exercises to overcome writer’s block and reignite your inspiration

    Every registrant will receive a manual of exercises that can be used to continually deepen their character work.

    This seminar is ideal for fiction writers in all genres who:
    • Feel intimidated or confused about characterization
    • Struggle to convey their characters in a lifelike manner
    • Feel their characters aren’t speaking to them
    • Want to understand their characters’ motivations but aren’t sure where to start
    • Seek to go beyond analytical character analysis and fully inhabit their character’s world
    • Struggle to emotionally connect with their character’s inner world or bridge the gap between inner and outer worlds
    • Are drafting or significantly revising a work-in-progress
    Who this class may not be suited for:

    The class focuses on delving deeply into both the inner and outer worlds of your character for fiction writers and illustrators. Writers of memoir or narrative nonfiction will need to create their own workarounds for many of the immersive exercises, which is possible but won’t be directly provided by the instructor.

    Closed captioning is available. ✔
    All registrants receive the recording. ✔

    ABOUT YOUR PRESENTER

    BRITTA JENSEN’s novel, Eloia Born, won the 2019 Writer’s League of Texas YA Discovery Prize and was long-listed for the Exeter Novel Prize. Subsequent publications include a sequel, Hirana’s War, Ghosts of Yokosuka, and the forthcoming Orphan Pods as well as short stories “Why Not Ophelia” in the Castle Anthology of Horror- Femme Fatales, and “Noise in the Woods” in Mixed Bag of Tricks. Her stories explore themes of persevering through disability, found family, and the intersection of love and various cultures on new worlds. For the past twenty-two years she has taught creative writing and edited books. Friends often refer to her as a polyglot— a product of living twenty-two years overseas in Japan, South Korea, and Germany before settling in Austin, Texas with her awesome capoerista/tailor husband. She loves coaching authors and editing books with The Writing Consultancy and Yellowbird Editors

    Testimonials from past Character Immersion Workshops for SCBWI, Westbank Library, The Writer’s League of Texas, schools & TWC Workshops:

    “I got so much out of the Character Immersion Workshop and can’t wait to use it on more of my characters!” –Lynne Kelly, author of Song for a WhaleThe Secret Language of Birds and Chained.

    “The class was so rich with ideas and wonderful exercises. Our group will be talking about some of your ideas for weeks to come, I’m sure!”-Maureen Turner Carey, author & librarian, Westbank Library

    “I can’t express enough how much this workshop was a breakthrough for me, but for the rest of the characters I have written since. I keep going back to the material because I had been stuck on an important character who was acting only on the surface of herself: she was showing up in the right scenes and saying the right things. When I put her through this Immersion Workshop I discovered her core motivation which will allow a more purposeful character to have much more impact those same scenes and those same lines.”-Marc Hess, author

    “A breakthrough for me was better understanding my character through the POV of another. When writing from another character’s POV, so much more was revealed that both clarified and verified things swirling around in my head, but couldn’t yet breakthrough.”-Kellie McCants, author and actor

    THE FINE PRINT

    We understand that life can get in the way of your plans. We want you to be able to get the most out of your course, and our refund policy is designed to balance your need for flexibility with our deadlines and obligations to our teachers.

    Before the class, you may request a full refund.

    Please keep in mind that no refunds or credits will be issued after class begins.

    Questions? Please email Info@craft-talks.com


    Registration Info
    $99 Cost of the Event

    Event Organizer

    Location